An acrylic painting of red barns surrounded by green grass, with a river flowing through on the right side of the piece. In the background are mountains below a blue sky., Patricia Gerlach; Wallowa Farm; 24x30; acrylic, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A red, metal gate inlaid with ceramic mosaic pieces that combines the image of a caterillar and a butterfly., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This view details one of the inlaid butterflies on the courtyard wall., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A watercolor painting of green rhododendron leaves with white and pink flowers. Behind the plants is a yellow and pink shading, next to a blue sky., Henk Pander; Rhododendron; 1994; watercolor; 40x60 inches; HP 164; Elizabeth Leach Gallery; 207 S.W. Pine Street Portland Oregon 97204; 503-224-0521, hpander@earthlink.net, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A geometric composition of rectangular blocks of color. A horizontally oriented, green rectangle covers the bottom fourth of the picture plane. A vertically oriented, black rectangle occupies the left third of the picture plane. A yellow and green line separates the black rectangle from the remaining three sections, which consist of a vertically oriented, purple rectangle as well as a purple-pink rectangle. These two sections are capped off by a horizontally oriented, blue rectangle. Variations between duplicate images directly relate to original source materials., Oil on canvas; 70x60; 1979, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=374; http://www.searspeyton.com/html/artistresults.asp?artist=364&testing=true, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A mostly green background supports three irregularly shaped black objects that are stacked one on top of the other in the center of this piece. Additional irregular shapes in blues and oranges float around the three main shapes along with several squiggly lines. The number two occupies the left-hand side of the picture plane in dark green.Variations between duplicate images directly relate to original source materials., Oil on canvas; 72 x 48 inches, http://www.blackfish.com/Artist-Detail.cfm?ArtistsID=24, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
A colorful abstraction that employs pink, green, red, yellow, blue, and black to build a somewhat chaotic composition that is grounded by two five-pointed stars on the right and left sides of the piece., Acrylic rhoplex on canvas; 4'2 x 7'6 inches, Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.arcticrefugeart.org/parker/par_vita.html; http://www.pnca.edu/exposure/stories/18/embodying-exuberance, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
An abstract-color landscape featuring horizontal fields of dark that frame shades of declining light at nightfall., http://www.laurarusso.com/artists/dailey.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., http://www.lorindaknight.com/artist_resume.asp?id=106, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/