A still-life oil painting of a deck of cards stacked upon each other and scattered around. There are egg shells around the cards. The left side of the composition presents a heavy, blue cloth., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An acrylic painting of a circle, shown in shades of blue in front of a yellow and black shaped oval. In the background is a large red circle. Further back are more layers of shapes and colors., Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.laurarusso.com/artists/parker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An abstract acylic painting utilizing various brush strokes in multiple colors, mostly warm toned colors, with cool colors near the bottom of the piece. The only defined object seems to be a blue teacup with a handle on top of a black abstract object., Barbara Black; acrylic on canvas; 30x30 inches; ritual vessel with instructions, I am drawn to painting to try to make discoveries about the reconcilliation of opposities on a variety of levels: representation and abstraction; light and dark; matter and spirit, etc. At present elements such as vessels, cloth, water, islands interest me for their metaphorical possibilities when placed in a context of a more abstract expressionist emphasis of surface, color and gesture. My works frequently contain a rather precisely painted image (still life or landscape) placed in surroundings that become more abstract, as if the images had coalesced out of the matrix of color and brushwork. This juxtaposition calls attention to the way in which the brushstrokes, so full of their own identity and movement in the more abstract passages, can cohere and combine to call up an image or specific presensce, creating a precarious balance between these two functions of the paint. (Black, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
A watercolor painting from the perspective of being inside a bus, looking out the back. There is a man with a cane sitting in one of three blue seats in the very back. Behind the bus is a blue car with three people in the front seat and a dog in the back, and an orange bus filled with people behind that. The streets are filled with people., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An acrylic painting of Fernridge Lake, located at the outskirts of Eugene, Oregon, showing a white lake with bits of light blue surrounded by green landscape. There are surrounding hills in the background, and trees and other plant life in the foreground., Markley C Clarke; Fernridge Lake; 30x40 inches; acrylic; dot materials lab, Clarke has been recording his gentle impressions of Willamette Valley vistas for several years. This work was painted the summer of 1987 at Fernridge Lake about eight miles west of Eugene. It was painted from a park at the west end of the lake looking across the lake toward the hills around the city of Eugene. (Oregon Arts Commission, 1987), http://zeekgallery.com/exhibits/clarke.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A watercolor painting of white flowers with green stems and leaves housed inside a black and white floral painted vase with a metal rim. In the background of the painting, there are various colors of greens, blues, yellows, oranges, and black., C. S. Holmes; 1986; cloisonne vase; watercolor 14x17 in; dot materials lab, Craig Holmes is a 1970 graduate of Western Oregon State College. ("A Collection of Art," Oregon Art Commission, 1989), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An oil painting of a 1940s or 1950s Ford sedan. A set of black-and-white, fuzzy dice hang from the rearview mirror. The car sits in a parking area in front of a few green trees in a grassy field., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An abstract oil painting of thousands of dots formed to create forms. The orange, yellow and red striped balls, made from dotting are the most vivid objects in this abstract painting., Jack Portland; river frontage; materials lab, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An enameled steel piece based upon the theme of transportation. The view shown is of a pink car with a blue interior. A human, gender unknown, is driving, wearing a dark blue long sleeve shirt and a black beret. There is a Dalmatian-type of dog wearing a seatbelt in the backseat. The background is blue with a round, blue, pink, red, and yellow object in front of the human's face, just in front of the vehicle., Most of Edwards' work takes a humorous and delighted look at life. Edwards works in many media- glass, enamel on steel, iron- and has produced many private and public commissions. He was a National Endowment for the Arts Fellowship winner in 1981 (OAC documentation, 1990)., http://www.palmdesertartistregistry.com/garth_edwards.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Detail of an oil painting composed of hundreds of dots formed together to make visual objects. The dots vary in color such as orange, red, yellow, black, white, and blue., Jack Portland; river frontage detail; materials lab, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html