Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
Black-figured pottery amphora. Under each handle, two patterns of spirals. (a) Achilles slaying Penthesilea: Achilles steps to right, bearded, with long tresses, fully armed, high-crested helmet and short striped chiton, and has beaten down the Amazon queen Penthesilea on one knee, and plunges spear into her throat. She has a high-crested helmet with cheek-pieces and serpent in relief, short diapered chiton, over which is a pardalis (leopard skin), sword and shield, and looks back at him, thrusting vainly with spear; a stream of blood gushes from her wound. In front of Achilles is inscribed: ΑΧΙΛΕΥΣ; in front of Penthesilea: ΠΕΝΘΕΣΙΛΥΑ. On the left is inscribed: Έχσηκίας έπτοίησε; on the right: Όνητορίδης καλός. (b) Dionysos and Oinopion: Dionysos to left (facing left), bearded, with hair looped up and wreathed with ivy, long white chiton and embroidered himation, holds in left hand vine-branches, and with right gives a cantharos to his son, Oinopion, who stands facing him, nude and beardless, his hair looped up with a myrtle wreath, holding an oinochoe in right hand. In front of Dionysos is inscribed: ΣΟΣΝΟΙΔ (retr.), Διόνυσος; above Oinopion: OINOΠION; behind him: Όνητορίδης καλός, as on (a). --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
Pottery: black-figured amphora: the ambush of Troilos; as Achilles attacks Troilos, Polyxena drops her water-jar and flees in terror. --The British Museum
Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
Pottery: black-figured amphora : the dragging of Hektor; Achilles drags Hektor's corpse around Patroklos' tomb. On the right is the white tomb mound with Patroklos' armed soul above. In the centre is the winged messenger-goddess, who has come to put a stop to Achilles' treatment of the corpse. --The British Museum, Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
Pottery neck-handled amphora; the shape suggests that it was probably used for a male burial. Clay: orange-buff clay, white grits, lustrous brown-black paint. Shape: torus lip, tall concave neck, ovoid body, disc foot; strap handles. Decoration: Light ground. Bands inside and outside lip, and at base of neck. Shoulder: two sets of nine compass-drawn concentric circles; band between lines below. Three lines around lower body. Handles: intersecting diagonal lines, rings around lower roots. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
![[No Caption] Steven Lowenstam Collection](/thumbnails/x/2/oregondigital-df691452x.jpg "[No Caption] Steven Lowenstam Collection")
