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1. C'eft une Filile!

C'eft une Filile!

Description: Title:"Le Reviel" Brown in Romantic. A woman awakens in her bed as her chamber maid opens her curtains for her. Blue in border. Title and Artist name appear in center bottom of print. 2 oval prints in oval frames which are connected by an inverted "V' joined by a wooden bow at the top.

2. Snow in the Garden

Snow in the Garden

Description: Title:" Snow in the Garden" Part of a 3 panel set. In each panel there are two figures and an umbrella.

3. Pilgrimage in the Snow

Pilgrimage in the Snow

Description: Title: "Pilgrimage in the Snow". Explanation: Kuniyoshi did some good landscapes, many deserving to rank with those of Hiroshige. His figure studies are strongly drawn, often with a humorous touch. His colors are rarely the crude and hideous colors, while he frequently made a very effevtive use of masses of black, as this picture. The man has an umbrella and gourd in hand

4. Leisure at Tea Time

Leisure at Tea Time

Description: Title:"Leisure at Tea Time" Signed. Engraver's Seal: Muneoka. In a Japanese home two elderly women sit by a coal-brazier. Woman in background has long tobacco pipe in hand. The other, with a volume of books. Upper section: Poem chanting about the brave deeds of young samurais.

5. The Windmill

Description: Title:"The Windmill" a reproduction.

6. Lucas Van Leyden

Lucas Van Leyden

Description: U.S. Title:"Lucas Van Leyden" 64/90

7. Portrait of Jean Baptiste Isabey

Portrait of Jean Baptiste Isabey

Description: Portrait of Jean Baptiste Isabey

8. Crucifixion

Description: Title: "Crucifixion"

9. Composition II

Description: Germany/France. Title: "Composition II". 15/2000. Signed in stone.

10. The Gate Keeper, Sakuramaru

The Gate Keeper, Sakuramaru

Description: Title: "The Gate Keeper, Sakuramaru". Signed By: (Toyokuni) Kunisada 1785-1865. Publisher's seal: Yebisu-ya with "Kiwame" Seal. Descriptive Title: Sakuramaro- name of Gate Keeper. Kunisada's work signed with his later name of Toyokuni are not very good. In his later years he did no more than the first outline drawing of a print, leaving his pupils to carry out the color scheme, and exercising no supervision of his printers. There are inumerable actor-portraits of his.