Search
You searched for:
Start Over
Style Period
Attic (Mainland Greek pottery styles)
Remove constraint Style Period: Attic (Mainland Greek pottery styles)
Style Period
Black-figure
Remove constraint Style Period: Black-figure
« Previous | 1 - 100 of 160 | Next »
Number of results to display per page
Search Results
1. Achilles
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Departure of warriors: In the centre, a warrior to right, beardless, with long hair, fillet, short chiton, and sword, fastening a greave on his left leg, which rests on his helmet; the other greave is already on. Facing him, stands a female figure with long tresses, fillet, long chiton and diploidion, holding his spear in right hand. Behind her is a warrior to left with tall visored helmet, chlamys, greaves, spear and shield with device of a bent leg supporting with right hand the shield of the first warrior, which has a tripod as device. Behind him is an archer departing to right, and looking back, bearded, with peaked cap, short embroidered chiton, double-headed axe in right hand, left hand raised, quiver at side. Confronting him is a warrior, as last, with three pellets on shield. On the left of the centre group is a similar warrior to left, with three pellets on shield, confronting an archer, as the former, but beardless; also a beardless figure to right in long chiton and embroidered himation, holding in left hand a wand or spear. 2. On the body: Achilles and Penthesilea: In the centre is Achilles moving to right, bearded, with long tresses, fully armed, two spears in right hand, carrying over left shoulder the body of Penthesilea. Her head hangs down in front with eyes closed, long tresses and a purple wreath, and she wears a short chiton and cuirass, on right arm a bracelet, on right leg an anklet, at side a sword, with sheath terminating in a panther's head. By the side of Achilles is a Boeotian shield with device of an ivy-wreath. In front of him are a warrior and archer departing to right; the warrior, who is looking back, is fully armed, with triquetra as device on shield; the archer is bearded, with Phrygian cap, short embroidered chiton, and greaves, in left hand an axe, at back a quiver. On the left is a fallen Amazon lying back with left leg drawn up, long tresses, fillet, high-crested cap, cuirass, short embroidered chiton, greaves, spear, and shield with two pellets. Over her strides a warrior to left, fully armed, shield with device of a bull's head transfixing her with spear. Above this warrior is inscribed: KAΛOΣ; in front of Achilles is inscribed : KPITI ... Κρίτί[ας]. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Troilos and Polyxena surprised by Achilles: On the right is a fountain represented by a Doric column with white abacus, and a panther's head seen from the front, from which water is pouring over Polyxena's hydria. On the right behind the column is Achilles crouching down to left, with tall visored helmet, short chiton, sword, spear, and Boeotian shield on which is a pellet. On the other side of the fountain is Polyxena to left, with long hair, fillet, long embroidered chiton, left hand raised; behind her are branches. On the left is Troilos approaching on horseback, beardless, with embroidered chlamys and two spears; a second horse by his side. Behind him is a nude youth to right, with a fillet and two spears, left hand raised. 2. On the body: Combat of warriors: In the centre two warriors thrusting at each other with spears; they are bearded and fully armed, with embroidered chitons, but the one on the left has no cuirass; the other has a bird flying to left as device on his shield. Between them is a fallen warrior to left, with eyes closed; he is fully armed and has long tresses; on shield device of an ivy-wreath. Behind each of the two centre combatants is a fully armed warrior, with long tresses, also thrusting with spear; the one on the left has two pellets on shield, the other, an uncertain device; the latter also has parameridia. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: black-figured lekythos (oil-flask). On the shoulder, palmettes; above the design, network. Two heroes (Achilles and Ajax?) casting lots before the statue of Athene: In the centre is the goddess, on a base of two steps, looking to left, with long hair, high-crested helmet, aegis with snakes in front, long chiton, folds indicated, spear in right hand, left extended. On either side of the base is a hero crouching down on one knee fully armed, with high-crested helmet, ornamented cuirass, that of the one on the right probably of linen, short striped chiton, greaves with incised volutes, and two spears, right hand extended to throw the dice. Behind each is his shield; the one on the left has a tripod as device, the other an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, a pattern of spirals. Below the designs, maeander and lotus-buds. (a) Achilles and Ajax playing with pessi: On the right is Achilles seated on a block to left, bearded, with long tresses and short curls in front, high-crested helmet (raised), short embroidered chiton, striped himation, and greaves with volutes, right hand extended, in left two spears; behind him a Boeotian shield with device of a tripod; above is inscribed: ΑΧΙΛΕΥΣ. On the left is Ajax seated facing him, bearded, with short curly hair, high-crested helmet (raised), cuirass, short diapered chiton, striped chlamys, and greaves with volutes; in left hand two spears, with right he is about to move one of the pessi, of which seven are visible, on a table between them. Behind him is a Boeotian shield with two pellets; above: AIAΣ. Between them is inscribed: Λυσιππίδης καλός. (b) Heracles conducted to Olympos: A quadriga to right, in which are Athene, with long tresses, lofty helmet with cheek-pieces and fillet, aegis with scales and fringe of snakes, long chiton and diapered over-chiton spear in right hand, and reins in both, and Heracles, bearded, with hair curly in front and striped himation, carrying club. At the further side of the horses are Dionysos looking back, with long beard and hair, ivy-wreath, long chiton and himation with border of spirals, in right hand a vine-branch, in left a cantharos, and further to the right Apollo, beardless, with long hair arranged in spirals in front, laurel-wreath, long striped chiton and embroidered himation, playing on the chelys. At the horses' heads stands Hermes to left, bearded, with long tresses and curls in front, short chiton, striped himation, petasos, endromides, and caduceus. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London, BMP, 1984; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, a pattern of spirals. Below the designs, maeander and lotus-buds. (a) Achilles and Ajax playing with pessi: On the right is Achilles seated on a block to left, bearded, with long tresses and short curls in front, high-crested helmet (raised), short embroidered chiton, striped himation, and greaves with volutes, right hand extended, in left two spears; behind him a Boeotian shield with device of a tripod; above is inscribed: ΑΧΙΛΕΥΣ. On the left is Ajax seated facing him, bearded, with short curly hair, high-crested helmet (raised), cuirass, short diapered chiton, striped chlamys, and greaves with volutes; in left hand two spears, with right he is about to move one of the pessi, of which seven are visible, on a table between them. Behind him is a Boeotian shield with two pellets; above: AIAΣ. Between them is inscribed: Λυσιππίδης καλός. (b) Heracles conducted to Olympos: A quadriga to right, in which are Athene, with long tresses, lofty helmet with cheek-pieces and fillet, aegis with scales and fringe of snakes, long chiton and diapered over-chiton spear in right hand, and reins in both, and Heracles, bearded, with hair curly in front and striped himation, carrying club. At the further side of the horses are Dionysos looking back, with long beard and hair, ivy-wreath, long chiton and himation with border of spirals, in right hand a vine-branch, in left a cantharos, and further to the right Apollo, beardless, with long hair arranged in spirals in front, laurel-wreath, long striped chiton and embroidered himation, playing on the chelys. At the horses' heads stands Hermes to left, bearded, with long tresses and curls in front, short chiton, striped himation, petasos, endromides, and caduceus. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London, BMP, 1984; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, a pattern of spirals. Below the designs, maeander and lotus-buds. (a) Achilles and Ajax playing with pessi: On the right is Achilles seated on a block to left, bearded, with long tresses and short curls in front, high-crested helmet (raised), short embroidered chiton, striped himation, and greaves with volutes, right hand extended, in left two spears; behind him a Boeotian shield with device of a tripod; above is inscribed: ΑΧΙΛΕΥΣ. On the left is Ajax seated facing him, bearded, with short curly hair, high-crested helmet (raised), cuirass, short diapered chiton, striped chlamys, and greaves with volutes; in left hand two spears, with right he is about to move one of the pessi, of which seven are visible, on a table between them. Behind him is a Boeotian shield with two pellets; above: AIAΣ. Between them is inscribed: Λυσιππίδης καλός. (b) Heracles conducted to Olympos: A quadriga to right, in which are Athene, with long tresses, lofty helmet with cheek-pieces and fillet, aegis with scales and fringe of snakes, long chiton and diapered over-chiton spear in right hand, and reins in both, and Heracles, bearded, with hair curly in front and striped himation, carrying club. At the further side of the horses are Dionysos looking back, with long beard and hair, ivy-wreath, long chiton and himation with border of spirals, in right hand a vine-branch, in left a cantharos, and further to the right Apollo, beardless, with long hair arranged in spirals in front, laurel-wreath, long striped chiton and embroidered himation, playing on the chelys. At the horses' heads stands Hermes to left, bearded, with long tresses and curls in front, short chiton, striped himation, petasos, endromides, and caduceus. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London, BMP, 1984; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured lekythos. Designs: on shoulder, black on red, with purple and white accessories; on body, black on drab, with purple accessories. 1. On the shoulder: A Satyr on all-fours to right, with face to front, pursuing a Maenad, who runs away, looking back at him; she has a long chiton with diploidion, and hair knotted up. In the field, vine-branches, with grapes. 2. On the body: Heroes casting lots at the statue of Athene: In the centre is the statue of Athene to right looking to left, with long hair, high-crested helmet with fillet, long chiton and striped himation, spear in right hand, left raised. Behind her is a table, on either side of which is a bearded warrior crouching down on one knee; the one on the left has a helmet with fillet, short striped chiton, chlamys, greaves, shield and two spears; his right hand is stretched out to the table. The other has long hair with fillet, greaves, Boeotian shield, and spear. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured lekythos (oil-flask). On the shoulder, palmettes; above the design, network. Two heroes (Achilles and Ajax?) casting lots before the statue of Athene: In the centre is the goddess, on a base of two steps, looking to left, with long hair, high-crested helmet, aegis with snakes in front, long chiton, folds indicated, spear in right hand, left extended. On either side of the base is a hero crouching down on one knee fully armed, with high-crested helmet, ornamented cuirass, that of the one on the right probably of linen, short striped chiton, greaves with incised volutes, and two spears, right hand extended to throw the dice. Behind each is his shield; the one on the left has a tripod as device, the other an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851
- Description
- Pottery: black-figured kyathos (dipper). Coarse style. On the top of the handle is a knob. In the centre, Ajax and Achilles (or other warriors) playing with pessi (dice); they are kneeling on opposite sides of a table, on which are visible six pessi, to which they put out their hands. Both have high-crested helmets and spears, and are wrapped in himatia; in the background is a palm-tree. Behind each warrior is a female figure looking on, with long hair, fillet, long chiton, and embroidered himation; the one on the right extends her arms to the warrior. On the left is a bearded figure seated to left, looking back, in long chiton and himation, both embroidered, right hand raised. A female figure (the head obliterated) advances towards him, in long chiton and embroidered himation, holding out a wreath. On the right is a bearded figure seated to right, looking back, in long chiton and embroidered himation, with left hand raised, holding a keras (?). Before him is a male figure departing, wrapped in an embroidered himation, looking back. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured kyathos (dipper). Coarse style. On the top of the handle is a knob. In the centre, Ajax and Achilles (or other warriors) playing with pessi (dice); they are kneeling on opposite sides of a table, on which are visible six pessi, to which they put out their hands. Both have high-crested helmets and spears, and are wrapped in himatia; in the background is a palm-tree. Behind each warrior is a female figure looking on, with long hair, fillet, long chiton, and embroidered himation; the one on the right extends her arms to the warrior. On the left is a bearded figure seated to left, looking back, in long chiton and himation, both embroidered, right hand raised. A female figure (the head obliterated) advances towards him, in long chiton and embroidered himation, holding out a wreath. On the right is a bearded figure seated to right, looking back, in long chiton and embroidered himation, with left hand raised, holding a keras (?). Before him is a male figure departing, wrapped in an embroidered himation, looking back. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Scenes from the mythological Trojan War decorate this Athenian black-figure neck-amphora. On the front, Achilles and Ajax, two great heroes of the Greeks, sit playing a board game. The goddess Athena stands in front of the board and gestures. The warriors have their armor and weapons ready, as if just pausing during a break in the conflict. This scene of Ajax and Achilles gaming was very popular in Athenian vase-painting of the late 500s B.C. and was a favorite of the painters in the Leagros Group. Many scholars believe that this mythological scene also served as a contemporary political parable on the value of staying alert, since the tyrant Peisistratos had been able to take control of the city of Athens while the army was distracted. The back of the vase depicts three hoplites, or warriors, in a line. Such files of hoplites are rather unusual in vase-painting, and this depiction may have been meant to relate to the scene on the front of the vase. These hoplites may be Greeks on the march to counter a Trojan attack, while Ajax and Achilles are notified by Athena. Such an interpretation would explain Athena's unusually prominent position on this rendition of the scene. --J. Paul Getty Museum; Bareiss Loan: S.80.AE.292, May, Helmut, ed. Weltkunst aus Privatbesitz, exh. cat. (Cologne: Kunsthalle Köln, 1968), cat. no. A 24.; Bothmer, Dietrich von, and J. Bean. Greek Vases and Modern Drawings from the Collection of Mr. and Mrs. Walter Bareiss. Exh. checklist, The Metropolitan Museum of Art. New York: 1969. p. 2, no. 19.; Brommer, Frank. Vasenlisten zur griechischen Heldensage. 3rd ed. (Marburg: 1973) p. 335, no. 23.; Woodford, Susan.
