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Attic (Mainland Greek pottery styles)
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neck amphorae
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- Description
- Pottery: red-figured neck-amphora. (a) Ajax seizing Cassandra (?). In place of the Palladion is an archaic image of Apollo, in the form of a long-haired, beardless youth, en face, with hands at sides and feet close together, a black line drawn horizontally across the waist; this figure stands on a square base, resting on a plinth on the left. Cassandra, in sleeved chiton with apoptygma tied, and himation over her shoulders, with hair flying loose in long wavy tresses, has fled to the statue; and with one foot on the plinth she is in the act of throwing both arms around its waist, but is dragged back by Ajax, who, with right foot raised, has seized her with his right hand by the hair. He is bearded, and has a helmet tilted back, shield (device, a lion in silhouette, springing to left), spear, and greaves decorated with spirals. Beneath his shield hangs an end of drapery which is not shown elsewhere. (b) Bearded man in himation, standing to right, resting right hand on a staff. Late stage of strong style. Brown inner markings and (very light yellowish) for hair of Apollo. Eyes of Apollo of archaic type. Greater part of figure of Ajax destroyed, only the head, right arm and shoulder, right knee and calf of leg being preserved, though the outline of the rest remains. Below a, sets of three maeanders separated by dotted crosses; below b, key pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: red-figured neck-amphora. (a) Paris and Hermes on Mount Ida. Mount Ida is indicated on left by a series of wavy lines; Paris is seated on the top, a wreathed youth with wavy hair falling to his neck, and a mantle about his lower limbs and left arm, playing upon the chelys with a plectrum. On the right Hermes stands en face, but looking towards Paris; he is bearded, and has a short chiton, a chlamys fastened on the right shoulder, and a petasos hanging at his back; his left arm is concealed by his mantle; in his right hand, which hangs at his side, is a caduceus. (b) Draped ephebos resting right on staff, standing en face, looking to left. Fine style. Purple ground-lines, cord of petasos, pegs of lyre, and wreath; brown inner markings. Ends of hair in thinned black. Eye in developed profile type. Below a, sets of three maeanders alternately to right and left, separated by dotted cross squares; below b, a strip of key pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Achilles and Ajax, two great heroes of the Trojan War, play a board game on this Athenian black-figure amphora. Behind the table stands the goddess Athena. The scene of the warriors at leisure but with their armor at the ready might have taken place during a break in fighting the Trojan War. This depiction of Ajax and Achilles gaming was especially popular in Athenian art in the late 500s B.C.; over 150 surviving vases show the scene. Why was this image so popular? Some scholars have argued that it was politically motivated. They interpret this scene as a mythical parallel for the tyrant Peisistratos's return from exile, when he was able to regain power because the Athenian army was unprepared for battle. If so, then these vases would be anti-Peisistratid propaganda, alerting Athenians to the importance of vigilance by reminding them of the consequences of their recent failure. The back of the vase shows a warrior departing for battle, standing between two old men. This was a common scene on vases and, in this case, a subject loosely connected with the scene on the front of the vase. --J. Paul Getty Museum, Green, Christopher, and Jens M. Daehner. Modern Antiquity: Picasso, de Chirico, Leger, and Picabia (Los Angeles: J. Paul Getty Museum, 2011) 45, 152, no. 5; pl. 3
- Description
- Achilles and Ajax, two great heroes of the Trojan War, play a board game on this Athenian black-figure amphora. Behind the table stands the goddess Athena. The scene of the warriors at leisure but with their armor at the ready might have taken place during a break in fighting the Trojan War. This depiction of Ajax and Achilles gaming was especially popular in Athenian art in the late 500s B.C.; over 150 surviving vases show the scene. Why was this image so popular? Some scholars have argued that it was politically motivated. They interpret this scene as a mythical parallel for the tyrant Peisistratos's return from exile, when he was able to regain power because the Athenian army was unprepared for battle. If so, then these vases would be anti-Peisistratid propaganda, alerting Athenians to the importance of vigilance by reminding them of the consequences of their recent failure. The back of the vase shows a warrior departing for battle, standing between two old men. This was a common scene on vases and, in this case, a subject loosely connected with the scene on the front of the vase. --J. Paul Getty Museum, Green, Christopher, and Jens M. Daehner. Modern Antiquity: Picasso, de Chirico, Leger, and Picabia (Los Angeles: J. Paul Getty Museum, 2011) 45, 152, no. 5; pl. 3
- Description
- Achilles and Ajax, two great heroes of the Trojan War, play a board game on this Athenian black-figure amphora. Behind the table stands the goddess Athena. The scene of the warriors at leisure but with their armor at the ready might have taken place during a break in fighting the Trojan War. This depiction of Ajax and Achilles gaming was especially popular in Athenian art in the late 500s B.C.; over 150 surviving vases show the scene. Why was this image so popular? Some scholars have argued that it was politically motivated. They interpret this scene as a mythical parallel for the tyrant Peisistratos's return from exile, when he was able to regain power because the Athenian army was unprepared for battle. If so, then these vases would be anti-Peisistratid propaganda, alerting Athenians to the importance of vigilance by reminding them of the consequences of their recent failure. The back of the vase shows a warrior departing for battle, standing between two old men. This was a common scene on vases and, in this case, a subject loosely connected with the scene on the front of the vase. --J. Paul Getty Museum, Green, Christopher, and Jens M. Daehner. Modern Antiquity: Picasso, de Chirico, Leger, and Picabia (Los Angeles: J. Paul Getty Museum, 2011) 45, 152, no. 5; pl. 3
- Description
