This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This view presents a preliminary drawing of a hawk form for Jere and Ray Grimm's Bas Relief Animals., Bas Relief Animals; Jere and Ray Grimm; OSU Vet Med Bldg; 1979, For another image of this artist's work, please view: http://www.modernegallery.com/pages/gallery_profile/masterworks_show/masterworks_14.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
This painting depicts a scene of a person clad in yellow, carrying a yellow umbrella walking hunched over an architecturally ornamented bridge. Dark trees and a gray sky that suggests a city skyline occupy the background. A yellow streak runs through the foreground on the left., Equinox; Oil; (28 x 28 inches); 1996; [no.] 2, Kay Lamoreux Buckner's work has been included in exhibits at the University of Maryland; Seattle Art Museum; St. John's College, Annapolis; Eastern New Mexico University; New Orleans Art Association; Salisbury State University, Maryland; Mercyhurst College, Pennsylvania; University of Washington; Austin Peay State University, Tennessee; Marietta College, Ohio; and Seattle Center. She has had One-woman shows at the Frye Art Museum, Seattle; University of Oregon Museum of Art; University of Idaho; Rockford College, Illinois; and Oregon State University. Her work is in public collections throughout the Pacific Northwest. She has an MFA degree from Clarement Graduate School. (Oregon Art Commission), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
According to OAC documentation, Robin Rickabaugh and David Hardesty were responsible for "color and signage" during one of the many stages of Gill Coliseum's reconstruction projects. The indicated date of installation is 1988. Since source materials were not clearly labeled, the exact nature and time-frame of the work is unclear.This image may reflect the color design for Gill Coliseum., Gill Coliseum, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An abstract, geometric composition that orchestrates orange, pink, blue, black, and white., Clint Brown; Right side / left side series; OSU elec and Computer, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/