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Scenes from the mythological Trojan War decorate this Athenian black-figure neck-amphora. On the front, Achilles and Ajax, two great heroes of the Greeks, sit playing a board game. The goddess Athena stands in front of the board and gestures. The warriors have their armor and weapons ready, as if just pausing during a break in the conflict. This scene of Ajax and Achilles gaming was very popular in Athenian vase-painting of the late 500s B.C. and was a favorite of the painters in the Leagros Group. Many scholars believe that this mythological scene also served as a contemporary political parable on the value of staying alert, since the tyrant Peisistratos had been able to take control of the city of Athens while the army was distracted. The back of the vase depicts three hoplites, or warriors, in a line. Such files of hoplites are rather unusual in vase-painting, and this depiction may have been meant to relate to the scene on the front of the vase. These hoplites may be Greeks on the march to counter a Trojan attack, while Ajax and Achilles are notified by Athena. Such an interpretation would explain Athena's unusually prominent position on this rendition of the scene. --J. Paul Getty Museum; Bareiss Loan: S.80.AE.292, May, Helmut, ed. Weltkunst aus Privatbesitz, exh. cat. (Cologne: Kunsthalle Köln, 1968), cat. no. A 24.; Bothmer, Dietrich von, and J. Bean. Greek Vases and Modern Drawings from the Collection of Mr. and Mrs. Walter Bareiss. Exh. checklist, The Metropolitan Museum of Art. New York: 1969. p. 2, no. 19.; Brommer, Frank. Vasenlisten zur griechischen Heldensage. 3rd ed. (Marburg: 1973) p. 335, no. 23.; Woodford, Susan.
- Description
- Achilles and Ajax, two great heroes of the Trojan War, play a board game on this Athenian black-figure amphora. Behind the table stands the goddess Athena. The scene of the warriors at leisure but with their armor at the ready might have taken place during a break in fighting the Trojan War. This depiction of Ajax and Achilles gaming was especially popular in Athenian art in the late 500s B.C.; over 150 surviving vases show the scene. Why was this image so popular? Some scholars have argued that it was politically motivated. They interpret this scene as a mythical parallel for the tyrant Peisistratos's return from exile, when he was able to regain power because the Athenian army was unprepared for battle. If so, then these vases would be anti-Peisistratid propaganda, alerting Athenians to the importance of vigilance by reminding them of the consequences of their recent failure. The back of the vase shows a warrior departing for battle, standing between two old men. This was a common scene on vases and, in this case, a subject loosely connected with the scene on the front of the vase. --J. Paul Getty Museum, Green, Christopher, and Jens M. Daehner. Modern Antiquity: Picasso, de Chirico, Leger, and Picabia (Los Angeles: J. Paul Getty Museum, 2011) 45, 152, no. 5; pl. 3
- Description
- Achilles and Ajax, two great heroes of the Trojan War, play a board game on this Athenian black-figure amphora. Behind the table stands the goddess Athena. The scene of the warriors at leisure but with their armor at the ready might have taken place during a break in fighting the Trojan War. This depiction of Ajax and Achilles gaming was especially popular in Athenian art in the late 500s B.C.; over 150 surviving vases show the scene. Why was this image so popular? Some scholars have argued that it was politically motivated. They interpret this scene as a mythical parallel for the tyrant Peisistratos's return from exile, when he was able to regain power because the Athenian army was unprepared for battle. If so, then these vases would be anti-Peisistratid propaganda, alerting Athenians to the importance of vigilance by reminding them of the consequences of their recent failure. The back of the vase shows a warrior departing for battle, standing between two old men. This was a common scene on vases and, in this case, a subject loosely connected with the scene on the front of the vase. --J. Paul Getty Museum, Green, Christopher, and Jens M. Daehner. Modern Antiquity: Picasso, de Chirico, Leger, and Picabia (Los Angeles: J. Paul Getty Museum, 2011) 45, 152, no. 5; pl. 3
- Description
- Achilles and Ajax, two great heroes of the Trojan War, play a board game on this Athenian black-figure amphora. Behind the table stands the goddess Athena. The scene of the warriors at leisure but with their armor at the ready might have taken place during a break in fighting the Trojan War. This depiction of Ajax and Achilles gaming was especially popular in Athenian art in the late 500s B.C.; over 150 surviving vases show the scene. Why was this image so popular? Some scholars have argued that it was politically motivated. They interpret this scene as a mythical parallel for the tyrant Peisistratos's return from exile, when he was able to regain power because the Athenian army was unprepared for battle. If so, then these vases would be anti-Peisistratid propaganda, alerting Athenians to the importance of vigilance by reminding them of the consequences of their recent failure. The back of the vase shows a warrior departing for battle, standing between two old men. This was a common scene on vases and, in this case, a subject loosely connected with the scene on the front of the vase. --J. Paul Getty Museum, Green, Christopher, and Jens M. Daehner. Modern Antiquity: Picasso, de Chirico, Leger, and Picabia (Los Angeles: J. Paul Getty Museum, 2011) 45, 152, no. 5; pl. 3
- Description
- Scenes from the mythological Trojan War decorate this Athenian black-figure neck-amphora. On the front, Achilles and Ajax, two great heroes of the Greeks, sit playing a board game. The goddess Athena stands in front of the board and gestures. The warriors have their armor and weapons ready, as if just pausing during a break in the conflict. This scene of Ajax and Achilles gaming was very popular in Athenian vase-painting of the late 500s B.C. and was a favorite of the painters in the Leagros Group. Many scholars believe that this mythological scene also served as a contemporary political parable on the value of staying alert, since the tyrant Peisistratos had been able to take control of the city of Athens while the army was distracted. The back of the vase depicts three hoplites, or warriors, in a line. Such files of hoplites are rather unusual in vase-painting, and this depiction may have been meant to relate to the scene on the front of the vase. These hoplites may be Greeks on the march to counter a Trojan attack, while Ajax and Achilles are notified by Athena. Such an interpretation would explain Athena's unusually prominent position on this rendition of the scene. --J. Paul Getty Museum; Bareiss Loan: S.80.AE.292, May, Helmut, ed. Weltkunst aus Privatbesitz, exh. cat. (Cologne: Kunsthalle Köln, 1968), cat. no. A 24.; Bothmer, Dietrich von, and J. Bean. Greek Vases and Modern Drawings from the Collection of Mr. and Mrs. Walter Bareiss. Exh. checklist, The Metropolitan Museum of Art. New York: 1969. p. 2, no. 19.; Brommer, Frank. Vasenlisten zur griechischen Heldensage. 3rd ed. (Marburg: 1973) p. 335, no. 23.; Woodford, Susan.
- Description
- Pottery: black-figured lekythos. Designs: on shoulder, black on red, with purple and white accessories; on body, black on drab, with purple accessories. 1. On the shoulder: A Satyr on all-fours to right, with face to front, pursuing a Maenad, who runs away, looking back at him; she has a long chiton with diploidion, and hair knotted up. In the field, vine-branches, with grapes. 2. On the body: Heroes casting lots at the statue of Athene: In the centre is the statue of Athene to right looking to left, with long hair, high-crested helmet with fillet, long chiton and striped himation, spear in right hand, left raised. Behind her is a table, on either side of which is a bearded warrior crouching down on one knee; the one on the left has a helmet with fillet, short striped chiton, chlamys, greaves, shield and two spears; his right hand is stretched out to the table. The other has long hair with fillet, greaves, Boeotian shield, and spear. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, patterns of palmettes and spirals; below, maeander and lotus-buds. (a) In the centre Memnon to right, bearded and fully armed; on his helmet the figure of a dog, the tail supporting the crest; he has long curls ending in spirals, a white cuirass, probably of linen, richly ornamented, short striped chiton, shield and spear. On either side facing him is an beardless African attendant; the one on the right has a short striped chiton and a pelta, on which is a pellet; the other has a cuirass and short diapered chiton; each has a club in right hand. Above Memnon behind is inscribed έπ]οίησ(ε)ν (?); in front: AMAΣIΣ, Αμασις. (b) Achilles slaying Penthesilea: Achilles to right, fully armed, bearded, with hair as Memnon's in (a), short striped chiton, sword, and Boeotian shield, is thrusting with spear at Penthesilea, who retreats to right. She has long tresses, high-crested helmet with cheek-pieces, and meander border on crest, cuirass, and short striped chiton, and defends herself with spear and shield with device of an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, patterns of palmettes and spirals; below, maeander and lotus-buds. (a) In the centre Memnon to right, bearded and fully armed; on his helmet the figure of a dog, the tail supporting the crest; he has long curls ending in spirals, a white cuirass, probably of linen, richly ornamented, short striped chiton, shield and spear. On either side facing him is an beardless African attendant; the one on the right has a short striped chiton and a pelta, on which is a pellet; the other has a cuirass and short diapered chiton; each has a club in right hand. Above Memnon behind is inscribed έπ]οίησ(ε)ν (?); in front: AMAΣIΣ, Αμασις. (b) Achilles slaying Penthesilea: Achilles to right, fully armed, bearded, with hair as Memnon's in (a), short striped chiton, sword, and Boeotian shield, is thrusting with spear at Penthesilea, who retreats to right. She has long tresses, high-crested helmet with cheek-pieces, and meander border on crest, cuirass, and short striped chiton, and defends herself with spear and shield with device of an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Departure of warriors: In the centre, a warrior to right, beardless, with long hair, fillet, short chiton, and sword, fastening a greave on his left leg, which rests on his helmet; the other greave is already on. Facing him, stands a female figure with long tresses, fillet, long chiton and diploidion, holding his spear in right hand. Behind her is a warrior to left with tall visored helmet, chlamys, greaves, spear and shield with device of a bent leg supporting with right hand the shield of the first warrior, which has a tripod as device. Behind him is an archer departing to right, and looking back, bearded, with peaked cap, short embroidered chiton, double-headed axe in right hand, left hand raised, quiver at side. Confronting him is a warrior, as last, with three pellets on shield. On the left of the centre group is a similar warrior to left, with three pellets on shield, confronting an archer, as the former, but beardless; also a beardless figure to right in long chiton and embroidered himation, holding in left hand a wand or spear. 2. On the body: Achilles and Penthesilea: In the centre is Achilles moving to right, bearded, with long tresses, fully armed, two spears in right hand, carrying over left shoulder the body of Penthesilea. Her head hangs down in front with eyes closed, long tresses and a purple wreath, and she wears a short chiton and cuirass, on right arm a bracelet, on right leg an anklet, at side a sword, with sheath terminating in a panther's head. By the side of Achilles is a Boeotian shield with device of an ivy-wreath. In front of him are a warrior and archer departing to right; the warrior, who is looking back, is fully armed, with triquetra as device on shield; the archer is bearded, with Phrygian cap, short embroidered chiton, and greaves, in left hand an axe, at back a quiver. On the left is a fallen Amazon lying back with left leg drawn up, long tresses, fillet, high-crested cap, cuirass, short embroidered chiton, greaves, spear, and shield with two pellets. Over her strides a warrior to left, fully armed, shield with device of a bull's head transfixing her with spear. Above this warrior is inscribed: KAΛOΣ; in front of Achilles is inscribed : KPITI ... Κρίτί[ας]. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Departure of warriors: In the centre, a warrior to right, beardless, with long hair, fillet, short chiton, and sword, fastening a greave on his left leg, which rests on his helmet; the other greave is already on. Facing him, stands a female figure with long tresses, fillet, long chiton and diploidion, holding his spear in right hand. Behind her is a warrior to left with tall visored helmet, chlamys, greaves, spear and shield with device of a bent leg supporting with right hand the shield of the first warrior, which has a tripod as device. Behind him is an archer departing to right, and looking back, bearded, with peaked cap, short embroidered chiton, double-headed axe in right hand, left hand raised, quiver at side. Confronting him is a warrior, as last, with three pellets on shield. On the left of the centre group is a similar warrior to left, with three pellets on shield, confronting an archer, as the former, but beardless; also a beardless figure to right in long chiton and embroidered himation, holding in left hand a wand or spear. 2. On the body: Achilles and Penthesilea: In the centre is Achilles moving to right, bearded, with long tresses, fully armed, two spears in right hand, carrying over left shoulder the body of Penthesilea. Her head hangs down in front with eyes closed, long tresses and a purple wreath, and she wears a short chiton and cuirass, on right arm a bracelet, on right leg an anklet, at side a sword, with sheath terminating in a panther's head. By the side of Achilles is a Boeotian shield with device of an ivy-wreath. In front of him are a warrior and archer departing to right; the warrior, who is looking back, is fully armed, with triquetra as device on shield; the archer is bearded, with Phrygian cap, short embroidered chiton, and greaves, in left hand an axe, at back a quiver. On the left is a fallen Amazon lying back with left leg drawn up, long tresses, fillet, high-crested cap, cuirass, short embroidered chiton, greaves, spear, and shield with two pellets. Over her strides a warrior to left, fully armed, shield with device of a bull's head transfixing her with spear. Above this warrior is inscribed: KAΛOΣ; in front of Achilles is inscribed : KPITI ... Κρίτί[ας]. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured hydria. Designs in black on red panels with borders of ivy down the sides, and palmettes along the bottom; accessories of purple and white. 1. On the shoulder: Combat of Heracles and Antaios: In the centre Heracles stooping to right, endeavours to raise Antaios from the earth; both are nude and wear fillets, Antaios alone is bearded; Heracles grasps Antaios by the right arm, and the other holds him by the left foot. Behind Heracles is Athene to right, with high-crested helmet, long chiton, and himation, in right hand a spear, the left raised in encouragement. Behind her is Hermes seated to right, bearded, with hair looped up behind, petasos, short chiton, and chlamys, sword at left side and caduceus in right hand. He is looking back at Iolaos, who stands looking on, fully armed, with spear in right hand, and shield with device of two pellets. On the right is a female figure moving away to right, looking back, with long hair, fillet, long embroidered chiton and himation, left hand raised; facing her is a bearded male figure in embroidered himation, with spear. Above are hung Heracles' quiver and embroidered chlamys. In the field, branches. 2. On the body: Amazonomachia (Amazonomachy): A quadriga driven to right by an Amazon in a high-crested helmet, with long hair, fillet, short embroidered chiton and cuirass. By the further side of the quadriga is Achilles to right, fully armed, with short embroidered chiton and shield with ivy wreath as device, attacking Penthesilea with a spear. She is vainly defending herself with her spear, and moves away to right, looking back at him; she has long hair with fillet, a high-crested helmet, and shield with two pellets as device. Beneath the horses is a fallen Amazon lying on her back to right with legs drawn up; she has long hair, fillet, short embroidered chiton, greaves, spear, and shield with device of a tripod. In front of the horses is another Amazon to left, armed like the last, except that she has no shield, hurling spear; all four Amazons wear necklaces. Underneath the foot, incised characters. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, patterns of palmettes and spirals; below, maeander and lotus-buds. (a) In the centre Memnon to right, bearded and fully armed; on his helmet the figure of a dog, the tail supporting the crest; he has long curls ending in spirals, a white cuirass, probably of linen, richly ornamented, short striped chiton, shield and spear. On either side facing him is an beardless African attendant; the one on the right has a short striped chiton and a pelta, on which is a pellet; the other has a cuirass and short diapered chiton; each has a club in right hand. Above Memnon behind is inscribed έπ]οίησ(ε)ν (?); in front: AMAΣIΣ, Αμασις. (b) Achilles slaying Penthesilea: Achilles to right, fully armed, bearded, with hair as Memnon's in (a), short striped chiton, sword, and Boeotian shield, is thrusting with spear at Penthesilea, who retreats to right. She has long tresses, high-crested helmet with cheek-pieces, and meander border on crest, cuirass, and short striped chiton, and defends herself with spear and shield with device of an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. (a) Aeneas carrying off Anchises from Troy: In the centre is Aeneas to right, fully armed, with Boeotian shield and two spears, carrying Anchises on his shoulders; the latter has white hair and beard, long embroidered chiton, and sceptre. In front of them is Creusa (?) advancing to right and looking back at them, veiled in an embroidered himation. On the right is an old man to left, partly bald, with white hair and beard, long chiton and himation, holding a staff. Behind Aeneas is Aphrodite (?) retreating to left and looking back, with long hair, fillet, long chiton, and embroidered himation. On the left is an archer to right, beardless, with high-peaked cap, cuirass, short purple chiton, and quiver. (b) Combat of three warriors (perhaps Achilles defending Antilochos against Memnon): On the left is a bearded warrior, fully armed, with short white chiton and embroidered chlamys, thrusting with spear at a retreating warrior also fully armed, who looks back at him; he has two white plumes on his helmet, short purple chiton, Boeotian shield with device of a thunderbolt and defends himself with spear. On the right is another warrior defending the latter, fully armed, with short purple chiton, and shield with device of a dolphin to left, thrusting with spear. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. (a) Aeneas carrying off Anchises from Troy: In the centre is Aeneas to right, fully armed, with Boeotian shield and two spears, carrying Anchises on his shoulders; the latter has white hair and beard, long embroidered chiton, and sceptre. In front of them is Creusa (?) advancing to right and looking back at them, veiled in an embroidered himation. On the right is an old man to left, partly bald, with white hair and beard, long chiton and himation, holding a staff. Behind Aeneas is Aphrodite (?) retreating to left and looking back, with long hair, fillet, long chiton, and embroidered himation. On the left is an archer to right, beardless, with high-peaked cap, cuirass, short purple chiton, and quiver. (b) Combat of three warriors (perhaps Achilles defending Antilochos against Memnon): On the left is a bearded warrior, fully armed, with short white chiton and embroidered chlamys, thrusting with spear at a retreating warrior also fully armed, who looks back at him; he has two white plumes on his helmet, short purple chiton, Boeotian shield with device of a thunderbolt and defends himself with spear. On the right is another warrior defending the latter, fully armed, with short purple chiton, and shield with device of a dolphin to left, thrusting with spear. