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351. Singing and Dancing
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
352. Thamyris, blind bard
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Pottery: red-figured hydria (water-jar). Judgment of Paris. On the right Paris, a beardless youth with long hair, a fringe of wavy locks around his forehead, a fillet, and an himation, is seated on Mount Ida playing on the chelys; at the foot of the mountain a ram is drawn in outline, standing to the right; its wool is indicated by <-shaped marks. To him the three goddesses advance in single file: first comes Hera in a bordered chiton with long sleeves and v-shaped marks, an himation, a saccos with flap beside the ear, and earrings; on her right arm her sceptre, surmounted with a honeysuckle flower, and in her left the Golden Apple of Discord. Next comes Athene, in long chiton, mantle hanging in pteryges, aegis dotted and bordered, with a fringe of snakes, a fillet, hair passed through a circular object, and earrings; on her right she carries her spear; her left is hidden behind the back of Hera. She turns her head to look at Aphrodite, who wears a long chiton, a mantle which covers her arms and the back of her head, and a dotted fillet. Each of the goddesses has a wavy loop of hair brought forward over the temples. Later stage of severe style; characteristic features are the full, nearly semicircular chin, the pouting lips, and the eye sloping downward towards the outer angle. Purple (nearly white) tuning-pegs of lyre. Brown wavy lines for hair against face, for markings of rock, and entire drawing of sheep. On the left the vase has received a large semicircular crack, which has been (anciently?) painted over with a thin line of purple. The design curves up over the shoulder. Above and below it, strips of pairs of maeander separated by red cross squares. Around the lip, egg pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: red-figured hydria (water-jar). Judgment of Paris. On the right Paris, a beardless youth with long hair, a fringe of wavy locks around his forehead, a fillet, and an himation, is seated on Mount Ida playing on the chelys; at the foot of the mountain a ram is drawn in outline, standing to the right; its wool is indicated by <-shaped marks. To him the three goddesses advance in single file: first comes Hera in a bordered chiton with long sleeves and v-shaped marks, an himation, a saccos with flap beside the ear, and earrings; on her right arm her sceptre, surmounted with a honeysuckle flower, and in her left the Golden Apple of Discord. Next comes Athene, in long chiton, mantle hanging in pteryges, aegis dotted and bordered, with a fringe of snakes, a fillet, hair passed through a circular object, and earrings; on her right she carries her spear; her left is hidden behind the back of Hera. She turns her head to look at Aphrodite, who wears a long chiton, a mantle which covers her arms and the back of her head, and a dotted fillet. Each of the goddesses has a wavy loop of hair brought forward over the temples. Later stage of severe style; characteristic features are the full, nearly semicircular chin, the pouting lips, and the eye sloping downward towards the outer angle. Purple (nearly white) tuning-pegs of lyre. Brown wavy lines for hair against face, for markings of rock, and entire drawing of sheep. On the left the vase has received a large semicircular crack, which has been (anciently?) painted over with a thin line of purple. The design curves up over the shoulder. Above and below it, strips of pairs of maeander separated by red cross squares. Around the lip, egg pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water) with figure scenes on confined to a narrow, frieze-like band that encircles the lower element of the neck. (a) Combat of Achilles and Hector in the presence of Athena and Apollo. On the left, Achilles (youthful) presses forward with shield advanced and spear shortened to deal a finishing stroke to Hector (bearded), who, bleeding from wounds in the chest and left thigh, sinks helplessly backwards, with shield extended to right and point of spear dropped; each has a helmet with raised cheek-pieces, and a sword at side attached to his cross-belt. Beside each is inscribed his name, AXIΛΛEYΣ, Άχιλλενς, HEKTOP (retr.), Έκτωρ. On the left, Athene, with long chiton decorated with crosses and a border at the knees, a mantle fastened on the right shoulder falling in pteryges, aegis dotted and edged with snakes, helmet, and spear on right arm, rushes forward with left arm outstretched, as if to encourage Achilles: beside her, her name, ΑΘΕΝΑΙΑ, Αθηναία. On the right Apollo, youthful, with a mass of long brown hair, fillet, and