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1. Jetty II
Jetty II
Description
A geometric compostion containing triangular and rectangular shapes rendered in reddish-brown, orange, and yellow., Scott Sonnikson; jetty II; psu school of bus., http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
2. Pisagna
Pisagna
Description
A brightly colored and ornately patterned painting that calls attention to color and form. Red, yellow, blue, and black combined with neutral brown tones define a matrix of circles, squares, and squiggles., Jack Portland; psu school of bus. ad; pisagna, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
3. Jetty II
Jetty II
Description
A geometric compostion containing triangular and rectangular shapes rendered in reddish-brown, orange, and yellow., Scott Sonnikson; Jetty II; Professional Schools Building-PSU, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
4. The Condor Steps Out
The Condor Steps Out
Description
A grid of squares in gray on top of a black square on a white background., Carolyn Cole; the condor steps out; psu prof. Schools, (1986) Carolyn Cole is a painter and sculptor originally from Portland, Oregon. She worked extensively on handmade, cast paper paintings from 1978 to 1985., carolyncole@comcast.net, http://data.fineartstudioonline.com/dataviewer.asp?keyvalue=3384, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
5. Untitled (Yes)
Untitled (Yes)
Description
This painting is comprised of lace patterning presented in three sections of alternating colors. The top and bottom sections are rendered in white with yellow accenting, while the middle section is rendered in green and dark blue., Phyllis Yes; professional schools building; psu; acrylic; detail, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
6. Untitled (Yes)
Untitled (Yes)
Description
This painting is comprised of lace patterning presented in three sections of alternating colors. The top and bottom portions are rendered in white with yellow accenting, while the middle section is rendered in green and dark blue., Phyllis Yes; professional schools building; psu; acrylic, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
7. Held Over
Held Over
Description
A geometric abstraction depicting a reddish-brown rectangle extending upward from the bottom of the picture plane. Contained within this rectangle are two black rectangles with two skinnier yellow rectangles intersecting them and extending upward beyond the reddish-brown rectangle. The background is comprised of gradated earthtones that move from light to dark, top to bottom., Ann G. Johnson; Held Over; acrylic on screen; PSU-Smith Center, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
8. Held Over
Held Over
Description
A geometric abstraction depicting a reddish-brown rectangle extending upward from the bottom of the picture plane. Contained within this rectangle are two black rectangles with two skinnier yellow rectangles intersecting them and extending upward beyond the reddish-brown rectangle. The background is comprised of gradated earthtones that move from light to dark, top to bottom., Ann G. Johnson; held over; psu smith center; acrylic on screen, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
9. Umatilla Landscape II
Umatilla Landscape II
Description
A stylized landscape rendering depicting rolling agriculutral land, presented in yellow, brown, and green under a blue sky dotted with white clouds., Shull 80 sold; acrylic on linen; 4feet6inches x 5 feet; unmatilla II, http://ghc.ctc.edu/library/archives/2007Winter/shullstatement.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
10. Ezekial's Wheel
Ezekial's Wheel
Description
A circular, painted composition that plays with the allocation of color and space within the circle, in quadrants, and in the negative space surrounding the circle, defined by the picture itself. The composition is constructed through thick, painted lines in bold colors such as blue, green, red, yellow, and black., Lucinda Parker; Exekial's wheel; psu prof school, Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.arcticrefugeart.org/parker/par_vita.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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