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured neck-amphora. Rather coarse style. On the neck, (a) double honeysuckle, and (b) chain of palmettes. (a) Ajax carrying off Achilles' body: Ajax to left, fully armed, with Boeotian shield, on which are two snakes as device, with rosette between for the boss, is carrying the body of Achilles on his shoulder, bending down beneath its weight. Achilles is armed as Ajax; on his Boeotian shield is the device of a bull's head. Before them is Thetis (?) retreating to left, with long hair, fillet, long chiton and himation, both embroidered, looking back and beckoning to Ajax with left hand. (b) Dionysos seated on an okladias to right, looking back at a Maenad, who retreats to left, looking back. She has long hair with sphendonè, long chiton and himation, both embroidered, in left hand a crotalon (castanet). Dionysos has a long beard, ivy-wreath, long white chiton and embroidered himation, in left hand a keras, in right vine-branches with grapes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured kylix ('Siana' shape). Designs black on red ground; purple and white accessories. Underneath the foot, at the point of insertion of the stem, is a spike, an imitation of metal-work. Interior, in a medallion with borders of dots and tongue-pattern: Ajax seizing Cassandra at the Palladion: Ajax to right, bearded, with high-crested helmet, white cuirass with incised lines, short purple chiton with chevron border, purple greaves, sword-belt and sheath, drawn sword in right hand, is about to slay Cassandra, whom he has seized with left hand. She crouches to left at the feet of the Palladion, her head being hidden behind it; she is nude, with left hand extended in supplication to Ajax. The goddess is represented standing to left, with long tresses, high-crested helmet, long diapered chiton with chevron border, spear brandished in right hand, shield painted purple with Gorgoneion in white, the features incised, eyes and tongue purple. Behind is a Siren to right looking back, with wings outspread, long hair and fillet. In the field are two lotus-buds. In the exergue, a row of lotus-buds. Exterior: Two friezes with ivy-wreath above, and borders of tongue-pattern and dots below: (a) Apotheosis of Heracles: On the left is Zeus seated on a throne to right, bearded, with long tresses, fillet, long white chiton with incised lines forming a lozenge-pattern and border of the same, richly diapered himation with maeander border, in left hand thunderbolt, sandals on feet, which rest on a footstool. The throne is richly inlaid, with two horizontal rails each side, between which are volutes, the back ending in a snake with head turned back; at the end of the upper rail on the right side is a large lotus-bud. Behind Zeus is Hera similarly seated, with earrings, necklace, long purple chiton, with borders of wavy and chevron patterns, the middle part diapered, and purple himation, drawn over her head, which she raises with left hand, sandals on her feet, which rest on a footstool. Her throne is similar to that of Zeus; at the back is a spiral instead of the snake. Before her on a footstool stands Hebe to left, with long hair tied in a club, fillet, long diapered chiton tied at the waist, with lozenge border and purple diploidion, right hand extended as if supplicating Hera. Before Zeus advance Hermes and Athene leading up Heracles; Hermes is bearded, with long tresses, short white chiton with lozenge border, richly embroidered, purple chlamys with wavy border, petasos, endromides with the usual tags behind as well as before, caduceus in left hand, right extended. Athena has long hair, high-crested helmet, long diapered chiton with chevron border, aegis with snakes projecting on both sides, shield painted purple with Gorgoneion in white, as in the inside design. Heracles has a chiton as Hermes, over which is the lion's skin drawn over his head and tied on his breast, right hand extended; he is followed by Artemis, with long hair tied back, curls in front, fillet with zigzags, long diapered chiton with lozenge border, tied at the waist, and purple diploidion, in right hand two arrows, in left her bow; and Ares, with high-crested helmet, short purple chiton with lozenge border, over which is a skin, sword-belt and kibisis (sack) slung round shoulder, and endromides, right hand extended. (b) Combat of two warriors (perhaps Achilles and Memnon) thrusting with spears: The one on the left has a high-crested helmet, chiton and skin as Ares in (a), sword at side, purple greaves, and shield painted purple inside; the other has a high-crested helmet, richly diapered chiton, sheath at side with lozenge-pattern incised, white greaves, and shield with device of an eagle flying to left. Behind each is a female figure looking on, with long hair, fillet, and long purple chiton with diploidion; the one on the left has spear in left hand, the chiton of the other is richly diapered. Behind each is a youthful warrior on horseback; the one on the left has helmet, short purple chiton, white greaves, spear, and shield painted purple inside; his horse has white mane and tail, and he is leading a second horse, which is white. The other has a high-crested helmet, spear, and white shield with device of a six-leaved flower in purple; he also leads a second horse. The tails of the horses appear to be plaited. Behind each warrior is a lotus-bud; on the right, under the handle, is a warrior, as the last one, crouching on one knee to left, with white greaves, shield painted purple with device as last, in white. Under the other handle is a Sphinx seated to right looking back, with long hair, fillet, and wings outspread. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
- Description
- Pottery: black-figured kylix ('Siana' shape). Designs black on red ground; purple and white accessories. Underneath the foot, at the point of insertion of the stem, is a spike, an imitation of metal-work. Interior, in a medallion with borders of dots and tongue-pattern: Ajax seizing Cassandra at the Palladion: Ajax to right, bearded, with high-crested helmet, white cuirass with incised lines, short purple chiton with chevron border, purple greaves, sword-belt and sheath, drawn sword in right hand, is about to slay Cassandra, whom he has seized with left hand. She crouches to left at the feet of the Palladion, her head being hidden behind it; she is nude, with left hand extended in supplication to Ajax. The goddess is represented standing to left, with long tresses, high-crested helmet, long diapered chiton with chevron border, spear brandished in right hand, shield painted purple with Gorgoneion in white, the features incised, eyes and tongue purple. Behind is a Siren to right looking back, with wings outspread, long hair and fillet. In the field are two lotus-buds. In the exergue, a row of lotus-buds. Exterior: Two friezes with ivy-wreath above, and borders of tongue-pattern and dots below: (a) Apotheosis of Heracles: On the left is Zeus seated on a throne to right, bearded, with long tresses, fillet, long white chiton with incised lines forming a lozenge-pattern and border of the same, richly diapered himation with maeander border, in left hand thunderbolt, sandals on feet, which rest on a footstool. The throne is richly inlaid, with two horizontal rails each side, between which are volutes, the back ending in a snake with head turned back; at the end of the upper rail on the right side is a large lotus-bud. Behind Zeus is Hera similarly seated, with earrings, necklace, long purple chiton, with borders of wavy and chevron patterns, the middle part diapered, and purple himation, drawn over her head, which she raises with left hand, sandals on her feet, which rest on a footstool. Her throne is similar to that of Zeus; at the back is a spiral instead of the snake. Before her on a footstool stands Hebe to left, with long hair tied in a club, fillet, long diapered chiton tied at the waist, with lozenge border and purple diploidion, right hand extended as if supplicating Hera. Before Zeus advance Hermes and Athene leading up Heracles; Hermes is bearded, with long tresses, short white chiton with lozenge border, richly embroidered, purple chlamys with wavy border, petasos, endromides with the usual tags behind as well as before, caduceus in left hand, right extended. Athena has long hair, high-crested helmet, long diapered chiton with chevron border, aegis with snakes projecting on both sides, shield painted purple with Gorgoneion in white, as in the inside design. Heracles has a chiton as Hermes, over which is the lion's skin drawn over his head and tied on his breast, right hand extended; he is followed by Artemis, with long hair tied back, curls in front, fillet with zigzags, long diapered chiton with lozenge border, tied at the waist, and purple diploidion, in right hand two arrows, in left her bow; and Ares, with high-crested helmet, short purple chiton with lozenge border, over which is a skin, sword-belt and kibisis (sack) slung round shoulder, and endromides, right hand extended. (b) Combat of two warriors (perhaps Achilles and Memnon) thrusting with spears: The one on the left has a high-crested helmet, chiton and skin as Ares in (a), sword at side, purple greaves, and shield painted purple inside; the other has a high-crested helmet, richly diapered chiton, sheath at side with lozenge-pattern incised, white greaves, and shield with device of an eagle flying to left. Behind each is a female figure looking on, with long hair, fillet, and long purple chiton with diploidion; the one on the left has spear in left hand, the chiton of the other is richly diapered. Behind each is a youthful warrior on horseback; the one on the left has helmet, short purple chiton, white greaves, spear, and shield painted purple inside; his horse has white mane and tail, and he is leading a second horse, which is white. The other has a high-crested helmet, spear, and white shield with device of a six-leaved flower in purple; he also leads a second horse. The tails of the horses appear to be plaited. Behind each warrior is a lotus-bud; on the right, under the handle, is a warrior, as the last one, crouching on one knee to left, with white greaves, shield painted purple with device as last, in white. Under the other handle is a Sphinx seated to right looking back, with long hair, fillet, and wings outspread. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, a pattern of spirals. Below the designs, maeander and lotus-buds. (a) Achilles and Ajax playing with pessi: On the right is Achilles seated on a block to left, bearded, with long tresses and short curls in front, high-crested helmet (raised), short embroidered chiton, striped himation, and greaves with volutes, right hand extended, in left two spears; behind him a Boeotian shield with device of a tripod; above is inscribed: ΑΧΙΛΕΥΣ. On the left is Ajax seated facing him, bearded, with short curly hair, high-crested helmet (raised), cuirass, short diapered chiton, striped chlamys, and greaves with volutes; in left hand two spears, with right he is about to move one of the pessi, of which seven are visible, on a table between them. Behind him is a Boeotian shield with two pellets; above: AIAΣ. Between them is inscribed: Λυσιππίδης καλός. (b) Heracles conducted to Olympos: A quadriga to right, in which are Athene, with long tresses, lofty helmet with cheek-pieces and fillet, aegis with scales and fringe of snakes, long chiton and diapered over-chiton spear in right hand, and reins in both, and Heracles, bearded, with hair curly in front and striped himation, carrying club. At the further side of the horses are Dionysos looking back, with long beard and hair, ivy-wreath, long chiton and himation with border of spirals, in right hand a vine-branch, in left a cantharos, and further to the right Apollo, beardless, with long hair arranged in spirals in front, laurel-wreath, long striped chiton and embroidered himation, playing on the chelys. At the horses' heads stands Hermes to left, bearded, with long tresses and curls in front, short chiton, striped himation, petasos, endromides, and caduceus. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London, BMP, 1984; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, a pattern of spirals. Below the designs, maeander and lotus-buds. (a) Achilles and Ajax playing with pessi: On the right is Achilles seated on a block to left, bearded, with long tresses and short curls in front, high-crested helmet (raised), short embroidered chiton, striped himation, and greaves with volutes, right hand extended, in left two spears; behind him a Boeotian shield with device of a tripod; above is inscribed: ΑΧΙΛΕΥΣ. On the left is Ajax seated facing him, bearded, with short curly hair, high-crested helmet (raised), cuirass, short diapered chiton, striped chlamys, and greaves with volutes; in left hand two spears, with right he is about to move one of the pessi, of which seven are visible, on a table between them. Behind him is a Boeotian shield with two pellets; above: AIAΣ. Between them is inscribed: Λυσιππίδης καλός. (b) Heracles conducted to Olympos: A quadriga to right, in which are Athene, with long tresses, lofty helmet with cheek-pieces and fillet, aegis with scales and fringe of snakes, long chiton and diapered over-chiton spear in right hand, and reins in both, and Heracles, bearded, with hair curly in front and striped himation, carrying club. At the further side of the horses are Dionysos looking back, with long beard and hair, ivy-wreath, long chiton and himation with border of spirals, in right hand a vine-branch, in left a cantharos, and further to the right Apollo, beardless, with long hair arranged in spirals in front, laurel-wreath, long striped chiton and embroidered himation, playing on the chelys. At the horses' heads stands Hermes to left, bearded, with long tresses and curls in front, short chiton, striped himation, petasos, endromides, and caduceus. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London, BMP, 1984; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