- Pottery: red-figured neck-amphora. (a) The sending of Triptolemos. In the centre Triptolemos, a youth with long hair looped up over the ears, a laurel wreath (red) with an olive wreath (purple) over it, a mantle about his legs, is seated to right in the winged carriage; he holds upright in his left a sceptre, the end resting on his right foot, and in his right a phiale. On the right Demeter stands en face, but looking at him, and pouring wine (the σπονδή) from a jug hanging in her right hand: her left rests on her shoulder. On the left Persephone stands looking on, leaning with her left on a sceptre, and holding downwards in her right ears of corn. Each goddess wears a long sleeved chiton and himation, earrings, and a radiated fillet. Demeter has a saccos: Persephone, a broad band, studded with crosses, wound twice round her looped up hair: her chiton has a broad border of dots and a pattern of crosses. The wings of the chariot are very long, and rise perpendicularly from the axle. The seat is modelled after an Ionic capital, with a spotted cushion, and has a dotted step and side rail terminating in a rosette, resting on columniform supports. (b) Demeter (?), Persephone (?), and a woman. Two women, resembling the goddesses in a, stand on the right, facing a figure closely draped in long chiton and mantle, and long hair bound with radiated fillet, who appears to be a woman and to wear earrings. Demeter stands in the centre, dressed as before, and holding a burning torch. Persephone stands on right en face, but looking to left, holding in her right upright a sceptre: her chiton is here without decoration, her hair is knotted behind, and she has a radiated fillet. Late stage of large style. Purple (or white?) rays, wreath, wine, flame, and ears of corn. No inner markings of anatomy. Eye in profile. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured neck-amphora. (a) Achilles slaying Penthesileia. Achilles, a bearded warrior wearing helmet with lowered cheek-pieces, mantle hanging from left arm, shield (device, a panther to left, red, on a red ground-line, on black ground) and spear in left hand, strides to left, swinging over his head a long sword (κοπίς) with spiral end of handle, against Penthesileia, who retreats before him, holding up in both hands her heavy battle-axe (sagaris) as if to ward off the blow: she wears anaxyrides of the usual pattern, shoes, kidaris with flat top, and a short chiton with apoptygma, tied with a dotted girdle: her head is in three-quarter face to right: at her side hangs by a purple crossbelt a quiver with wing-shaped flap. Beside her in the background her horse prances to left: below it, her bow (of Scythian form) falls to the ground. On the shield of Achilles his name is inscribed, AXΙΛΛΕΥΣ, Άχιλλεύς. (b) A bearded draped man with sceptre in right, standing en face between two women: the one on the left, at whom he looks, holds up her right hand as if addressing him: the other holds in her right a burning torch. Each wears an Ionic chiton, mantle, and earrings: the one on left has a saccos: the other a fillet. On the bottom of the foot are incised characters ΣΠA. Purple inscription, cross-belt, reins, flame, and fillets. Brown inner markings, edge of hair, tail of a horse: also for pupil of eye, which in a is of much exaggerated size. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured neck-amphora. On side A, a woman is depicted pouring a libation before the goddess Athena. At the left is a woman wearing a chiton; her hair is tied in a bun at the back with hair bands in added red. She is seen in profile to the right. In her raised right hand she holds a phiale and in her left an oinochoe. To the right stands the goddess Athena, who wears a diadem; her hair is gathered in a bun. She stands frontally but looks to the right, toward the woman. She is dressed in a chiton and a long, folded-over cloak, on top of which rests her snake-fringed aegis. In her right hand she holds a spear and in her left a crested Attic helmet. Both figures stand on a reserved base line decorated with three strips of meanders in alternating directions, separated by dotted crosses. On side B a single female figure stands facing right, wearing a chiton and a cloak. Her right arm is raised, and her hair is confined in a snood. She stands on a reserved base line decorated with a running meander. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- On left is a Neck-amphora, Vase E324, measuring at 33.655 cm in height and listed under Repository ID: 1867,0508.1059. Pottery: red-figured neck-amphora. On side A, a woman is depicted pouring a libation before the goddess Athena. At the left is a woman wearing a chiton; her hair is tied in a bun at the back with hair bands in added red. She is seen in profile to the right. In her raised right hand she holds a phiale and in her left an oinochoe. To the right stands the goddess Athena, who wears a diadem; her hair is gathered in a bun. She stands frontally but looks to the right, toward the woman. She is dressed in a chiton and a long, folded-over cloak, on top of which rests her snake-fringed aegis. In her right hand she holds a spear and in her left a crested Attic helmet. Both figures stand on a reserved base line decorated with three strips of meanders in alternating directions, separated by dotted crosses. On side B a single female figure stands facing right, wearing a chiton and a cloak. Her right arm is raised, and her hair is confined in a snood. She stands on a reserved base line decorated with a running meander. --The British Museum; On right is a Neck-amphora, Vase E323, measuring at 34.29 cm in height and listed under Repository ID: 1867,0508.1116. Pottery: red-figured neck-amphora. (a) Paris and Hermes on Mount Ida. Mount Ida is indicated on left by a series of wavy lines; Paris is seated on the top, a wreathed youth with wavy hair falling to his neck, and a mantle about his lower limbs and left arm, playing upon the chelys with a plectrum. On the right Hermes stands en face, but looking towards Paris; he is bearded, and has a short chiton, a chlamys fastened on the right shoulder, and a petasos hanging at his back; his left arm is concealed by his mantle; in his right hand, which hangs at his side, is a caduceus. (b) Draped ephebos resting right on staff, standing en face, looking to left. Fine style. Purple ground-lines, cord of petasos, pegs of lyre, and wreath; brown inner markings. Ends of hair in thinned black. Eye in developed profile type. Below a, sets of three maeanders alternately to right and left, separated by dotted cross squares; below b, a strip of key pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930