An abstract, geometric composition that orchestrates orange, yellow, pink, and gray. There is a red "x" in the lower left corner. ', Clint Brown; Right side / left side series; OSU elec and Computer; 22 x 30; mixed media on paper, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This pastel compostion appears to be the conglomeration of stamp parts, linear mapping, and numbering., C.T. Chew; Stamp World Flat; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A geometric glass composition executed in monochromatic gray shades. Some of the sections appear to resemble marble texturing while the others appear to represent a motif that resembles circuitry or machinery parts., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This sculptural mobile hangs from the ceiling and consists of corregated white rectangular shapes arranged in a triangular form. Metal wire and tubing support it from the top., Tim Prentice; Flock; Kelley Eng.; 2005, timprentice@mac.com, http://www.timprentice.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Aluminum rods of varying length, hung in varying distances from the ceiling., L. Kirkland 1988; Oregon St. Univ.; Engineering College; Maxwell's EQ, The symbols scattered around the atrium form a kind of puzzle which reflects the scientist's focus on the ingredients of a solution, rather than the final solution. Hanging aluminum rods represent a sound wave, as on an oscilloscope. A steel X sculpture outdoors represents a vector field. The stone pieces indoors represent the symbols E, D, B, H, Delta, a point and an equal sign. Some of the sandblasted quotes are whimsical, as in Samuel Butler's "A hen is only an egg's way of making another egg." Kirkland's favorite is from a T. S. Eliot poem: "Where is the knowledge we have lost in information? Where is the wisdom we have lost in knowledge?" Kirkland said he is pleased with his effort in stone and the way it relates to the people who will see it. "I think that a public commission needs to be responsive to the people, to a specific audience." (1988), 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An abstract, geometric composition that orchestrates red, orange, yellow, white, and greenish-gray., Clint Brown; Right side / left side series; OSU elec and Computer; 22 x 30; mixed media on paper, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A black, three-dimensional "d" form, bearing white inscrpitions. In this view, the only one that is entirely discernable is the one toward the top entitled "Wings," from William Carlos Williams. It reads, "We have a microscopic anatomy of the whale this gives Man assurance.", L. Kirkland 1988; Oregon St. Univ.; Engineering College; Maxwell's EQ, The symbols scattered around the atrium form a kind of puzzle which reflects the scientist's focus on the ingredients of a solution, rather than the final solution. Hanging aluminum rods represent a sound wave, as on an oscilloscope. A steel X sculpture outdoors represents a vector field. The stone pieces indoors represent the symbols E, D, B, H, Delta, a point and an equal sign. Some of the sandblasted quotes are whimsical, as in Samuel Butler's "A hen is only an egg's way of making another egg." Kirkland's favorite is from a T. S. Eliot poem: "Where is the knowledge we have lost in information? Where is the wisdom we have lost in knowledge?" Kirkland said he is pleased with his effort in stone and the way it relates to the people who will see it. "I think that a public commission needs to be responsive to the people, to a specific audience." (1988), 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Detail view. This sculptural mobile hangs from the ceiling and consists of corregated white rectangular shapes arranged in a triangular form. Metal wire and tubing support it from the top., timprentice@mac.com, http://www.timprentice.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
1 p. Howard Meehan's 1988 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts