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1. Entering Santa Ana Indian Reservation, from Reservation Signs series, New Mexico (recto)
Entering Santa Ana Indian Reservation, from Reservation Signs series, New Mexico (recto)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
2. Entering Santa Ana Indian Reservation, from Reservation Signs series, New Mexico (verso)
Entering Santa Ana Indian Reservation, from Reservation Signs series, New Mexico (verso)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
3. Made by Indians (Snack Bar, Cones, and Shakes), I-40, New Mexico (verso)
Made by Indians (Snack Bar, Cones, and Shakes), I-40, New Mexico (verso)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
4. Made by Indians (Snack Bar, Cones, and Shakes), I-40, New Mexico (recto)
Made by Indians (Snack Bar, Cones, and Shakes), I-40, New Mexico (recto)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
5. All Plastic Money Okay, I-40, New Mexico [001a] (recto)
All Plastic Money Okay, I-40, New Mexico [001a] (recto)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
6. All Plastic Money Okay, I-40, New Mexico [001b] (verso)
All Plastic Money Okay, I-40, New Mexico [001b] (verso)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
7. All Plastic Money Okay, I-40, New Mexico [002a] (recto)
All Plastic Money Okay, I-40, New Mexico [002a] (recto)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
8. All Plastic Money Okay, I-40, New Mexico [002b] (verso)
All Plastic Money Okay, I-40, New Mexico [002b] (verso)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
9. Reservation Prices, I-40, New Mexico (recto)
Reservation Prices, I-40, New Mexico (recto)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
10. Reservation Prices, I-40, New Mexico (verso)
Reservation Prices, I-40, New Mexico (verso)
Description
Photographic print from the Zig Jackson photographs collection. Prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
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