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Creative Commons: Attribution-NonCommercial-NoDerivatives 4.0 International
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Steven Lowenstam Collection
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51. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Departure of warriors: In the centre, a warrior to right, beardless, with long hair, fillet, short chiton, and sword, fastening a greave on his left leg, which rests on his helmet; the other greave is already on. Facing him, stands a female figure with long tresses, fillet, long chiton and diploidion, holding his spear in right hand. Behind her is a warrior to left with tall visored helmet, chlamys, greaves, spear and shield with device of a bent leg supporting with right hand the shield of the first warrior, which has a tripod as device. Behind him is an archer departing to right, and looking back, bearded, with peaked cap, short embroidered chiton, double-headed axe in right hand, left hand raised, quiver at side. Confronting him is a warrior, as last, with three pellets on shield. On the left of the centre group is a similar warrior to left, with three pellets on shield, confronting an archer, as the former, but beardless; also a beardless figure to right in long chiton and embroidered himation, holding in left hand a wand or spear. 2. On the body: Achilles and Penthesilea: In the centre is Achilles moving to right, bearded, with long tresses, fully armed, two spears in right hand, carrying over left shoulder the body of Penthesilea. Her head hangs down in front with eyes closed, long tresses and a purple wreath, and she wears a short chiton and cuirass, on right arm a bracelet, on right leg an anklet, at side a sword, with sheath terminating in a panther's head. By the side of Achilles is a Boeotian shield with device of an ivy-wreath. In front of him are a warrior and archer departing to right; the warrior, who is looking back, is fully armed, with triquetra as device on shield; the archer is bearded, with Phrygian cap, short embroidered chiton, and greaves, in left hand an axe, at back a quiver. On the left is a fallen Amazon lying back with left leg drawn up, long tresses, fillet, high-crested cap, cuirass, short embroidered chiton, greaves, spear, and shield with two pellets. Over her strides a warrior to left, fully armed, shield with device of a bull's head transfixing her with spear. Above this warrior is inscribed: KAΛOΣ; in front of Achilles is inscribed : KPITI ... Κρίτί[ας]. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
54. Καλιρρεα Κϻνη
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and lotus and honeysuckle along the bottom; accessories of white and purple. 1. On the shoulder: Combat of warriors, perhaps Achilles and Memnon: In the centre, a warrior to left, fully armed, with two pellets on shield, beaten back on one knee by a similarly armed warrior, who also has a short embroidered chiton, and a Boeotian shield. On the right is another warrior coming up to the defence of the fallen one, with helmet, short embroidered chiton, sword, spear, and shield with the device of an eight-point star. Behind each of the two latter warriors is a female figure looking on and clapping her hands; each has long hair with a fillet, long embroidered chiton and striped himation. Behind them are beardless male figures, with fillets, and drapery over the lower part of their bodies, carrying spears. 2. On the body: Water-drawing at Callirrhoe: On the left is a building supported by a Doric column painted white, on the left side of which is a fountain with water pouring from a lion's head into a hydria placed on a step. In the field is inscribed: Καλ(λ)ιρ(ρό)η κρήνη. Outside stands a maiden to left; above her is inscribed: Σίμυλις. The next one stands to left holding a hydria on her head; behind her: Σίμυλις (as before); next to her is one to right holding a hydria on her head; in front of her: Έπηράτη. The next one, also to right, has a hydria on her head, in left hand a wreath; in front of her: Κυάνη. On the right are two more, to left, the first with an empty hydria carried horizontally on a pad on her head, to which she raises right hand; behind her is inscribed: Εύήνη. The other has a hydria on her head, and right hand raised; behind her is inscribed: Χορονίκη. All have long hair and fillets, long chitons and himatia, both embroidered, and hold branches, except the second, who has no himation, but a diapered chiton with diploldion; their faces have been much repainted. Above is inscribed : Ίπ(π)οκράτης καλός. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. (a) Aeneas carrying off Anchises from Troy: In the centre is Aeneas to right, fully armed, with Boeotian shield and two spears, carrying Anchises on his shoulders; the latter has white hair and beard, long embroidered chiton, and sceptre. In front of them is Creusa (?) advancing to right and looking back at them, veiled in an embroidered himation. On the right is an old man to left, partly bald, with white hair and beard, long chiton and himation, holding a staff. Behind Aeneas is Aphrodite (?) retreating to left and looking back, with long hair, fillet, long chiton, and embroidered himation. On the left is an archer to right, beardless, with high-peaked cap, cuirass, short purple chiton, and quiver. (b) Combat of three warriors (perhaps Achilles defending Antilochos against Memnon): On the left is a bearded warrior, fully armed, with short white chiton and embroidered chlamys, thrusting with spear at a retreating warrior also fully armed, who looks back at him; he has two white plumes on his helmet, short purple chiton, Boeotian shield with device of a thunderbolt and defends himself with spear. On the right is another warrior defending the latter, fully armed, with short purple chiton, and shield with device of a dolphin to left, thrusting with spear. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Troilos and Polyxena surprised by Achilles: On the right is a fountain represented by a Doric column with white abacus, and a panther's head seen from the front, from which water is pouring over Polyxena's hydria. On the right behind the column is Achilles crouching down to left, with tall visored helmet, short chiton, sword, spear, and Boeotian shield on which is a pellet. On the other side of the fountain is Polyxena to left, with long hair, fillet, long embroidered chiton, left hand raised; behind her are branches. On the left is Troilos approaching on horseback, beardless, with embroidered chlamys and two spears; a second horse by his side. Behind him is a nude youth to right, with a fillet and two spears, left hand raised. 2. On the body: Combat of warriors: In the centre two warriors thrusting at each other with spears; they are bearded and fully armed, with embroidered chitons, but the one on the left has no cuirass; the other has a bird flying to left as device on his shield. Between them is a fallen warrior to left, with eyes closed; he is fully armed and has long tresses; on shield device of an ivy-wreath. Behind each of the two centre combatants is a fully armed warrior, with long tresses, also thrusting with spear; the one on the left has two pellets on shield, the other, an uncertain device; the latter also has parameridia. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991
- Description
- Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991