Young Native American man, identified as Joe Bennet of the Walla Walla tribe, poses, standing, on a Pendleton-style blanket, his left hand raised to his brow, amid grass and trees. He wears a hat that appears to be handmade, with a long ponytail flowing out from it on one side, and two braids intertwined with pieces of cloth on the other. He is bare-chested and wears a long, multi-tiered beaded necklace. Various pieces of cloth and a long strip of fur are wrapped diagonally about his hips, and he wears wool leggings and plain moccasins.
Seven Indians, including Parson Motanic, another man, three women, a child and a baby, ride in a Hudson Automobile down a street in town. Parson Motanic and the other man wear buckskin shirts and headdresses, one of which is horned. The women wear head scarves.
A Native American woman, identified as Lacy Luton of the Cayuse tribe, stands in front of a backdrop in costume. She wears a hat with a geometric motif, a beaded cloth dress, a wide belt with a striped design, a sash with a geometric motif, leggings with a geometric motif, and moccasins. She wears her hair in braids and wears jewelry, including a choker and a bracelet. In her right hand she holds a beaded bag or handbag with a geometric motif. In her left hand she holds a bow and an arrow. She stands on a round mat on a blanket with a geometric motif.
A Native American encampment, located in a clearing next to a stand of trees (deciduous without leaves and conifers), at the base of a hill or mountain. There are four tipis made of mats and canvas, and one larger tent structure, made of canvas. There are two wooden barns, one with a saddled horse next to it. There are several wagons, a segment of fence, and various wooden crates and sundries scattered about. One of the wagons is loaded with materials for another tipi, next to the beginning of a new wooden barn or shelter (posts, cross beam, grassy roof). At the far right edge of the photo is part of a wooden structure or dwelling.
A Native American man, identified as Parson Motanic of the Cayuse Tribe, stands in an outdoor setting holding a bustle in his right hand. The headdress is ornamented with feathers and fur. The man is dressed slick style (bare chested) and wears a choker, necklace, bandoleer, belt, and leggings.
A man identified as Presbyterian missionary Rev. J. N. Cornelison stands close in front of a tipi. He is dressed in a suit with open jacket, vest, fold-down collar, and patterned bow tie. His light-colored hair is cut short. He holds a light-colored western-style hat cradled in both hands in front of his stomach as he gazes off to his right. Near his left foot, a blurred image appears to be of a small dog or other animal rearing up on its hind feet. Behind him on the ground to his right, beside the tipi, is what appears to be a pile of clothing, and a person wrapped in a geometrically patterned blanket, kneeling and with their back to the camera. The figure's left hand is extended to the side and clutching something white. Two outside poles of the tipi are visible; the tipi appears to be made of canvas with wood or reed slatting at the top.
A Native American man, identified as Long Hair of the Cayuse Tribe, is seated. He is wearing a Capote coat, necklaces, bandoleers, a fur, a shirt, and a feather in his hair. In his lap, he is holding a hatchet-style pipe.
A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised and index finger outstretched. Her costume consists of a geometically decorated hat shaped like a tuncated cone, a fringed leather dress with geometric beading, and moccasins with floral beading at the ankles. She wears a number of metal bangle bracelets and what looks like a brass arm band. In her left hand she holds the string to a geometrically-beaded rectangular bag which has circular shapes made of up joined triangles, dark shapes on light bag. Over her shoulders runs a striped band which is attached to the cradleboard she wears on her back. Although the design cannot be seen clearly in this photo, what can be seen resembles almost exactly similar photos of cradleboards with bold floral designs. Attached to the cradleboard is a dark geometrically-decorated piece of cloth or blanket which acts as a hood for the baby. All that can be seen of the baby is the right side of its head, as the rest is engulfed in the bag of the cradleboard. The tipi a few yards behind her seems to be covered with woven mats, and has several long poles on the outside as well as the inside framework. Leaning upright against it are several boards and branches. Close behind is a line of low trees or high bushes, and to the right of the photo a criss-cross of lines that might be from a fence or other structure. The woman's pose is upright and self-assured as she gestures.
Two Native American women, identified as Mrs. Black and Stella Williams of the Cayuse tribe, are posing outside in front of a cloth backdrop. The woman on the left is seated on a Pendleton blanket. She is wearing a scarf over her head and a blanket around her body. The hem of a Euro-American dress or skirt is visible underneath the blanket. The woman on the right is standing. She is wearing a necklace, a choker, earrings, a native dress, a belt, and moccasins. Her hair is tied into two braids. With both of her hands, she is holding a bag with a beaded, geometric design.
A Native American man, identified as Chief No-Shirt of the Walla Walla Tribe, is sitting on a horse in a grass field. An encampment, consisting of tipis, wagons, and horses, appears in the background. The man is wearing a feathered headdress, necklaces, a sash, and a cloth shirt. He is clasping a brush in his right hand. His right cheek bears a marking that appears to have been painted on his face. The horse is adorned with saddle blankets, furs, and other trappings.