mantle, moves away to right, looking back and holding out in right an arrow pointed towards Hector, as if he were about to hurl it; in his right he holds a long bow, with a raised piece on the inner curve at the handle, and quiver at back; before him, his name, ΑΠΟΛΛΟΝ (retr.), Άττόλλων. (b) Combat of Achilles and Memnon in the presence of Thetis and Eos. Achilles is as in (a), except that his helmet has cheek-pieces lowered and a nasal; inscription as before. Memnon is bearded, and has his mouth open, as if shouting: he rushes forward, covered with his shield foreshortened (device, a bull's head, half seen), with a sword drawn back in his right hand; his armour is the same as that of Hector; beside him, his name, MEMNON (retr.), Μεμνων. On the left Thetis rushes forward, her right hand, raised, her left extended, as if she were clapping her hands; her hair is long and brown, and confined with a fillet; she has a long chiton, a mantle over her shoulders, raised high around the back of the neck in a shell form, and bracelets; beside her, her name, ΘETIΣ, θέτις. On right, Eos runs forward, with her right extended, and with her left hand tearing her hair; she wears a long chiton decorated with crosses and a band of zigzags at knee, a mantle fastened on her right shoulder, a fillet and bracelets; beside her, her name, HEOΣ, Εως. Purple inscriptions, blood fillet, sword-belts in (b), and bracelets. Brown inner markings, hair on cheek, folds on chiton of Thetis; and brown strokes for hair of Apollo and Thetis. Eye in archaic type. The designs occupy bands on each side of the neck, the figures being spread out to cover the long space. Over them, a moulding, on which is an elaborate pattern, a band of alternate palmette and flower interlaced, on a similar band inverted; over this, on the lip, alternate dotted cross squares and key patterns. The body is black, but has at the bottom a band of rays; on the moulded sides of the handles, ivy pattern; round each of the lower insertions, tongue pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water) with figure scenes on confined to a narrow, frieze-like band that encircles the lower element of the neck. (a) Combat of Achilles and Hector in the presence of Athena and Apollo. On the left, Achilles (youthful) presses forward with shield advanced and spear shortened to deal a finishing stroke to Hector (bearded), who, bleeding from wounds in the chest and left thigh, sinks helplessly backwards, with shield extended to right and point of spear dropped; each has a helmet with raised cheek-pieces, and a sword at side attached to his cross-belt. Beside each is inscribed his name, AXIΛΛEYΣ, Άχιλλενς, HEKTOP (retr.), Έκτωρ. On the left, Athene, with long chiton decorated with crosses and a border at the knees, a mantle fastened on the right shoulder falling in pteryges, aegis dotted and edged with snakes, helmet, and spear on right arm, rushes forward with left arm outstretched, as if to encourage Achilles: beside her, her name, ΑΘΕΝΑΙΑ, Αθηναία. On the right Apollo, youthful, with a mass of long brown hair, fillet, and mantle, moves away to right, looking back and holding out in right an arrow pointed towards Hector, as if he were about to hurl it; in his right he holds a long bow, with a raised piece on the inner curve at the handle, and quiver at back; before him, his name, ΑΠΟΛΛΟΝ (retr.), Άττόλλων. (b) Combat of Achilles and Memnon in the presence of Thetis and Eos. Achilles is as in (a), except that his helmet has cheek-pieces lowered and a nasal; inscription as before. Memnon is bearded, and has his mouth open, as if shouting: he rushes forward, covered with his shield foreshortened (device, a bull's head, half seen), with a sword drawn back in his right hand; his armour is the same as that of Hector; beside him, his name, MEMNON (retr.), Μεμνων. On the left Thetis rushes forward, her right hand, raised, her left extended, as if she were clapping her hands; her hair is long and brown, and confined with a fillet; she has a long chiton, a mantle over her shoulders, raised high around the back of the neck in a shell form, and bracelets; beside her, her name, ΘETIΣ, θέτις. On right, Eos runs forward, with her right extended, and with her left hand tearing her hair; she wears a long chiton decorated with crosses and a band of zigzags at knee, a mantle fastened on her right shoulder, a fillet and bracelets; beside her, her name, HEOΣ, Εως. Purple inscriptions, blood fillet, sword-belts in (b), and bracelets. Brown inner markings, hair on cheek, folds on chiton of Thetis; and brown strokes for hair of Apollo and Thetis. Eye in archaic type. The designs occupy bands on each side of the neck, the figures being spread out to cover the long