Pages printed on a continuous strip (11 x 89 cm), folded accordion style to 11 x 8 cm; Each color photograph has a handwritten caption in English in addition to the printed building name, A gift in memory of Peter Ward Britton
Printed in blue; Unfolds to reveal 24 images of what appears to be traditional china, but the designs that make up the china patterns are very modern, A gift in memory of Peter Ward Britton
Spine title;Catalog of an exhibition held at Centre d'Art Santa Manica, Barcelona, Apr. 20-June 7, 1998 and Koldo Mitxelena, San Sebastian, Sept. 15-Nov. 14, 1998;Issued in case with: It is difficult;Includes bibliographical references, A gift in memory of Peter Ward Britton
The perverse gesture / John Miller -- Pleasure isn't a pretty picture / Lynne Tillman -- A night at the Taj / Gary Indiana -- Head shots / Aura Rosenberg; Three texts and one photographic essay, A gift in memory of Peter Ward Britton
A project for the Museum of Fine Arts, Boston, who asked the artists to create a book about celebrity. Grennan and Sperandio chose to approach celebrity from the perspective of four non-celebrity characters. Stories told through comics., A gift in memory of Peter Ward Britton
Silverstein Gallery, NYC, October 15-November 15, 1997; Collection of drawings all by differnt artists; Each drawing is of a snake and lists the artist's name, age and occupation; A letter is written at the end of the book, A gift in memory of Peter Ward Britton
Stiff back cover; Two holes drilled through the book almost at the spine; Black and white photographs juxtaposed with handwritten text on envelopes and notepaper, A gift in memory of Peter Ward Britton
Title from p. 20, Black and white photographs accompanied by text; Text appears as fragments of conversations; Three pages printed on vellum; Green paper covers; Front cover has four slits which hold a card, A gift in memory of Peter Ward Britton
Images of the artist's work are shown on the right side of each page. Artworks appear to be collages. On the verso or left side pages are the lines of a poem, also by Edens., A gift in memory of Peter Ward Britton
Text is an adaptation of the artist's personal journal; Text focuses on aspects ofthe artist's research project to discern the differences between his left, right and two-eyed vision; The cover of this book is a primitive stereoscope, A gift in memory of Peter Ward Britton
Color photograph of an installation exhibited at the San Diego State University Art Gallery, Oct. 1-31, 1994 that displayed all the books owned by Spector on a single shelf that circled a room just large enough to hold the books. the books were arranged from largest to smallest. On the verso side of the book is a quote from Walter Benjamin, "Unpacking my Library," from Illuminations. Issued in paper sleave., A gift in memory of Peter Ward Britton
Commissioned on the occasion of the Cindy Sherman exhibition, the book is described on the back cover: In The Peasant and the Devil, a group of friends act out some of the oldest European tales against a contemporary background, inspired by the role-playing art of New York photographer Cindy Sherman. . . Death's messengers / as told by Tim Pickstone -- Frau Trude / as told anonymously -- The peasant and the devil / as told by Graham Worden -- The louse and the flea / as told by Caitlin Masley, A gift in memory of Peter Ward Britton
Brightly colored images cover each page; Silver and black printing on grey cover; #4 printed on last page of book, A gift in memory of Peter Ward Britton
Includes booklet Text consequence 4-1-89 adhered to one of the inner pages; Includes one small color image; Divided into four sections: Wallpaper, Text ConSEQUENCE, Daylight Savings, and Applianoids, A gift in memory of Peter Ward Britton
Narrative series of black and white photographs accomanied by a narrative text, A gift in memory of Peter Ward Britton; Library has 2 copies, one in a protective plastic wrapper
Handwritten text accompanied by drawings and photographs; Green covers; Name, Class, Subject stamped onto the front cover, A gift in memory of Peter Ward Britton
Includes recipes; A budding gourmet.--McTowersMaid.--Tijuana maid.--Tijuana maid (English version);English and Spanish; Three stories with one translated from Spanish to English, A gift in memory of Peter Ward Britton
Small strip has been cut out of each page where a person's name would go within the text; Pages are roughly stapled at spine; Spine is along top of book rather than left side, A gift in memory of Peter Ward Britton
Printed on one side of a continuous strip, folded accordian style and attached at its ends to separate boards; Title page is loose/unbound; Issued in plastic sleeve; Red covers, black and white text and imagery, A gift in memory of Peter Ward Britton; Library's copy no longer has plastic sleeve
