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Description: Acroterian-3 stained glass chandeliers, by Tim Yockey, utilizes subtle textures in the glass to provide a soft, yet stern look to the piece., Acroterian; sosc; tim yockey; stained glass chandeliers; 24 in diameter, In 1999, Tim Yockey created a video entitled "Making Stained Glass Windows With Tim Yockey" (VHS)., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: An outdoor sculpture comprised of curved, silver-colored metal forms attached to the top of two metal supports, offset in height., Obie B. Simonis; 1981; oregon arts comm; 15x6x6 feet; stainless steel; southern oregon state college, simonis@erols.com, For more information and images, please visit: http://www.newtonopenstudios.com/artists-page.asp?a=403, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: SOSC Multi-Family; installation day, http://www.hkmeehan.com/; http://kathleenmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: This eye-level view of Resonance and Dispersion looks toward the entrance of the library and attempts to include the entire mosaic., Twelve digital photos of SOU Library mosaic by Twin Dolphin Mosaics; Robert Stout; Stephanie Jurs; completed September, 2005; 12 shots at low resolution; 12 shots at high resolution; photos by Howard Schreiber, contact@twindolphinmosaics.com, http://www.twindolphinmosaics.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: This view of the exterior of Hannon Library contextualizes the space that Twin Dolphins Mosaics' piece, Resonance and Dispersion, occupies., Twelve digital photos of SOU Library mosaic by Twin Dolphin Mosaics; Robert Stout; Stephanie Jurs; completed September, 2005; 12 shots at low resolution; 12 shots at high resolution; photos by Howard Schreiber, contact@twindolphinmosaics.com, http://www.twindolphinmosaics.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: This black-and-white photograph depicts at five little girls in front of what appears to be clothing on a line. The little girl in the middle of the portrait wears a pair of white wings and looks directly at the camera while she holds her hands palm-to-palm in front of her mouth. Two girls flank her, and two girls appear to be caught up in lighthearted conversation behind her., © Marly Stone; 1996; Angel Sisters; silver print; 16x20 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: This view details one of seven cast stone seed forms that adorn the curved retaining walls in front of the Center for the Visual Arts., Anne Storrs; Seven Seeds; Center for the Visual Arts; Southern Oregon University; Ashland, OR; 2000, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: This view presents a detail of a quilted wall piece that depicts three sections of Native American symbolism within geometric patterning., Marilyn A. Fashbaugh; 2116 NW Pine Crest Way Waldport OR 97394, http://www.americanartco.com/page.aspx?cid=207&id=306, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/