35. Amasis and OlHSN
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, patterns of palmettes and spirals; below, maeander and lotus-buds. (a) In the centre Memnon to right, bearded and fully armed; on his helmet the figure of a dog, the tail supporting the crest; he has long curls ending in spirals, a white cuirass, probably of linen, richly ornamented, short striped chiton, shield and spear. On either side facing him is an beardless African attendant; the one on the right has a short striped chiton and a pelta, on which is a pellet; the other has a cuirass and short diapered chiton; each has a club in right hand. Above Memnon behind is inscribed έπ]οίησ(ε)ν (?); in front: AMAΣIΣ, Αμασις. (b) Achilles slaying Penthesilea: Achilles to right, fully armed, bearded, with hair as Memnon's in (a), short striped chiton, sword, and Boeotian shield, is thrusting with spear at Penthesilea, who retreats to right. She has long tresses, high-crested helmet with cheek-pieces, and meander border on crest, cuirass, and short striped chiton, and defends herself with spear and shield with device of an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Troilos and Polyxena surprised by Achilles: On the right is a fountain represented by a Doric column with white abacus, and a panther's head seen from the front, from which water is pouring over Polyxena's hydria. On the right behind the column is Achilles crouching down to left, with tall visored helmet, short chiton, sword, spear, and Boeotian shield on which is a pellet. On the other side of the fountain is Polyxena to left, with long hair, fillet, long embroidered chiton, left hand raised; behind her are branches. On the left is Troilos approaching on horseback, beardless, with embroidered chlamys and two spears; a second horse by his side. Behind him is a nude youth to right, with a fillet and two spears, left hand raised. 2. On the body: Combat of warriors: In the centre two warriors thrusting at each other with spears; they are bearded and fully armed, with embroidered chitons, but the one on the left has no cuirass; the other has a bird flying to left as device on his shield. Between them is a fallen warrior to left, with eyes closed; he is fully armed and has long tresses; on shield device of an ivy-wreath. Behind each of the two centre combatants is a fully armed warrior, with long tresses, also thrusting with spear; the one on the left has two pellets on shield, the other, an uncertain device; the latter also has parameridia. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: black-figured amphora: the ambush of Troilos; as Achilles attacks Troilos, Polyxena drops her water-jar and flees in terror. --The British Museum
38. Arming
- Description
- Pottery: black-figured oinochoe (wine-jug). High grooved handle. Design black on a red panel, with chequer-pattern above; accessories of white and purple. Warrior arming: In the centre is the warrior to right, beardless, with cuirass, short embroidered chiton, sword at side, and a greave on right leg, painted purple; he holds up left leg to put on the other greave. Facing him is a female figure with long hair, fillet, and long striped chiton, holding his spear and shield; the device on the latter is a bull's head. Behind her is a warrior to left, with visored helmet, greaves, the left one painted purple, spear and shield with the device of a bent leg; behind him an archer departing to right, looking back, with peaked cap, short purple chiton, and quiver with lid in the form of a wing. On the left is a warrior departing and looking back, armed as the last with a chlamys; on his shield is a bull's head. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
39. Arming
- Description
- Pottery: black-figured neck-amphora. (a) Warrior arming: In the centre is the warrior stooping to right, nude and bearded, placing a greave on left leg; before him is his high-crested helmet. Facing him is a female figure with long tresses, and long chiton and himation, both embroidered, holding his spear and Boeotian shield on which is a panther's head between two snakes. Behind her is an archer to left, bearded, with high peaked cap, short chiton, quiver at side, and bow in left hand. On the left is an old man to right, with white beard and hair, and long chiton and himation, both embroidered, in left hand a staff; behind him an archer to right, as the former, bow and quiver at side, left hand raised. (b) Acamas and Demophon conducting Aethra: In the centre is Aethra between them, all three to right; she has a long embroidered chiton, and embroidered himation drawn over her head. Demophon, on the right, is looking back at her; he and Acamas both have short chitons, visored helmets, cuirasses, and greaves, and are bearded; the latter has a high-crested helmet, sword drawn in right hand, and embroidered chlamys. On the right is a youth to left, with long chiton and embroidered himation; behind him an old man to right, with white beard and hair, in long chiton and striped himation. On the left an old man to right, as the last, with long white tresses; each of these three has a staff in right hand. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
40. Bilingual
- Description
- Pottery: 'bilingual' eye cup. Outline of hair incised throughout exterior scenes: purple wreaths and tails of Seileni; no traces of inner markings, except on forehead of figure in exterior (a). Interior, black-figure: exterior, red-figure. On each side of each handle a large palmette. Interior: Youth (wreathed, with short chiton, chlamys with white patterns) holding two spears, riding to right. Exterior: (a) Between eyes, Seilenos (wreathed with ivy, ithyphallic) holding in right hand keras, on left pelta attached to a cord over his right shoulder, striding in crouching attitude to right. (b) Between eyes, similar figure, holding in left a fluted trefoil oinochoe, blowing a trumpet which he holds in right, and which is attached to a phorbeia (chin strap) over his mouth: on left pelta as in (a). He runs to right, looking back. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
41. Bilingual
- Description
- Pottery: 'bilingual' eye cup. Outline of hair incised throughout exterior scenes: purple wreaths and tails of Seileni; no traces of inner markings, except on forehead of figure in exterior (a). Interior, black-figure: exterior, red-figure. On each side of each handle a large palmette. Interior: Youth (wreathed, with short chiton, chlamys with white patterns) holding two spears, riding to right. Exterior: (a) Between eyes, Seilenos (wreathed with ivy, ithyphallic) holding in right hand keras, on left pelta attached to a cord over his right shoulder, striding in crouching attitude to right. (b) Between eyes, similar figure, holding in left a fluted trefoil oinochoe, blowing a trumpet which he holds in right, and which is attached to a phorbeia (chin strap) over his mouth: on left pelta as in (a). He runs to right, looking back. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991
- Description
- Black-figured pottery amphora. Under each handle, two patterns of spirals. (a) Achilles slaying Penthesilea: Achilles steps to right, bearded, with long tresses, fully armed, high-crested helmet and short striped chiton, and has beaten down the Amazon queen Penthesilea on one knee, and plunges spear into her throat. She has a high-crested helmet with cheek-pieces and serpent in relief, short diapered chiton, over which is a pardalis (leopard skin), sword and shield, and looks back at him, thrusting vainly with spear; a stream of blood gushes from her wound. In front of Achilles is inscribed: ΑΧΙΛΕΥΣ; in front of Penthesilea: ΠΕΝΘΕΣΙΛΥΑ. On the left is inscribed: Έχσηκίας έπτοίησε; on the right: Όνητορίδης καλός. (b) Dionysos and Oinopion: Dionysos to left (facing left), bearded, with hair looped up and wreathed with ivy, long white chiton and embroidered himation, holds in left hand vine-branches, and with right gives a cantharos to his son, Oinopion, who stands facing him, nude and beardless, his hair looped up with a myrtle wreath, holding an oinochoe in right hand. In front of Dionysos is inscribed: ΣΟΣΝΟΙΔ (retr.), Διόνυσος; above Oinopion: OINOΠION; behind him: Όνητορίδης καλός, as on (a). --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
44. Death of Priam
- Description
- Pottery: black-figured amphora: the death of Priam; Priam is being battered to death with the body of his grandson Astyanax. Designs in black on red panels with interlacing lotus and honeysuckle pattern above. The sides of the handles are chequered black and red. (a) Death of Priam: In the centre is Priam fallen to right on his back on the top of the altar of Zeus Herkeios, with white hair and beard, long purple chiton and embroidered himation, left hand raised in supplication to Neoptolemos, who stands over him to right. The latter is bearded and fully armed, with short embroidered chiton and Boeotian shield, and in right hand holds Astyanax by the right leg, about to hurl him on the ground; Astyanax is nude, and is represented on a small scale. Behind Priam is Hecuba to left, with long hair, fillet, long chiton, and diploidion, right hand raised to tear her hair, left extended in supplication. Behind her are two bearded figures, one moving to right, nude, looking back, the other has a fillet, long chiton, and striped himation. On the left is Andromache to right, with long hair, long striped chiton and diploidion, both arms raised; by her side a nude youth with long hair, running away to left and looking back (perhaps Polites). (b) Contest of Theseus and the Minotaur: Theseus to right, bearded, with long hair, cuirass, short chiton, and sheath at side, holds the Minotaur round the neck with left hand, and plunges sword into him. The latter has a bull's head, and kneels on one knee to right, looking to left, with stone in left hand; blood flows from the wound. On either side, looking on, is a female figure with long hair, fillet, long chiton tied at the waist and himation, and a nude youth with hair tied in a club. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
45. Death of Priam
- Description
- Pottery: black-figured neck-amphora. (a) Death of Priam at the altar of Zeus Herkeios: In the centre is Neoptolemos to right, in tall visored helmet, embroidered chlamys, and greaves, stabbing Priam with spear. Priam has fallen across the altar and looks back beseechingly; he is partly bald, with white beard and long tresses, and long embroidered chiton; he raises right hand above head. On his body and the altar are purple streaks of blood. With left hand Neoptolemos thrusts back Hecuba, who is standing to left, with right hand placed on his helmet, and left raised to head; she has long hair, fillet, long chiton and himation, both embroidered. Behind Neoptolemos is a similar female figure (perhaps Andromache), with hands extended; behind the altar is a tree. (b) In the centre, Dionysos to right, bearded, with ivy-wreath, long chiton and himation, both embroidered, in right hand a vine-branch, in left a keras. At his further side a goat walks to right. On either side of him is a Maenad advancing to right, with long hair, fillet, and long embroidered chiton; the first one has a pardalis (leopard skin) tied round her neck, and right hand extended; she looks back at Dionysos; the second also wears a himation, and holds crotala (castanets) in left hand. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
46. Death of Priam
- Description
