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141. Untitled (Bondarowitz)
Untitled (Bondarowitz)
Description
A black-and-white close-up study of goose-pimpled body parts. A hand is certainly discernable, while the remaining parts create tension regarding their identity., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
142. Dragonflies
Dragonflies
Description
This black-and-white photograph presents a finely detailed collection of eight dragon flies on a white ground., Dianne Kornberg; Dragonflies; split-toned silver photo; 1986; 14 x 18 inches, In 1989, Dianne Kornberg became a faculty member at the Pacific Northwest College of Art teaching the junior year photography curriculum while also mentoring seniors on their thesis projects. “Many of my students have become lifelong friends,” she says. “It has been a joy to watch their work develop, to celebrate their professional successes, to remain in touch over the years.” (See biography at http://www.pnca.edu/exposure/stories/22/dianne-kornberg), http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=123; http://www.pnca.edu/exposure/stories/22/dianne-kornberg, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
143. Cows
Cows
Description
A black-and-white photograph depicting several cows feeding amongst bare deciduous trees enclosed with fog., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
144. Untitled (Freemesser)
Untitled (Freemesser)
Description
A black-and-white landscape shot of rugged, vertical terrain with a kiosk akin to those used by the Forest Service to mark trailheads near the bottom of the frame., http://www.personal.psu.edu/faculty/m/w/mwl2/Bernie/Fressmesser_page_htm.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
145. Calligraphy - 5
Calligraphy - 5
Description
A black and white photograph of what appears to be organic forms protruding from water disturbed by ripples., Claire Trotter, Calligraphy, Photography, 8 x 10 inches mounted, 14 x 18 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
146. Decoration
Decoration
Description
This black-and-white photograph depicts an oceanfront, clapboard house with white trim and a proch containing at least four chairs and a bicycle. Variations between duplicate images directly relate to original source materials., Goodwin Harding; Decoration; State Office Building Portland, http://www.okartinst.org/gallery/quartzmountain/index.cfm?a_id=17&im_id=40&imx=1, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
147. Palomino Lake
Palomino Lake
Description
A photograph of a vast landscape, perhaps waterscape, according to the title. If it is indeed a lake, there are a lot of small dark materialsfloating in it. In the background is a slightly cloudy sky., Palomino Lake, OR; 1994; gelatin silver print; Elizabeth Leach Gallery, 207 SW Pine St., Portland, Oregon 97204; (503) 224-0521, http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
148. Table Rock Santiam Pass #338
Table Rock Santiam Pass #338
Description
A black-and-white landscape photograph of sunrays filtering down through the trees over a mountain stream., Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
149. Hand, Gila Bend
Hand, Gila Bend
Description
This hand-colored black-and-white photograph presents a bed of boulders among the foothills of a plains environment, one of which bears a white handprint., Warpinski; Hand, Gila Bend; U of O Science Complex, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
150. Fish Carrier, Wishram
Fish Carrier, Wishram
Description
An historic photogravure print of a Native American woman carrying a basket on her back and looking out over a choppy river., Born in 1868 in rural Wisconsin, Edward Sherrif Curtis moved with his family to Southern Minnesota before he reached the age of five. Photography was then a very new technology and an even more nascent art form, and Curtis was fascinated by it from a very early age. By the time he reached his teens he had built his own camera. By his mid-teens, Curtis had spent a great deal of time reading about and experimenting with photographic techniques and ideas. At the age of seventeen, he moved to Saint Paul, where he spent more than a year as an apprentice photographer. In 1887, his father's failing health caused the family to move to the Northwest. This move would later turn out to be a major factor in Curtis' subsequent interest in the American Indian. Thus, although he was large self-taught, Curtis was not only well-versed in the fundamentals of photography, but also was a serious and dedicated practitioner by the time he was twenty years old. During his lifetime, Curtis was widely acknowledged as a skilled portrait photographer, master printmaker, film-maker, lecturer, adventurer and mountaineer. Today, however, Curtis is primarily known as a master photographer and ethnographer of the North American Indian. This is undoubtedly as it should be, for he left us a photographic and ethnographic record unparalleled in the history of publishing. This massively ambitious undertaking entitled "The North American Indian" was the principal vehicle Curtis used to communicate his passionate obsession with recording the image, history, culture and spiritual life of the American Indian. This photo-ethnographic study compresses over two thousand original photographic prints (photogravures) as well as approximately six thousand pages of text. The project ultimately cost Curtis his family, his financial security, and his health. Nevertheless, he single-mindedly pursued his intense and powerful vision with an extraordinary sense of mission and thereby left us with an irreplaceable record which, after decades of obscurity, is once again appreciated as an extraordinary artistic and historical achievement. The fact that Curtis was able to make such an intimate record during the very period when the American Indian's way of life was being destroyed by the White man, makes his accomplishment all the more remarkable. (1987, Christopher Cardozo, Guest Curator for a Curtis exhibition as the Minnesota Museum of Art), http://www.edwardscurtis.com/curtisbio.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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