Includes bibliographical references; Book contains gatefold pages, pop-up images, cutouts, and tabs which can be pulled to change the image on a particular page
Folded hard cover opens to reveal accordion fold pages of poems; If pages are turned to the left the poems can be read, but if the pages are opened to the right they are blacked out; Each poem is dated and numbered; Case contains CD of poems being read by the author
Various artists' projects, including a VHS tape, an audio CD, photographs, small books, a postage stamp, original peat drawings, and other miscellaneous items in burlap bag.
Folded hard cover opens to reveal accordion fold pages of poems; If pages are turned to the left the poems can be read, but if the pages are opened to the right they are blacked out; Each poem is dated and numbered; Case contains CD of poems being read by the author, Signed by the artists Lazar and Bruggman
Cylindrical oatmeal canister containing torn crumpled paper disks on which text is printed in green, violet, red, and blue; Directions for use on box; 'Oats' bookcase transaction record, recording place, date, time, transaction type, donor, and limited edition statement under lid;Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1988, Signed by artist
Printed in blue; Unfolds to reveal 24 images of what appears to be traditional china, but the designs that make up the china patterns are very modern, A gift in memory of Peter Ward Britton
Piece consists of a painted blue egg-shaped object mounted on white paper and housed inside a plastic jar. On the paper, spiraling out from the upright egg shape is a Whitman quote. Ingredients: wood, polystyrene, paper, acrylic, metal, ink, glue, words of Walt Whitman, grief is printed on the jar's lid., Edition in library lacks original cardboard box which housed the object.
Title from colophon booklet; 50 letters created by Elsi Vassdal Ellis written between Sept. 11, 2001 and Mar. 11, 2002, to Mohamed Atta, one of the hijackers believed to be at the controls of American Airlines Flight 11 that flew into the North Tower of the World Trade Center on Sept. 11, 2001; Each letter is 1 folded sheet and is in separate envelope, stamped and addressed Mohammed Atta, World Trade Center, New York, New York , with return address label EVE, Harmony Road, USA. ;Accompanied by colophon booklet, sewn in black wraps, in envelope; Issued in red and gold box (13 x 26 cm.), with letter opener, UO A&AA Library has copy no. 12 (Majed Moqed), signed by the artist
Two signatures are stitched together and glued to two large chunks of un-milled wood including rough edges and tree bark. Wood covers are hinged with a metal cabinet hinge. Short story about a trip to Paradise, on the McKenzie River in Oregon where old growth trees were being cut is handwritten in pencil with watercolor, collage and found natural materials glued to pages.
Screen printed images on thin fibrous paper; Two pages fold down from main section of book; Includes nylon pouch containing four appliques, Signed by both artists
Leaves are bound with wire to a white wooden dowel to form a flag;Includes red acetate cover;Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1989, Signed and dated by the artist
Book consists of a Marlboro cigarette box containing 20 cigarettes, each with one bullet-tipped end and one filter-tipped end. The cigarettes are arranged with 19 having the bullet-tipped ends pointing up, and 1 having the filter-tipped end pointing up., Submitted to fulfill requirement of the University of Oregon, Dept. of Fine and Applied Arts, Artists' Books course
Consists of 12 printed paper cards, 9 are 8 x 6 cm. rectangles, 2 are slightly smaller triangle shaped, and one is smaller curved shaped. Each card is printed from Staedtler's Master, carved into oriental paper, hand-lettered onto Nideggen and grommeted end to end to form a snake-like shape. Colored string is also glued to each card. They are bound in sharkskin over board on the back side. On the front side, hand lettering on the edges of each card tells why snakes are not nice. The cards can be folded down to 6 x 8 x 5 cm and put into the burgandy colored cloth bag (16 x 10 cm.) they were supplied in. Title from sharkskin side of the piece, on the card representing the snake's head. Laser-cutting by Julie Chen.
10 Leaves. "Loose fish shaped pages, painted on one side, including a flounder with a human head, a mermaid wedding, me underwater surrounded by fish and more tall tales. Housed in a creel shaped silk and faux leather lipped clamshell box, decorated with a fishing lure" --Artist's statement from publisher's website.
25 cards + 1 folded sheet. Consists of fortune-telling cards which are two-color linocuts, printed in black and red on the French Paper Mill's Packing Carton. Accompanied by a single folded instruction sheet, offset printed on red. Enclosed in a box with a card collaged to the front.