space. Over them, a moulding, on which is an elaborate pattern, a band of alternate palmette and flower interlaced, on a similar band inverted; over this, on the lip, alternate dotted cross squares and key patterns. The body is black, but has at the bottom a band of rays; on the moulded sides of the handles, ivy pattern; round each of the lower insertions, tongue pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water) with figure scenes on confined to a narrow, frieze-like band that encircles the lower element of the neck. (a) Combat of Achilles and Hector in the presence of Athena and Apollo. On the left, Achilles (youthful) presses forward with shield advanced and spear shortened to deal a finishing stroke to Hector (bearded), who, bleeding from wounds in the chest and left thigh, sinks helplessly backwards, with shield extended to right and point of spear dropped; each has a helmet with raised cheek-pieces, and a sword at side attached to his cross-belt. Beside each is inscribed his name, AXIΛΛEYΣ, Άχιλλενς, HEKTOP (retr.), Έκτωρ. On the left, Athene, with long chiton decorated with crosses and a border at the knees, a mantle fastened on the right shoulder falling in pteryges, aegis dotted and edged with snakes, helmet, and spear on right arm, rushes forward with left arm outstretched, as if to encourage Achilles: beside her, her name, ΑΘΕΝΑΙΑ, Αθηναία. On the right Apollo, youthful, with a mass of long brown hair, fillet, and mantle, moves away to right, looking back and holding out in right an arrow pointed towards Hector, as if he were about to hurl it; in his right he holds a long bow, with a raised piece on the inner curve at the handle, and quiver at back; before him, his name, ΑΠΟΛΛΟΝ (retr.), Άττόλλων. (b) Combat of Achilles and Memnon in the presence of Thetis and Eos. Achilles is as in (a), except that his helmet has cheek-pieces lowered and a nasal; inscription as before. Memnon is bearded, and has his mouth open, as if shouting: he rushes forward, covered with his shield foreshortened (device, a bull's head, half seen), with a sword drawn back in his right hand; his armour is the same as that of Hector; beside him, his name, MEMNON (retr.), Μεμνων. On the left Thetis rushes forward, her right hand, raised, her left extended, as if she were clapping her hands; her hair is long and brown, and confined with a fillet; she has a long chiton, a mantle over her shoulders, raised high around the back of the neck in a shell form, and bracelets; beside her, her name, ΘETIΣ, θέτις. On right, Eos runs forward, with her right extended, and with her left hand tearing her hair; she wears a long chiton decorated with crosses and a band of zigzags at knee, a mantle fastened on her right shoulder, a fillet and bracelets; beside her, her name, HEOΣ, Εως. Purple inscriptions, blood fillet, sword-belts in (b), and bracelets. Brown inner markings, hair on cheek, folds on chiton of Thetis; and brown strokes for hair of Apollo and Thetis. Eye in archaic type. The designs occupy bands on each side of the neck, the figures being spread out to cover the long space. Over them, a moulding, on which is an elaborate pattern, a band of alternate palmette and flower interlaced, on a similar band inverted; over this, on the lip, alternate dotted cross squares and key patterns. The body is black, but has at the bottom a band of rays; on the moulded sides of the handles, ivy pattern; round each of the lower insertions, tongue pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water) with figure scenes on confined to a narrow, frieze-like band that encircles the lower element of the neck. (a) Combat of Achilles and Hector in the presence of Athena and Apollo. On the left, Achilles (youthful) presses forward with shield advanced and spear shortened to deal a finishing stroke to Hector (bearded), who, bleeding from wounds in the chest and left thigh, sinks helplessly backwards, with shield extended to right and point of spear dropped; each has a helmet with raised cheek-pieces, and a sword at side attached to his cross-belt. Beside each is inscribed his name, AXIΛΛEYΣ, Άχιλλενς, HEKTOP (retr.), Έκτωρ. On the left, Athene, with long chiton decorated with crosses and a border at the knees, a mantle fastened on the right shoulder falling in pteryges, aegis dotted and edged with snakes, helmet, and spear on right arm, rushes forward with left arm outstretched, as if to encourage Achilles: beside her, her name, ΑΘΕΝΑΙΑ, Αθηναία. On the right Apollo, youthful, with a mass of long brown hair, fillet, and mantle, moves away to right, looking back and holding out in right an arrow pointed towards Hector, as if he were about to hurl it; in his right he holds a long bow, with a raised piece on the inner curve at the handle, and quiver at back; before him, his name, ΑΠΟΛΛΟΝ (retr.), Άττόλλων. (b) Combat of Achilles and Memnon in the presence of Thetis and Eos. Achilles is as in (a), except that his helmet has cheek-pieces lowered and a nasal; inscription as before. Memnon is bearded, and has his mouth open, as if shouting: he rushes forward, covered with his shield foreshortened (device, a bull's head, half seen), with a sword drawn back in his right hand; his armour is the same as that of Hector; beside him, his name, MEMNON (retr.), Μεμνων. On the left Thetis rushes forward, her right hand, raised, her left extended, as if she were clapping her hands; her hair is long and brown, and confined with a fillet; she has a long chiton, a mantle over her shoulders, raised high around the back of the neck in a shell form, and bracelets; beside her, her name, ΘETIΣ, θέτις. On right, Eos runs forward, with her right extended, and with her left hand tearing her hair; she wears a long chiton decorated with crosses and a band of zigzags at knee, a mantle fastened on her right shoulder, a fillet and bracelets; beside her, her name, HEOΣ, Εως. Purple inscriptions, blood fillet, sword-belts in (b), and bracelets. Brown inner markings, hair on cheek, folds on chiton of Thetis; and brown strokes for hair of Apollo and Thetis. Eye in archaic type. The designs occupy bands on each side of the neck, the figures being spread out to cover the long space. Over them, a moulding, on which is an elaborate pattern, a band of alternate palmette and flower interlaced, on a similar band inverted; over this, on the lip, alternate dotted cross squares and key patterns. The body is black, but has at the bottom a band of rays; on the moulded sides of the handles, ivy pattern; round each of the lower insertions, tongue pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
359. Apollo and Artemis
- Description
- Pottery: red-figured oinochoe with trefoil mouth. On the body: Apollo and Artemis. On the left Apollo stands holding in his left a chelys, his right resting on his hip; he is a youthful beardless figure with long wavy hair, of which a single tress falls on each shoulder; he wears a long sleeved chiton and himation. He is confronted by Artemis, who holds in her left a bow, and holds up her right hand as if addressing Apollo. She wears a long sleeved chiton, himation fastened on the left shoulder, a quiver, and a radiated stephane; her hair is passed at the end through a roll. On the foot an incised character. Late stage of strong severe style. Brown inner markings and upper folds of chiton; the hair over the forehead in rows of dots in thinned black. The lower folds of the chiton are arranged in regular groups of four each. Below, a strip of pairs of maeanders set alternate ways, separated by dotted cross squares; at the junction of the neck, a strip of egg pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
360. Nike
- Description
- Pottery: red-figured oinochoe with trefoil mouth. On body: Nike flying to right towards an altar, holding in her right a thymiaterion, in her left a phiale mesomphalos. Her face, wings and body are en face; she wears an Ionic chiton, a himation over both shoulders, bracelets and a saccos; her hair falls in three wavy tresses on each shoulder; and around her neck is a necklace with cruciform pendant. The thymiaterion has a cover ornamented with rows of dots and zigzags. The altar is in the form of an Ionic capital with volutes supporting a curved rim; from behind (or out of ?) it springs a long shoot with tendrils, terminating in a flower. Later stage of severe style. Purple bracelets. Brown upper folds of chiton, hair over forehead, details of wings and thymiaterion, and necklace. Eyes (full face) of archaic type. Below, a strip of maeander; above, at junction of neck, of egg pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
361. Rhapsode
- Description
- Pottery: red-figured neck-amphora (storage-jar), with twisted handles. (a) Victorious poet reciting. On a plinth or bema, on which is inscribed KAΛΟNEI, καλος εΐ, a bearded, wreathed man in an himation which leaves his right shoulder free stands to right, resting his extended right hand on a knotted staff. From his open mouth proceed the first words of a metrical poem. (See Inscription). (b) Flute-player: perhaps the accompanist of the poet in a. He stands on a smaller plinth to right playing on the flutes, which are attached by a phorbeia which has a broad band over the cheeks, to which are fastened two smaller bands by small rings, passing at the back of and over the head. He is wreathed, and has light hair on his cheeks: he wears a long sleeved chiton decorated with a band of pattern above the ankles, which