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31. Peleus and Thetis
Peleus and Thetis
Description
Pottery: black-figured neck-amphora. On the neck the usual double palmette pattern, but on a white ground. (a) On the shoulder: Lion to right and goat confronted, twice. On the body, Peleus seizing Thetis: Peleus to right, bearded, with short embroidered chiton, seizes Thetis round waist with left hand, and with right grasps her clothing. Thetis moves to right looking to left, with long hair, laurel-wreath, long embroidered chiton, and himation, right arm round Peleus' body; two of her transformations are indicated by the lion's head issuing from her left shoulder with open jaws and flowing mane, and by the panther which has leapt upon Peleus from behind, with its forepaws on his shoulder. On the right is a Siren to left; on the left, a similar figure to right, with a bearded male head, and flesh painted white (an almost unique exception to the usual rule); both have long hair wreathed with myrtle, and their bodies are formed by large eyes, with black pupils surrounded by purple and white rings, and black outlines, the ground being left red (b) On the shoulder, lion to right confronting goat, twice. On the body, Apollo Citharoedos to right; he is beardless, with long hair, tresses in front of ears, fillet, long chiton and embroidered himation, and holds the plectrum in right hand; from his chelys hangs drapery. By his side is a hind to right; on either side bird-figures with human heads and bodies formed by eyes, as on (a). Under the handles: (i) Hermes moving to right, looking back; he is bearded, with hair looped up under a fillet, short chiton, embroidered chlamys, petasos, endromides, and caduceus; in his right hand he also holds ivy-branches; (2) Artemis moving to left looking back, with long tresses, mitra, long chiton and himation, both embroidered, and bow raised in left hand; in the field, ivy-branches. Below, frieze of animals: Panther to right confronting goat, twice repeated; lion and panther confronted, between them a goat to left. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
32. Arming
Arming
Description
Pottery: black-figured neck-amphora. (a) Warrior arming: In the centre is the warrior stooping to right, nude and bearded, placing a greave on left leg; before him is his high-crested helmet. Facing him is a female figure with long tresses, and long chiton and himation, both embroidered, holding his spear and Boeotian shield on which is a panther's head between two snakes. Behind her is an archer to left, bearded, with high peaked cap, short chiton, quiver at side, and bow in left hand. On the left is an old man to right, with white beard and hair, and long chiton and himation, both embroidered, in left hand a staff; behind him an archer to right, as the former, bow and quiver at side, left hand raised. (b) Acamas and Demophon conducting Aethra: In the centre is Aethra between them, all three to right; she has a long embroidered chiton, and embroidered himation drawn over her head. Demophon, on the right, is looking back at her; he and Acamas both have short chitons, visored helmets, cuirasses, and greaves, and are bearded; the latter has a high-crested helmet, sword drawn in right hand, and embroidered chlamys. On the right is a youth to left, with long chiton and embroidered himation; behind him an old man to right, with white beard and hair, in long chiton and striped himation. On the left an old man to right, as the last, with long white tresses; each of these three has a staff in right hand. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
33. Destruction of Troy
Destruction of Troy
Description
Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
34. Destruction of Troy
Destruction of Troy
Description
Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
35. Battle
Battle
Description
Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
36. Herakles, Andromache, Ponforiste, Timiades, Telaman, Ainape
Herakles, Andromache, Ponforiste, Timiades, Telaman, Ainape
Description
Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
37. Libating to Athene
Libating to Athene
Description
Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
38. Death of Priam
Death of Priam
Description
Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
39. Medea
Medea
Description
Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
40. Menelaos chasing Helen
Menelaos chasing Helen
Description
Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930, Pottery: red-figured neck-amphora. (a) Type of Menelaus pursuing Helen. Warrior with drawn sword pursuing a woman. He is bearded, wreathed, nude, with petasos hanging by cord at back, chlamys as shield on left arm, scabbard at waist, with brown snake ornament twisted round it, and rushes to right with a drawn sword in his right hand; the woman in chiton, himation, bracelets, earrings, and a radiated stephane, looks back, extending her right with a gesture of entreaty; with her left she raises the edge of her skirt. Between the figures, ΔΙΟΝΟΚΛΕΣ KAΛΟΣ, Διωνοκλής καλός. (b) A bald-headed old man (or woman?) in long chiton, himation and fillet, and carrying a crutch staff on his left arm, running to left, extending his right arm as if to aid the woman in a. In the field, KAΛΛΙΑΣ, above, KAΛΟΣ, Καλλίας καλός. Later stage of strong style. Purple inscriptions, wreath, fillet, cord of petasos, and swordbelt. Brown inner markings, folds of chiton in b, and bracelets. Hair of warrior edged with dots, beard with wavy strokes; hair and beard of old man left in brown outline. Eye of warrior of transition type (dotted circle in place of inner angle); the other eyes archaic. Below the scenes a continuous band, sets of five maeanders separated by red cross and dotted chequer squares. On the lower insertion of each handle, an inverted palmette. --The British Museum
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