- Pottery: black-figured neck-amphora. (a) Death of Priam at the altar of Zeus Herkeios: In the centre is Neoptolemos to right, in tall visored helmet, embroidered chlamys, and greaves, stabbing Priam with spear. Priam has fallen across the altar and looks back beseechingly; he is partly bald, with white beard and long tresses, and long embroidered chiton; he raises right hand above head. On his body and the altar are purple streaks of blood. With left hand Neoptolemos thrusts back Hecuba, who is standing to left, with right hand placed on his helmet, and left raised to head; she has long hair, fillet, long chiton and himation, both embroidered. Behind Neoptolemos is a similar female figure (perhaps Andromache), with hands extended; behind the altar is a tree. (b) In the centre, Dionysos to right, bearded, with ivy-wreath, long chiton and himation, both embroidered, in right hand a vine-branch, in left a keras. At his further side a goat walks to right. On either side of him is a Maenad advancing to right, with long hair, fillet, and long embroidered chiton; the first one has a pardalis (leopard skin) tied round her neck, and right hand extended; she looks back at Dionysos; the second also wears a himation, and holds crotala (castanets) in left hand. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
47. Death of Troilos
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Pentathlon: On the left a pair of wrestlers with arms raised, about to engage; next, an akontistes to left with two spears in right hand and one in left, and a diskobolos to right, the diskos raised in both hands; in advance of him and looking back, an athlete with two leaping-poles in right hand. Next is a paidotribes (trainer) to right, with fillet, long chiton, and himation, in left hand a wand; on the right two runners to right. All the athletes are nude and beardless and wear fillets. 2. On the body: Achilles slaying Troilos: On the left is the quadriga of Achilles, only the horses' heads and forelegs being visible; Achilles, bearded, with long tresses, fully armed, with a sword, and two spears in left hand, mounts the steps of the altar of Apollo, holding aloft in right hand the severed head of Troilos, which has long hair. On the altar lies the nude body, which two fully-armed warriors (probably Aeneas and Hector) are defending with their spears; one has the forepart of a lion to left as device on his shield, the other an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
48. Death of Troilos
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and palmettes along the bottom; accessories of white and purple. 1. On the shoulder: Pentathlon: On the left a pair of wrestlers with arms raised, about to engage; next, an akontistes to left with two spears in right hand and one in left, and a diskobolos to right, the diskos raised in both hands; in advance of him and looking back, an athlete with two leaping-poles in right hand. Next is a paidotribes (trainer) to right, with fillet, long chiton, and himation, in left hand a wand; on the right two runners to right. All the athletes are nude and beardless and wear fillets. 2. On the body: Achilles slaying Troilos: On the left is the quadriga of Achilles, only the horses' heads and forelegs being visible; Achilles, bearded, with long tresses, fully armed, with a sword, and two spears in left hand, mounts the steps of the altar of Apollo, holding aloft in right hand the severed head of Troilos, which has long hair. On the altar lies the nude body, which two fully-armed warriors (probably Aeneas and Hector) are defending with their spears; one has the forepart of a lion to left as device on his shield, the other an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured psykter (wine-cooler) with double walls. Designs black on red panels, with palmette and lotus borders along the top; purple and white accessories, much faded. (a) Dionysiac group: On left a Maenad standing to right between two Satyrs, with long hair tied in a club, and long bordered chiton, over which is a nebris (fawn’s skin). Under the spout of the vase is a Satyr to left, on a smaller scale, stooping forward to caress a hare on the ground. Next to right is Dionysos, bearded, with long hair, ivy-wreath, long embroidered chiton and himation, keras (drinking horn) in left hand. In front of him is a Satyr advancing to right, in a dancing attitude, with left hand held above his head. All the Satyrs except the smaller one, the body of the hare, and the Maenad's nebris, are stippled all over, to indicate hair. (b) Theseus slaying the Minotaur: In the centre, Theseus to right (long hair, fillet, cuirass and short chiton, on which is a large rosette on his hip), holding the Minotaur's left arm with left hand, and plunging sword into his neck; blood falls from the wound. Beneath his legs is a conical stone (cf. Wien. Vorlegebl. 1889, pl. v., I b), on which he has laid his embroidered chlamys. The Minotaur has a bull's head with mane, and his body is stippled with hair; he has fallen on left knee, and his right arm grasps that of Theseus from behind, while in left he holds a stone. On each side of the centre group are two beardless male figures, representing Athenian victims; the one on the right and the one behind Theseus wear striped embroidered himatia; the one on the left is nude, the one behind the Minotaur has an embroidered chlamys over his shoulders, and hair tied in a club. All the figures have a lock of hair in front twisted over a fillet. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
50. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
51. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
52. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
53. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
54. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
55. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
56. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
57. Dragging Hektor
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
58. Dragging Hektor
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
59. Dragging Hektor
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
60. Dragging Hektor
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
61. Dragging Hektor
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
62. Dragging Hektor
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
63. Dragging Hektor
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured lekythos (oil-flask). Accessories faded. On the neck, palmettes; above the design, maeander. Quadriga of Achilles at full speed to right, the horses having very long tails and pendants from their collars; the charioteer in long white chiton, holding goad and reins, his head obliterated. It is passing by the tomb of Patroclos, represented by a white bell-shaped mound, over which is the hero's ghost, in archaic running attitude to right, fully armed, with two spears, and winged. By the side of the horses is a dog running to right. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991
- Description
- Pottery: black-figured oinochoe (wine-jug). Design black on a red panel, with borders of dots above and down the sides; accessories of white and purple. Odysseus escaping from Polyphemos: On the right is the Cyclops leaning against the wall of his cave, the eyes drawn without pupils to indicate blindness, right leg drawn up, and right hand extended. Odysseus approaches from the entrance of the cave on the left, tied under the body of the ram; he is nude and bearded. In the background, a tree with fruit. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Beazley, J D, Attic Black-Figure Vase-Painters, Oxford, Clarendon Press, 1956
- Description
- Pottery: black-figured oinochoe (wine-jug). Design black on a red panel, with borders of dots above and down the sides; accessories of white and purple. Odysseus escaping from Polyphemos: On the right is the Cyclops leaning against the wall of his cave, the eyes drawn without pupils to indicate blindness, right leg drawn up, and right hand extended. Odysseus approaches from the entrance of the cave on the left, tied under the body of the ram; he is nude and bearded. In the background, a tree with fruit. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Beazley, J D, Attic Black-Figure Vase-Painters, Oxford, Clarendon Press, 1956
- Description
- Pottery: black-figured oinochoe (wine-jug). Design black on a red panel, with borders of dots above and down the sides; accessories of white and purple. Odysseus escaping from Polyphemos: On the right is the Cyclops leaning against the wall of his cave, the eyes drawn without pupils to indicate blindness, right leg drawn up, and right hand extended. Odysseus approaches from the entrance of the cave on the left, tied under the body of the ram; he is nude and bearded. In the background, a tree with fruit. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Beazley, J D, Attic Black-Figure Vase-Painters, Oxford, Clarendon Press, 1956
- Description
- Pottery: black-figured oinochoe (wine-jug). Design black on a red panel, with borders of dots above and down the sides; accessories of white and purple. Odysseus escaping from Polyphemos: On the right is the Cyclops leaning against the wall of his cave, the eyes drawn without pupils to indicate blindness, right leg drawn up, and right hand extended. Odysseus approaches from the entrance of the cave on the left, tied under the body of the ram; he is nude and bearded. In the background, a tree with fruit. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Beazley, J D, Attic Black-Figure Vase-Painters, Oxford, Clarendon Press, 1956
70. Fight
- Description
- Pottery: black-figured band-cup. Finely executed; purple accessories only. Exterior: Two friezes with combat of warriors: (a) On the left, a quadriga at full speed to right, the charioteer beardless, with long hair, long chiton and cuirass, goad in right hand, reins in left. By his side is a fully-armed warrior to right pursuing another, who retreats and turns back to thrust at him with his spear; the latter has a shield. Beneath the horses is a warrior fallen on his face to right, bearded, and fully armed, his shield by his side. Next to right, two fully-armed warriors, one wearing a chlamys and short embroidered chiton, thrust with their spears at a warrior with high-crested helmet, greaves, and shield with a purple pellet, who is beaten down on his knees to left. Behind him is a warrior fully armed, with short diapered chiton, retreating to right and looking back. Next, a combat of two warriors over a fallen one; the one on the left is bearded and fully armed, with a Boeotian shield covered with scales; he thrusts with spear at the other, who is fully armed, his shield painted purple; he is bending over the fallen one, who is bearded and fully armed, and lies on his back, holding his shield. Next is a quadriga at full speed to right, in which is a bearded warrior, fully armed, attacked by a similar warrior, whose cuirass is covered with scales; the right-hand horse has fallen wounded on his back. Next, a combat of three fully-armed warriors over a fallen one; two on the left (one in a high-crested helmet and short diapered chiton, the other with long hair) thrust with their spears; the fallen warrior is fully armed, and looks up at them; he is defended by the other, who is also fully armed, with short diapered chiton and a sword. Next is a quadriga at full speed to left, the charioteer bearded, with long chiton and a Boeotian shield. At the further side of the horses a bearded fully-armed warrior to right pursues a similar one, who retreats brandishing his spear; the former has a Boeotian shield. Behind the charioteer is a fully-armed warrior retreating to right, and turning back to hurl his spear. (b) On the left, two warriors to right, bearded, each wearing pilos and greaves; one has long hair, a cuirass, spear and shield with the device of a bearded face to left, the other has a short embroidered chiton. In front of them is a mounted warrior galloping to right, bearded, with pilos, chlamys and short chiton, and spear, leading a second horse. Before him is a warrior falling forward to right, bearded and fully armed, with high-crested helmet, short purple chiton, spear, and Boeotian shield; he is defended by a similar warrior advancing to left, with shield and spear. Next is a quadriga at full speed to left, the charioteer beardless, with long chiton, and goad in right hand; at the further side of the horses is a fully-armed warrior to right, thrusting with his spear at another, who retreats looking back at him. Next, a combat of two pairs of fully-armed warriors; one on the left has a short embroidered chiton, one on the right has the forepart of a boar to left as device on his shield; between them is a warrior, as before, fallen on his back to left. Next, a quadriga at full speed to right, the charioteer bearded, with petasos, long chiton, and Boeotian shield; by its side is a warrior with long hair and a scaly Boeotian shield, in combat with another in a short embroidered chiton and scaly cuirass; both are fully armed. Next, a fully-armed warrior to right, bearded, with scaly Boeotian shield, has beaten down another on one knee to right; the latter has a high-crested helmet, and looks back at him; he is defended by two fully-armed warriors. On the right is a nude youth on horseback, galloping to left, with a spear, at his further side a second horse; behind him, a warrior to left, fully armed, thrusting with his spear. Under one handle, inscriptions. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
71. Fountain Scene
- Description