Each page of this book is made of heavy card stock, gold on one side, and letterpress printed on the other. Some pages have additional irregularly shaped circular or oval cut outs stitched to the surfaces. All thirty-six 4 x 6 inch pages are stitched together in three rows of 13 to create a large rectangle when the book is fully unfolded. When closed the rows are folded lengthwise first then folded accordion style page by page to create a 4 x 6 inch 36-page deep book which is housed in a clamshell case. Ordinary black sewing thread is used in a back stitch to create an organic pattern over all of the pages when the book is opened, and these lines of embroidery create the connective stitches between pages. At one end of the book two pieces of thread extend beyond the pages' ends and both threads have loops at their ends so that the book can be hung, one-sided from T-pins on the wall, or two-sidded from cup hooks on the celing. Issued in a lipped clam shell box with a letterpress printed and stitched image on the cover. There is no text in this book, no title, colophon or signiture. In the title, Hannah Arendt refers to the German-American philosopher Johanna , Title, author statement, and imprint information from White Lotus Gallery website
Catalog wrapped in a blueprint, banded in high rag content paper and closed with a seal, wrapped in newsprint with an attached price tag, enfolded in a paper box, enclosed in an envelope which is bound within a stiffboard folder, encased in a wooden box, tied in a red satin bag marked with Art in gold script, and housed in a fictive mailing envelope;Errata slip included, Conceived and designed by Craig Dennis
Issued in conjunction with the exhibition held at Dia Center for the Arts, Oct. 5, 1995-June 23, 1996; Includes pop-up illustration on inside back cover; Includes bibliographical references; Preface and Acknowledgments / Michael Govan -- Surveying / Jessica Stockholder -- Fabricating sight/site / Lynne Cooke -- Thrilled to death / Lynne Tillman -- How things bear their telling / Ann Lauterbach
Title, author, and year of publication from handwritten information on inside of back cover;Woodcut reliefs on Japanese handmade paper cut into triangular pages are printed on one side of a continuous strip, folded accordion style, and attached at its ends to separate triangular foam core and Thai paper covers, which are wrapped and tied with a hemp cord, Kristina Y. de Veas; Submitted to fulfill requirement of the University of Oregon, Dept. of Fine and Applied Arts, Artists' Books course, 1999; Signed by the artist
Tissue paper seperates each page; Single images printed on each page; Housed in folded portfolio case; Portfolio held closed with folded strip of paper which forms a loop, Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1986
Issued in black box; Nine black cards are contained within the box; Photocopies accompanied by text depict important events which occured during the 20th century; Last card states Buddhist belief which relates to the text on the back of each card, Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1999
"Linda Welch's Concealed Within books are a series of unique, un-openable book objects bound with wax and cord made from mixed media. Each book is housed in a matching slipcase. Book and box contain a matching number, word or code signifying the title of each work"--23 Sandy Gallery website. "Medium/materials, painting, screen printing, collage, wax"--23 Sandy Gallery website. Issued in collage-decorated case.
This unbound book has a small plastic container with some seedpods and a rock bound to the final page. All preceding pages are cut to fit around the container, stacked and wrapped and tied with a ribon. Pages have windows cut in strategic locations so that as each page is lifte off the stack the view exposes deeper layers., Signed by the artist; Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1989
Includes the catalog of an exhibition held at the Blaffer Gallery, the Art Museum of the University of Houston, June-Aug., 1997, the Austin Museum of Art, Sept.-Dec. 1997, and the Contemporary Arts Center, Cincinnati, Jan.-Mar., 1998. Also includes collection of color illustrations; Title from exhibition catalog; Includes bibliographical references; Includes artist's biography; Penny glued to back cover of exposition catalogue above artist's name. Introduction by Spike Lee, essay by Marilyn Kern-Foxworth, and an interview with the artist by Don Bacigalupi and Marilyn Kern-Foxworth. Includes bibliographical references. "Michael Ray Charles is a painter whose carefully crafted and faux-aged canvases and works on paper draw attention to race relations historically and in contemporary society. Borrowing pop culture images of characters such as Sambo, Buckwheat, and Aunt Jemima, Charles uses them ironically to comment on racial issues. His concerns range from how tobacco and liquor companies target marketing to minorities to the depiction of African Americans in the entertainment and sports industries to concepts of all-American (i.e., white) beauty. This book is the catalog of the first major solo exhibition of Charles' work, staged by Blaffer Gallery, the Art Museum of the University of Houston. It contains a broad range of color images of paintings and works on paper. In addition to the catalog entries, the book contains an interview between exhibit curator Don Bacigalupi, catalog essayist Marilyn Kern-Foxworth, and artist Michael Ray Charles, in which the artist discusses and interprets his work. An essay by writer and cultural historian Marilyn Kern-Foxworth situates Charles' work within contemporary African American culture."
Seven sheets folded into thirds forming six numbered pages each, in an arc shape with a centered horizontal slit holding the CD-ROM perpendicular to the sheets, the whole of which is encased in a specially designed clear plastic case; Includes: Catalog[ing] complications / AnneDorothee Böhme -- Good enough (for present) / Anthony Elms -- Revised excerpts from a videotaped conversation between Christian Boltanski and AnneDorothee Böhme, Malakoff (Paris), July 24, 2002 -- The catalog: from subversive strategy to marketing tool / Barbara Moore -- Excerpts from email conversations between AnneDorothee Böhme and Alan Cravitz, a Chicago-based collector of artists' books and exhibition catalogs, September 2002 -- Favorite catalogs / Mary Jane Jacob, UO also has purchase order for catalog enclosed with book in preservation box
Single folded piece of paper; Color drawings show aerial landscape views; Book details the findings of architect and archaeologist Benjamin Berll; When folded out fully there are drawings which are meant to be cut out and folded to create a three-dimensional replica of Berll's findings
Includes Small observations on the small tasks of the bricoleur inserted in pocket on inside cover; A plastic sleeve for each of the living artists with exhibition instructions; An exhibition checklist, illustrations of exhibited works, publication concept, and lay-outs is stapled to the inside of the back cover
Issued in purple box (32 cm); Within box are a paperback book (catalogue), some fabric, illustrated plates, copper, tin, and plastic objects; At bottom of box is a chessboard
Issued in vellum envelope; Includes sheet of adhesive tabs; Plates are illustrations of faces (Sur veils) with holes punched into the eye area, and are captioned My eyes are closed; The accompanying adhesive tabs attach the Sur veil to the user's face
Front cover is made of a shadow box construction containing actual sand. Accordion construction of two back to back paper strips. Three pages have flaps which open to reveal sometimes hidden elements of the dunes area; Both sides of pages contain images, one with a 360 degree panorama of the dunes, the other with details of the landscape; Issued in clamshell box, Photography by Jill Timm
Consists of seven handwritten pages in a hand-crocheted pouch, which is shaped like a dress; Bibliographic information supplied by Printed Matter, Inc. and artist