Manuscript codex. Title devised by cataloger., Collation: No pagination, No ruling. Much rubrication. Catchwords at the foot of each verso., Markings: Seal stamped in passport format upon f1v. Various other ownership stamps throughout. [Addendum (pasted in rear cover)/(Translated from Arabic by Zahra Albasri)]: From what the writer brought in his book, to detect the thoughts that the Lord Abu Alkhair in unite on from Muftah Alsa'ada (The Key of Happiness) knowledge about how to create fonts. From what he states first, the science of the fonts are the (writing instrument), how to ... also, ibn AlBawab writes in the science of the font a significant poem that he wrote about the tools of writing, and yaqout wrote about that too., Binding: Very straight horizontal grain dark-green morocco with cover flap. Front and Back cover paneled by 2 gilt 4 mm floral borders, with center medallion of the Mohammed. Enveloping flap has similar gilt border.
Manuscript codex. Title devised by cataloger., Collation: No pagination, No ruling. Much rubrication. Catchwords at the foot of each verso., Markings: Seal stamped in passport format upon f1v. Various other ownership stamps throughout. [Addendum (pasted in rear cover)/(Translated from Arabic by Zahra Albasri)]: From what the writer brought in his book, to detect the thoughts that the Lord Abu Alkhair in unite on from Muftah Alsa'ada (The Key of Happiness) knowledge about how to create fonts. From what he states first, the science of the fonts are the (writing instrument), how to ... also, ibn AlBawab writes in the science of the font a significant poem that he wrote about the tools of writing, and yaqout wrote about that too., Binding: Very straight horizontal grain dark-green morocco with cover flap. Front and Back cover paneled by 2 gilt 4 mm floral borders, with center medallion of the Mohammed. Enveloping flap has similar gilt border.
Manuscript codex. Title devised by cataloger., Collation: No pagination, No ruling. Much rubrication. Catchwords at the foot of each verso., Markings: Seal stamped in passport format upon f1v. Various other ownership stamps throughout. [Addendum (pasted in rear cover)/(Translated from Arabic by Zahra Albasri)]: From what the writer brought in his book, to detect the thoughts that the Lord Abu Alkhair in unite on from Muftah Alsa'ada (The Key of Happiness) knowledge about how to create fonts. From what he states first, the science of the fonts are the (writing instrument), how to ... also, ibn AlBawab writes in the science of the font a significant poem that he wrote about the tools of writing, and yaqout wrote about that too., Binding: Very straight horizontal grain dark-green morocco with cover flap. Front and Back cover paneled by 2 gilt 4 mm floral borders, with center medallion of the Mohammed. Enveloping flap has similar gilt border.
Manuscript codex. Title devised by cataloger., Collation: No pagination, No ruling. Much rubrication. Catchwords at the foot of each verso., Markings: Seal stamped in passport format upon f1v. Various other ownership stamps throughout. [Addendum (pasted in rear cover)/(Translated from Arabic by Zahra Albasri)]: From what the writer brought in his book, to detect the thoughts that the Lord Abu Alkhair in unite on from Muftah Alsa'ada (The Key of Happiness) knowledge about how to create fonts. From what he states first, the science of the fonts are the (writing instrument), how to ... also, ibn AlBawab writes in the science of the font a significant poem that he wrote about the tools of writing, and yaqout wrote about that too., Binding: Very straight horizontal grain dark-green morocco with cover flap. Front and Back cover paneled by 2 gilt 4 mm floral borders, with center medallion of the Mohammed. Enveloping flap has similar gilt border.
Manuscript codex. Title devised by cataloger., Collation: No pagination, No ruling. Much rubrication. Catchwords at the foot of each verso., Markings: Seal stamped in passport format upon f1v. Various other ownership stamps throughout. [Addendum (pasted in rear cover)/(Translated from Arabic by Zahra Albasri)]: From what the writer brought in his book, to detect the thoughts that the Lord Abu Alkhair in unite on from Muftah Alsa'ada (The Key of Happiness) knowledge about how to create fonts. From what he states first, the science of the fonts are the (writing instrument), how to ... also, ibn AlBawab writes in the science of the font a significant poem that he wrote about the tools of writing, and yaqout wrote about that too., Binding: Very straight horizontal grain dark-green morocco with cover flap. Front and Back cover paneled by 2 gilt 4 mm floral borders, with center medallion of the Mohammed. Enveloping flap has similar gilt border.
Manuscript codex. Title devised by cataloger., Collation: No pagination, No ruling. Much rubrication. Catchwords at the foot of each verso., Markings: Seal stamped in passport format upon f1v. Various other ownership stamps throughout. [Addendum (pasted in rear cover)/(Translated from Arabic by Zahra Albasri)]: From what the writer brought in his book, to detect the thoughts that the Lord Abu Alkhair in unite on from Muftah Alsa'ada (The Key of Happiness) knowledge about how to create fonts. From what he states first, the science of the fonts are the (writing instrument), how to ... also, ibn AlBawab writes in the science of the font a significant poem that he wrote about the tools of writing, and yaqout wrote about that too., Binding: Very straight horizontal grain dark-green morocco with cover flap. Front and Back cover paneled by 2 gilt 4 mm floral borders, with center medallion of the Mohammed. Enveloping flap has similar gilt border.
The posters in this collection document propagandistic and informational posters created by the United States government during World War I, 1914-1918. Topics covered include war-related themes such as the 1918 United War Work Campaign fundraising effort to provide entertainment for American troops abroad.
The posters in this collection document propagandistic and informational posters created by the United States government during World War I, 1914-1918. Topics covered include war-related themes such as the 1918 United War Work Campaign fundraising effort to provide entertainment for American troops abroad.
![Arabic manuscript on the creation of new fonts [001]](/thumbnails/t/3/oregondigital-bv73c223t.jpg "Arabic manuscript on the creation of new fonts [001]")
![Arabic manuscript on the creation of new fonts [005]](/thumbnails/x/7/oregondigital-bv73c227x.jpg "Arabic manuscript on the creation of new fonts [005]")
![Arabic manuscript on the creation of new fonts [003]](/thumbnails/c/5/oregondigital-bv73c225c.jpg "Arabic manuscript on the creation of new fonts [003]")
![Arabic manuscript on the creation of new fonts [004]](/thumbnails/n/6/oregondigital-bv73c226n.jpg "Arabic manuscript on the creation of new fonts [004]")
![Where the Victims Are, 1918 [of007] [009b] (verso)](/thumbnails/n/2/oregondigital-1544br22n.jpg "Where the Victims Are, 1918 [of007] [009b] (verso)")
![Where the Victims Are, 1918 [of007] [009a] (recto)](/thumbnails/3/0/oregondigital-1544br203.jpg "Where the Victims Are, 1918 [of007] [009a] (recto)")
