Cover title: Cuba; Title on first page: Ivan Cuba exquisite authentic review gallery; Title on title page: Ivan Cuba's Festival of Arts; Hard covers are cloth bound, Signed by the artist; Includes text handwritten by author on a single sheet of cardboard which has been encapsuled in plastic cover; Handwritten notes are also found on the first and last pages
Accordion-folded pages are glued to one side of the paper-over-board covers and cloth-case binding. The book can be read as if the folded pages are part of a codex, or with the complete page block turned to the front, the back of the accordion can be read, or the accordion can be pulled fully out. Images and text run continuously over the folds. The book is about the horrors of war and specifically of genocide, discussing 20th century genocides in Cambodia, Rwanda, Bosnia, Iraq and El Salvador. Extensive personal notes by artist concerning her decision to make this book. Includes bibliographical references, Signed by the artist
Gessert began hybridizing Pacific Coast irises in 1982, however, even composting the plants he didn't like, he had too many plants until he . . . realized the world is a garden. This book, subtitled Iris Dispersals contains 377 dated entries, documenting seed plantings and gifts of plants and seeds between 1985 and 1992. Brown paper covers. One packet of Gessert's Pacific Coast native Iris seeds inserted., Signed by the artist
Tissue weight, semi-transparent paper has the edited text of several Associated Press news stories from June 22nd, 1999 printed in black and red. Font and ink color distinguishes the different stories which overlap, telling the story of Kosovo women raped by Serbian paramilitary forces. Letterpress printed on flax paper. Three signatures sewn into handmade paper covers which resemble blood-soaked fabric., Signed by the artist
Black and white images accompanied by text, much of which comes from The Harper Dictionary of Modern Thought, Printed at the University of Oregon Printing Department
Printed in no more than 10 editions with 10 copies each; Book printed on clear plastic and vellum pages resulting in overlaying of texts and images; Black and white images and text, Signed by the artist