This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A detail view of the top two layers of the totem pole. The top part has a yellow and white sun above a red heart. The layer below it features a beaver with large white teeth., Clay Hoffman; kinetic totem, clayhoffman@verizon.net, http://130.94.161.3/artbyclay/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A rectangular art piece made out of multiple square tiles surrounded by rectangular tiles. In the middle is a four paned window with a blue sky and white clouds. The foreground of the window presents a tree with various objects hanging from its branches. Two little figures hold a giant strawberry to the left of the window pane., B. Wolfston; Viv Olumn; u of oregon; november 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A realistic bronze rendering of a hummingbird., Hummingbird, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A realistic bronze rendering of a goldfinch., Goldfinch, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A realistic bronze rendering of a quail., Quail, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A large, black-and-white photograph of young kids running down a hillside., Barbara Gilson; Untitled #12/15; 3 x 3 feet, (1991) Barbara Gilson received a BA in French Literature and in Film Studies from Dartmouth College in Hanover, New Hampshire. She has studied photography at the Visual Studies Workshop in Rochester, New York, where she coordinated the film program. During the tenure of her MFA Program in Photography at Arizona State University, she was a graduate research assistant to Mark Klett for the Photography Collaborative Facility, Visual Arts Research Institute. She also organized Editions and Additions: International Bookworks at Northlight Gallery. Awarded a Graduate Student Research Development Program Grant, Barbara and two colleagues have been involved in a collaborative project with the Navajo to document their sacred land and sites in northwestern New Mexico. The Arizona Commission on the Arts awarded this project, Hajiinei Dine'tah, a Visual Arts Travelling Exhibitions Grant. In addition to being selected as a recipient of the Contemporary Forum Artist's Material Fund, Phoenix Art Museum; a finalist in the Ferguson Grant Award, Friends of Photography; and awarded First place in the Tucson Weekly Annual Fiction and Photography Competition, Barbara has shown her work nationally in one person and in group exhibitions, and is represented in many public and private collections. She has also been a co-director of Blue Sky Gallery, Portland, Oregon, and is an Artist-in-Education in the greater Portland area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A close-up view of a kite sculpture with a wavy tail. The kite isgreen with blue shapes and yellow and red triangles. The kite is held up by a long pole on top of a building., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A view of a kite sculpture with a wavy tail. The sculpture is held up by a long pole on top of a building., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
Five whimsical bronze sculptures positioned at two different areas. On the bottom curved wooden wall, topped with a green formica countertop, contains a frog, mouse, and another unidentified animal. Each have their hands placed on the top of the table. Positioned at the top desk are two larger sculptures of what may be a cat and a dog., Helzer; Reception Desk, phelzer@earthlink.net, http://www.petehelzer.com/, The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A realistic bronze rendering of a Stellar's jay., Stellar's Jay, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This naturalistic landscape painting depicts a view of a small pond amongst green trees., Antoinette Dewit; Bothy's Pasturelands; 14 x 18 inches; watercolor, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Emergence is a cast bronze work depicting a woman with long hair flowing down to her right upper thigh. Her hair is parted on the side and covers both of her eyes. The sculpture is 68 inches in height and weighs approximately 130 pounds., Don Eckland; emergence; u of or college of ed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts
A contextual view of sandcarved glass mounted on a wooden door that presents wavy blue and brown vertical lines with thin, short black lines moving horizontally through them., Lonnie Feather; ""At Water's Edge""; 1998; 12""x12""; Conf. Room Door; sandcarved glass; mixed media, Lonie Feather has worked and lived in Portland, Oregon, and has exhibited her art since 1982. She received her Baccalaureate from Portland State University with Honors in 1987 and was recognized with the 1983 Corning Award as outstanding student while studying at the internationally renowned Pilchuck Glass School. She has received significant awards including Outstanding Woman Artist of Solano County, in 1989 among others. Numerous public and private art commissions also span her career utilizing a variety of mediums and techniques which include painting on glass, glass sandcarving, cast glass, murals, mixed media with glass, wood carving and stone sculpture., lfeather@lonniefeather.com, http://www.lonniefeather.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2389; 2009 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A detail view of the rectangular panes of glass in the upper portions of the Colloquim Room doors. Each pane bears an identical pattern of alternating etched and non-etched squares and rectangles that comprise a cross form that bisects the vertical, rectangular panes of the doors., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This glass piece combines a grid of concave indentations with a wave-like pattern in translucent glass that serves as a spatial division., Architectural Glass Design; 101 S. Coombs St., Suite X; Napa, CA 94559, www.inner-lite.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a detail of the right panel in the triptych, Constructing Layers of Time. It presents a group of stick figures on the top of a triangular form that bisects the rest of the picture plane in sections of red and yellow. Thin, black lines comprise several other peripheral forms., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This landscape scene depicts a meandering body of water amongst tall grasses and trees., Allan Stephenson; Estuary-Gearhart; 10 x 18 inches, Allan Stephenson is an artist who draws his inspiration from the natural landscape particularly that of his native British Isles and also that of the Pacific Northwest where he now makes his home. *I am always looking for and attempting to communicate with the viewer that special sense of place that infuses some areas of the natural world with meaning, wonder and beauty. I hope my work can provide some escape from the sometimes frenetic world we all live in. I am a traditionalist. I don't see the art I produce as breaking any kind of new ground but rather I apply myself to existing forms and attempt to inject perhaps fresh content. I am currently enjoying the medium of pastel for it's direct hands-on quality that allows me to blend and sculpt the pigment using my fingers and hands rather than the intermediary of a brush.* (excerpt from artist's exhibition list), http://www.allanstephenson.com/index.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/