- Pottery: black-figured hydria. Designs in black on red panels, with borders of ivy down the sides and lotus and honeysuckle along the bottom; accessories of white and purple. 1. On the shoulder: Combat of warriors, perhaps Achilles and Memnon: In the centre, a warrior to left, fully armed, with two pellets on shield, beaten back on one knee by a similarly armed warrior, who also has a short embroidered chiton, and a Boeotian shield. On the right is another warrior coming up to the defence of the fallen one, with helmet, short embroidered chiton, sword, spear, and shield with the device of an eight-point star. Behind each of the two latter warriors is a female figure looking on and clapping her hands; each has long hair with a fillet, long embroidered chiton and striped himation. Behind them are beardless male figures, with fillets, and drapery over the lower part of their bodies, carrying spears. 2. On the body: Water-drawing at Callirrhoe: On the left is a building supported by a Doric column painted white, on the left side of which is a fountain with water pouring from a lion's head into a hydria placed on a step. In the field is inscribed: Καλ(λ)ιρ(ρό)η κρήνη. Outside stands a maiden to left; above her is inscribed: Σίμυλις. The next one stands to left holding a hydria on her head; behind her: Σίμυλις (as before); next to her is one to right holding a hydria on her head; in front of her: Έπηράτη. The next one, also to right, has a hydria on her head, in left hand a wreath; in front of her: Κυάνη. On the right are two more, to left, the first with an empty hydria carried horizontally on a pad on her head, to which she raises right hand; behind her is inscribed: Εύήνη. The other has a hydria on her head, and right hand raised; behind her is inscribed: Χορονίκη. All have long hair and fillets, long chitons and himatia, both embroidered, and hold branches, except the second, who has no himation, but a diapered chiton with diploldion; their faces have been much repainted. Above is inscribed : Ίπ(π)οκράτης καλός. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured oinochoe (jug). Design black on a red panel, with maeander above; accessories of white and purple. Quadriga seen from the front, the charioteer slightly bearded, with purple pilos and long white chiton, the folds indicated by wavy lines; on either side of him a small bird flying away. On the left is a male figure, bearded, with long hair, fillet, long white chiton, folds as before, and purple himation, spear in left hand. On the right is a nude beardless male figure with long tresses, purple pilos, and spear in right hand. Below the handle is painted the face of a tiger, with black markings on red, the ears in purple and white. --The British Museum
- Description
- Pottery: black-figured amphora. Designs black on red panels, having accessories of purple and white, and bands of lotus and honeysuckle patterns interlacing along the top. (a) Leto with the infants Apollo and Artemis in her arms: On the left, Hermes to right, bearded, with petasos, short chiton, and embroidered chlamys, caduceus in right hand, left raised. Next, Dionysos to right, bearded, with long hair, ivy-wreath, long chiton with purple spots, and purple and black himation with rosettes, in right hand a vine-branch with three clusters of grapes, in left a keras; next to him is Leto to right, looking back at him, with long tresses, fillet, and long embroidered chiton, with diploidion; in her arms are the infant Apollo (in the left) and Artemis (in the right), the latter in a short chiton, flesh painted black. On right is a youthful Satyr (?) to left, with ivy-wreath, and an ivy-branch in right hand. (b) Four Satyrs: In the centre, one with long hair rides on a goat, left hand holding its horns, in right hand an ivy-branch. Behind is a Satyr with fillet, belabouring the goat with open right hand; behind him another, to right, dancing, with left hand raised. In front of the goat is a fourth Satyr to left, carrying an askos on his shoulder. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured hydria (water-jar). Designs black on red ground, with purple and faded white accessories. Round the lip inside, interlacing lotus- and honeysuckle-pattern; round the neck, lotus-buds and flowers. The body is almost globular; on it are two designs divided by a band of lotus-buds and flowers. (1) Departure of Hector: In the centre a quadriga seen from the front; in it the charioteer Kebriones looking to right, with long hair, long chiton, and goad. He is inscribed: KEBPIONE, Kεβριόνη[ς]. On one side of the horses is a palmette on a stalk, on the other a lotus-bud; the horses' tails are plaited. On the left is Hector to right, bearded, with long hair, fillet, long chiton and purple himation, in right hand a spear; in front of him ΞEKTOP, ‘Εκτορ. Behind him is a warrior to right, with visored helmet, greaves, shield, and spear; behind him an eagle flying to left. On the left, Troilos (?) on horseback to right, nude and beardless, with long hair and sword at side; in the field behind him is a lotus-bud. On the right is Glaucos to left, beardless, with long hair, fillet, long chiton, purple himation, and spear in left hand. In front of him, ΣΟΚΥΑΛ... [Γ]λαΰκος. Behind him a warrior (as the other) to left, and another similar warrior (but with no spear) walking to left and leading a horse. On the shield of the former is the forepart of a goat running to left, on that of the latter an eagle flying to left. (2) Cretan goat to left between panthers; panther to left between goats (cf. B 42). --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991
- Description
- Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991
- Description
- Bilingual' pottery amphora. Designs in two panels, with borders of double honeysuckle above: (a) Black on red ground, with purple accessories and finely-incised lines; (b) Red on black ground, with purple accessories, and network borders down the sides in black on red. On the sides of the handles, ivy-wreaths; below the handles, palmettes with volutes; all black on red. (a) Achilles and Ajax (?) playing with pessi: On the right is Achilles seated, bearded, with hair rolled up under fillet, high-crested helmet short chiton richly diapered, cuirass, parameiridia, and greaves, all ornamented with volutes, and chlamys richly embroidered with stars and other patterns, in left hand two spears, behind him a Boeotian shield decorated with Satyric mask with short curls and protruding tongue. On the left is Ajax, seated, similarly attired and equipped; each stretches out right hand to a table between them, on which six pessi are visible; Achilles holds another between his fingers. (b) Heracles and the Nemean lion: He is nude and bearded, with curly hair and fillet, and kneels on both knees, holding the lion head downwards over his left shoulder, right hand grasping its forepaws, while its hind-claws are inserted in his right shoulder; he is about to fling it on the ground with his left arm. On the left is Athene to right, with long tresses, high-crested helmet with fillet, ornamented with volutes, and chevron-pattern round crest, aegis with scales, and fringe of snakes in front, long diapered chiton, in right hand a spear, left extended to Heracles. On the right is Iolaos to right, looking back, nude and bearded, with curly hair and fillet, sword at side, in right hand Heracles' club. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
79. Hunter and dog
- Description
- Pottery: black-figured olpe (jug). The handles have a metallic form. Design in black on a red panel on the right side of the handle, with a border of lotus-buds along the top; accessories of white and purple. A hunter to right, bearded, with pilos and short embroidered chiton, holding stick over left shoulder, from which hang a fox and a hare tied by the forepaws; by his side is a dog to right. On either side facing him is a bearded figure in an embroidered himation with purple lining, holding a staff; the one on the left wears a fillet. --The British Museum
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured amphora. Designs black on red panels, with borders of double palmettes along the top; slight accessories of white and purple. (a) In the centre, the Dioscuri on horseback, riding side by side to right, beardless, with long hair and curls in front of their ears; they wear short chitons, that of Polydeukes embroidered, and striped chlamydes, fastened by fibulae at the shoulder; Castor also has a petasos; each has two spears, and Polydeukes also a sword at his side. Below the horses is inscribed: Πολυδεύ[κη]ς; in front of their heads: Κάστωρ. In front of them is Tyndareus seated to left on an okladias, with white hair and beard, long chiton and himation, both embroidered, in right hand a sceptre. Behind him is inscribed : Τυνδαρέως. On the right is a nude beardless male figure to left, caressing the horses, with fillet and hair falling in curls in front of his ears. Behind the horses is Philonoe to right, with long tresses, fillet, long embroidered chiton and himation; in front of her is inscribed : [Φιλον]όη. Behind her is a nude beardless male figure to right, his hair looped up behind with a fillet, falling in curls in front of his ears. Above : 'O[ν]ήτωρ καλός. (b) In the centre, a warrior on horseback, riding to right, bearded, with sword, petasos, and striped chlamys, holding in right hand two spears. In front of him is a male figure seated to left on a four-legged stool, looking back; he wears a fillet and long chiton. On the right is a warrior to left, fully armed, with spear, and shield with device of a tripod. Behind him is an attendant, nude and beardless, his hair looped up under a fillet, with curls in front of the ears. On the left is a male figure to right, with long hair, fillet, and striped chlamys, holding a spear. This side is badly damaged. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured amphora. Designs black on red panels, with borders of double palmettes along the top; slight accessories of white and purple. (a) In the centre, the Dioscuri on horseback, riding side by side to right, beardless, with long hair and curls in front of their ears; they wear short chitons, that of Polydeukes embroidered, and striped chlamydes, fastened by fibulae at the shoulder; Castor also has a petasos; each has two spears, and Polydeukes also a sword at his side. Below the horses is inscribed: Πολυδεύ[κη]ς; in front of their heads: Κάστωρ. In front of them is Tyndareus seated to left on an okladias, with white hair and beard, long chiton and himation, both embroidered, in right hand a sceptre. Behind him is inscribed : Τυνδαρέως. On the right is a nude beardless male figure to left, caressing the horses, with fillet and hair falling in curls in front of his ears. Behind the horses is Philonoe to right, with long tresses, fillet, long embroidered chiton and himation; in front of her is inscribed : [Φιλον]όη. Behind her is a nude beardless male figure to right, his hair looped up behind with a fillet, falling in curls in front of his ears. Above : 'O[ν]ήτωρ καλός. (b) In the centre, a warrior on horseback, riding to right, bearded, with sword, petasos, and striped chlamys, holding in right hand two spears. In front of him is a male figure seated to left on a four-legged stool, looking back; he wears a fillet and long chiton. On the right is a warrior to left, fully armed, with spear, and shield with device of a tripod. Behind him is an attendant, nude and beardless, his hair looped up under a fillet, with curls in front of the ears. On the left is a male figure to right, with long hair, fillet, and striped chlamys, holding a spear. This side is badly damaged. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured hydria. Rather coarse style. Designs in black on red panels, with borders of ivy down the sides and lotus-buds along the bottom; accessories of white and purple. 1. On the shoulder: In the centre a bearded figure to right with embroidered chlamys over left shoulder, seizing with both hands a goat to right, which looks back at him. On either side is a seated female figure looking on, with long hair, fillet, long chiton and himation, both embroidered, and hands extended. On the left is a nude bearded figure departing, and looking back. 2. On the body: Medea boiling the ram: In the centre is a large lebes placed on a tripod over a fire, out of which the forepart of a ram appears to right. On the right is Medea to right looking to left, waving her arms over the lebes; by her side is Jason kneeling to left, nude and bearded, placing a log on the fire. On the other side of the lebes is one of Pelias' daughters to right, looking back at him with left hand extended; she and Medea both have long hair, fillets, and long chitons and himatia, both embroidered. On the left is Pelias seated to right, with white beard and long tresses with fillet, wrapped in an embroidered himation, sceptre in left hand. In the field, branches. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, patterns of palmettes and spirals; below, maeander and lotus-buds. (a) In the centre Memnon to right, bearded and fully armed; on his helmet the figure of a dog, the tail supporting the crest; he has long curls ending in spirals, a white cuirass, probably of linen, richly ornamented, short striped chiton, shield and spear. On either side facing him is an beardless African attendant; the one on the right has a short striped chiton and a pelta, on which is a pellet; the other has a cuirass and short diapered chiton; each has a club in right hand. Above Memnon behind is inscribed έπ]οίησ(ε)ν (?); in front: AMAΣIΣ, Αμασις. (b) Achilles slaying Penthesilea: Achilles to right, fully armed, bearded, with hair as Memnon's in (a), short striped chiton, sword, and Boeotian shield, is thrusting with spear at Penthesilea, who retreats to right. She has long tresses, high-crested helmet with cheek-pieces, and meander border on crest, cuirass, and short striped chiton, and defends herself with spear and shield with device of an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991