Gatefold book covers; Spiral bound pages; Housed in a portfolio; Text chiefly in English, with additional Indonesian titles for some paintings; Color images of paintings by the artist as well as text on the opposite pages, Artist's name handwritten on cover
Quarterly?;Author: Chris Ware;Numbers are continually being reprinted and reissued. When reissued, the issue contains both new and old dates and some new editorial information. A new issue or a reissue is published each quarter?;Description based on: Vol. 1, no. 3, fall 1994, 4th monumental printing, spring 1998 title from cover;Not issued in numerical order, A gift of Peter Ward Britton
Title from accompanying leaf; Cover title: Left handed book; Book is contained within a blue portfolio with a band closure, Accompanying leaf numbered and signed by the artist; Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1989
While hiking in Banff National Park in Alberta, Canada, the artist broke through the clouds and found herself looking down at them from the sunny mountain tops of the Canadian Rockies. This accordion fold book features soft edged photographs from the mountain top view. The front and back boards are covered with a soft, white material, and the slipcase and sleave are covered in a speckled pale blue paper. The pages are accordion folded, but the boards are hinged with sheer, white ribbon., Photography by Jill Timm
Heavy, hand-made paper portfolio contains folded strip of the same paper displaying colour xeroxes of vegetables and part of the text of Lorna Crozier's The sex lives of vegetables, Signed by the artist
Letterpress printing sampler from EVE Press, created on a Vandercook 4 press by Elsie Vassdahl Ellis for use in a book dedicated to this type of printing press. Includes errata slip sewn into the center of the book., Signed by the artist; Library's copy does not have original envelope included
This mass produced paperback contains the portraits of many people the artist has met in her travels, but primarily in New York City, where she squats in the East Village. Surrounding each pencil drawn portrait (some with color) is a handwritten story in the voice of the subject. At the base of each page is an explanation of how Fly knows the person in the portrait. Includes index of the subjects., Signed by the artist
Includes bibliographical references; Various colored pages with illustrations and text; Uses Kellogg's Rice Krispies box as cover; Wrapped in wax paper, Signed by the artist
Three signatues bound with exposed long stitch in dark gray paper covers over black ribons. This untitled work contains no text. Images are in black and white and half tones that appear to have been produced with an early computer drawing program. Some half-tones are rendered in what look like Ben-day dots, others with more elaborate patterns., Signed by the artist; Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1988
Each page is folded; Pages are held together with brass brad; Pages numbered but numbers are located in different place on each page, Signed by the artist; Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1988
Pages sewn together with thick red string in a single signature, with paper covers. Black and white images made with unknown printmaking technique., Signed by the artist; A gift in memory of Peter Ward Britton
Black and white photographs of a reservoir; The image in each photo is only visible in the center of each photo, the rest of the photo is black; Bound in plastic report cover with clip binding, Signed by the artist; Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' books course, 1987
Black covers; Printed with black ink on dark blue paper; Bound with red string, Signed by the artist; Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1987
Twelve poems are printed in color on rotating discs bound between folded pages and revealed in television cutouts. This book is a single fold, two-page book. The pages are printed in grayscale. Housed in a waxed paper envelope., Some of these poems have appeared in 'cold-drill magazine' (from inside cover)
Double spine allows pages to open in opposite directions; Black and white text and images; Pages numbered in purple, Submitted to fulfill requirement of the University of Oregon, Dept. of Fine and Applied Arts, Artists' Books course, 1990
Includes packet of Sweet 'N Low which appears to have been adhered to the inside of the back cover but has come off. The cover is made of a single piece of folded tagboard, and the accordion folded pages are made of single sheet of paper printed in black and neon pink., Spine of book signed by artist; Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1988.