- Description
- Pottery: black-figured lekythos (oil or perfume flask). Designs black on red ground, with incised lines and accessories of white and purple. On the neck, a moulded ring. On the shoulder: Two hounds at full speed to right pursuing a hare which looks back at them. In the field, leaves. On the body, Nessos carrying off Deianeira: The Centaur gallops to right, looking back: he has long hair, and carries Deianeira in his arms; she has long hair with a fillet, long purple chiton, and arms extended; her flesh is painted white. Behind Nessos runs Heracles pursuing, bearded, with a fillet, short purple chiton with chevron border, sword and double cross-belt, left hand raised, in right his club; his face is painted purple. Confronting the Centaur is a panther rearing to left, with face turned to the front. In the field, rosettes and leaves. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
88. Odysseus and Ram
- Description
- Pottery: black-figured oinochoe (wine-jug). Design black on a red panel, with borders of dots above and down the sides; accessories of white and purple. Odysseus escaping from Polyphemos: On the right is the Cyclops leaning against the wall of his cave, the eyes drawn without pupils to indicate blindness, right leg drawn up, and right hand extended. Odysseus approaches from the entrance of the cave on the left, tied under the body of the ram; he is nude and bearded. In the background, a tree with fruit. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Beazley, J D, Attic Black-Figure Vase-Painters, Oxford, Clarendon Press, 1956
89. Odysseus and Ram
- Description
- Pottery: black-figured oinochoe (wine-jug). Design black on a red panel, with borders of dots above and down the sides; accessories of white and purple. Odysseus escaping from Polyphemos: On the right is the Cyclops leaning against the wall of his cave, the eyes drawn without pupils to indicate blindness, right leg drawn up, and right hand extended. Odysseus approaches from the entrance of the cave on the left, tied under the body of the ram; he is nude and bearded. In the background, a tree with fruit. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Beazley, J D, Attic Black-Figure Vase-Painters, Oxford, Clarendon Press, 1956
- Description
- Attic Black Figure pottery lip cup with added plaster and one handle restored; interior: reserved band around top of rim and glazed black below; reserved tondo with small black central circle (marked with small pits, which were part of ancient repair); exterior: narrow black band around rim and below offset of lip; handle black, reserved on inside; on lip between handles (sides A and B), black figure decoration consisting of Odysseus (added red hair and beard; head, neck, shoulder, buttocks with incised arc, legs from below knee and feet protruding) bound by two cords under ram (faded added white horn, red neck, and red mark on haunch), to left; lower part of bowl glazed black with reserved band; stem and foot glazed black; concave edge and underside of foot reserved; several ancient repair holes (3 on lowest part of bowl, 1 through centre of tondo, 4 at top of stem). --The British Museum, Villing, Alexandra, Naukratis: Greeks in Egypt, London, BM, 2012; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926; Möller, Astrid, Naukratis, Trade in Archaic Greece, Oxford, Oxford University Press, 2000; Venit, M.S., Painted Pottery from the Greek Mainland found in Egypt, 640-450 BC, PhD New York University, UMI, 1982
- Description
- Attic Black Figure pottery lip cup with added plaster and one handle restored; interior: reserved band around top of rim and glazed black below; reserved tondo with small black central circle (marked with small pits, which were part of ancient repair); exterior: narrow black band around rim and below offset of lip; handle black, reserved on inside; on lip between handles (sides A and B), black figure decoration consisting of Odysseus (added red hair and beard; head, neck, shoulder, buttocks with incised arc, legs from below knee and feet protruding) bound by two cords under ram (faded added white horn, red neck, and red mark on haunch), to left; lower part of bowl glazed black with reserved band; stem and foot glazed black; concave edge and underside of foot reserved; several ancient repair holes (3 on lowest part of bowl, 1 through centre of tondo, 4 at top of stem). --The British Museum, Villing, Alexandra, Naukratis: Greeks in Egypt, London, BM, 2012; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926; Möller, Astrid, Naukratis, Trade in Archaic Greece, Oxford, Oxford University Press, 2000; Venit, M.S., Painted Pottery from the Greek Mainland found in Egypt, 640-450 BC, PhD New York University, UMI, 1982
- Description
- Pottery: black-figured hydria. Design in black on a red panel, with maeander and palmettes above, and borders of dots down the sides; coarsely incised lines. No marked distinction in shape between neck, shoulder, and body. Peleus seizing Thetis: On the left is a blazing altar, with entablature above. On the right is Peleus to right, nude and beardless, armed with a sword, stooping forward and seizing Thetis round the waist. She has long hair, long chiton and himation, arms extended. Behind her, wings indicating one of her metamorphoses. On the right, part of a palmette. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured hydria. Design in black on a red panel, with maeander and palmettes above, and borders of dots down the sides; coarsely incised lines. No marked distinction in shape between neck, shoulder, and body. Peleus seizing Thetis: On the left is a blazing altar, with entablature above. On the right is Peleus to right, nude and beardless, armed with a sword, stooping forward and seizing Thetis round the waist. She has long hair, long chiton and himation, arms extended. Behind her, wings indicating one of her metamorphoses. On the right, part of a palmette. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured hydria. Design in black on a red panel, with maeander and palmettes above, and borders of dots down the sides; coarsely incised lines. No marked distinction in shape between neck, shoulder, and body. Peleus seizing Thetis: On the left is a blazing altar, with entablature above. On the right is Peleus to right, nude and beardless, armed with a sword, stooping forward and seizing Thetis round the waist. She has long hair, long chiton and himation, arms extended. Behind her, wings indicating one of her metamorphoses. On the right, part of a palmette. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured oinochoe. Trefoil mouth. Design black on white ground, with purple accessories. Peleus seizing Thetis: In the centre is Peleus to right, beardless, with fillet and drapery round loins, stooping forward and seizing Thetis round the body. She moves away to right, looking to left, and has hair looped up under a beaded fillet, and long chiton and himation with purple spots. On the left is a Nereid running away, in a long chiton and himation, as Thetis, holding a wreath in left hand. Under the handle, branches spreading over the field.--The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured neck-amphora. On the neck the usual double palmette pattern, but on a white ground. (a) On the shoulder: Lion to right and goat confronted, twice. On the body, Peleus seizing Thetis: Peleus to right, bearded, with short embroidered chiton, seizes Thetis round waist with left hand, and with right grasps her clothing. Thetis moves to right looking to left, with long hair, laurel-wreath, long embroidered chiton, and himation, right arm round Peleus' body; two of her transformations are indicated by the lion's head issuing from her left shoulder with open jaws and flowing mane, and by the panther which has leapt upon Peleus from behind, with its forepaws on his shoulder. On the right is a Siren to left; on the left, a similar figure to right, with a bearded male head, and flesh painted white (an almost unique exception to the usual rule); both have long hair wreathed with myrtle, and their bodies are formed by large eyes, with black pupils surrounded by purple and white rings, and black outlines, the ground being left red (b) On the shoulder, lion to right confronting goat, twice. On the body, Apollo Citharoedos to right; he is beardless, with long hair, tresses in front of ears, fillet, long chiton and embroidered himation, and holds the plectrum in right hand; from his chelys hangs drapery. By his side is a hind to right; on either side bird-figures with human heads and bodies formed by eyes, as on (a). Under the handles: (i) Hermes moving to right, looking back; he is bearded, with hair looped up under a fillet, short chiton, embroidered chlamys, petasos, endromides, and caduceus; in his right hand he also holds ivy-branches; (2) Artemis moving to left looking back, with long tresses, mitra, long chiton and himation, both embroidered, and bow raised in left hand; in the field, ivy-branches. Below, frieze of animals: Panther to right confronting goat, twice repeated; lion and panther confronted, between them a goat to left. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured oinochoe (wine-jug). Design black on a red panel, with pomegranates above, and cheque-pattern down the sides; accessories of white and purple, faded. Peleus seizing Thetis: Peleus to right, bearded, with a myrtle-wreath on his head and embroidered drapery round his loins, seizes Thetis round the waist; she moves away to right, looking to left, with arms extended; she has long hair, fillet, long chiton and himation, both embroidered. On the right is an altar with top in the form of an Ionic capital. On the left is a similar Nereid, departing and looking back, with arms extended. The folds of the drapery are indicated in all three figures. In the field, branches. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery lekythos showing Peleus wrestling with Thetis. Black figure on white ground. --The British Museum
- Description
- Pottery: black-figured neck-amphora . (a) Return of Persephone from Hades: On the left is Pluto seated to right, partly bald, with white beard and long tresses, fillet, long embroidered chiton and himation, sceptre in left hand. Before him is Hermes (as Psychagogos) to left, looking back at him; he is bearded, with hair looped up under a fillet, short chiton and chlamys, both embroidered, petasos and endromides, right hand pointing upwards. In advance of him is Persephone to right, looking back, with long tresses, fillet, long chiton and himation, both embroidered, in left hand three ears of corn. The locality is indicated by Sisyphos who is bearded, with petasos and chlamys over left shoulder; he rolls the stone to right up a steep incline, holding it with both hands, and raising left knee to assist its progress. (b) Apollo Citharoedos to right, beardless, with long tresses, fillet, long chiton and himation, both embroidered, playing with a plectrum on the chelys, from which hangs drapery; by his side is a hind to right. Facing him are two female figures (Nymphs ?), with long hair, fillets, long chitons and himatia, both embroidered, and right hands extended. Behind him are two similar figures to right, with left hands raised. In the field, branches. The greater part of the design is restored. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: black-figured olpe (jug). Grooved handle. Design in black on a red panel, with lotus and honeysuckle pattern along the top; accessories of white and purple. Perseus slaying Medusa: On the left is Perseus to right, looking back, beardless, with petasos, short embroidered chiton, over which is the skin of a deer, endromides, and the kibisis (sack) slung at his back; he grasps Medusa round the neck with left hand, and with right plunges his sword into her neck in front. Medusa moves away to right, in the archaic running attitude, with face turned to the front, of the usual Gorgon type, with short curls in front and protruding tusks and tongue; on the lower lip is a fringe of hair, and two snakes rise from her head on either side; she has a short purple chiton, over which is a stippled skin, with two snakes knotted round the waist, their heads confronted; also endromides, and two pairs of wings, outspread, the upper ones recurved. On the right is Hermes to left, bearded, with petasos, short embroidered chiton, fringed chlamys, endromides, and caduceus in left hand. Down the left side of the panel, an inscription. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