flies back in wavy folds as if he were moving forward, shoes, and a short, fringed tunic of some thick material, decorated with a large chequer pattern. The chequers on the left shoulder are not filled in. Purple inscriptions in field, and wreaths. Brown inscriptions on plinth, hair on cheek, moustache, upper folds of chiton and shading on lower part of chiton in b, and inner markings, including even the muscles on the back of the flute-player's hands. The edge of the hair against the flesh has a row of minute brown dots: in b it has two parallel rows of raised black dots over the forehead. Eye in transition type (inner angle open and pupil close against it). Below each side, a strip of alternate maeanders with red cross squares and black squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
362. Theseus and Minataur
- Description
- Pottery: red-figured stamnos. (a) Theseus killing the Minotaur. Theseus, a full-grown ephebos with hair on cheek, long hair looped up behind, with the ends falling over a fillet, and short tied chiton, with sword in right hand, has passed his left arm round the neck of the Minotaur and grasps its muzzle in his left hand, pulling its head round en face. He steps forward to right with his left foot on the right shin of his opponent. The Minotaur, fleeing to right, has fallen backwards on to his right knee; with his right he brandishes a stone, with his left he clutches at the left shoulder of Theseus; blood flows from wounds in the abdomen, chest and each shoulder. He has a long bull's tail. In the field hang on left, the scabbard, on right, the petasos (archaic form) of Theseus: beside him on the right KAΛΟΣ, καλός. (b) Theseus killing Procrustes. The background of the scene is occupied by a rock, sloping upwards to the right. Beside this, Procrustes, a rough bearded figure, has fallen on both knees to the right and looks round in three-quarter face, with his right extended in supplication towards his opponent, and with his left trying to loosen the other's grasp. Theseus (as in a), striding forward with his left on the rocky slope, has grasped Procrustes by the back hair, and in his right swings back the double axe to deal him a stroke. On the right hangs his pilos. Severe style. Purple fillets, blood, sword-belt, and inscriptions. Brown inner markings, hair on cheek of Theseus and upper folds of his chiton, and shading of the rock in a. The beard of Procrustes is indicated by a wash and straight strokes of thinned black; the hair on the forehead of the Minotaur, by a series of black dots on a hatching of fine strokes in thinned black. The outline of the hair is incised. Eye of Theseus in a in transition type (pupil against inner angle): in b the pupil is a dotted circle in thinned black. Below each side and round the lip, egg pattern; round the shoulder, tongue. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
363. Flute Player
- Description
- Pottery: red-figured neck-amphora (storage-jar), with twisted handles. (a) Victorious poet reciting. On a plinth or bema, on which is inscribed KAΛΟNEI, καλος εΐ, a bearded, wreathed man in an himation which leaves his right shoulder free stands to right, resting his extended right hand on a knotted staff. From his open mouth proceed the first words of a metrical poem. (See Inscription). (b) Flute-player: perhaps the accompanist of the poet in a. He stands on a smaller plinth to right playing on the flutes, which are attached by a phorbeia which has a broad band over the cheeks, to which are fastened two smaller bands by small rings, passing at the back of and over the head. He is wreathed, and has light hair on his cheeks: he wears a long sleeved chiton decorated with a band of pattern above the ankles, which flies back in wavy folds as if he were moving forward, shoes, and a short, fringed tunic of some thick material, decorated with a large chequer pattern. The chequers on the left shoulder are not filled in. Purple inscriptions in field, and wreaths. Brown inscriptions on plinth, hair on cheek, moustache, upper folds of chiton and shading on lower part of chiton in b, and inner markings, including even the muscles on the back of the flute-player's hands. The edge of the hair against the flesh has a row of minute brown dots: in b it has two parallel rows of raised black dots over the forehead. Eye in transition type (inner angle open and pupil close against it). Below each side, a strip of alternate maeanders with red cross squares and black squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
364. Rhapsode
- Description
- Pottery: red-figured neck-amphora (storage-jar), with twisted handles. (a) Victorious poet reciting. On a plinth or bema, on which is inscribed KAΛΟNEI, καλος εΐ, a bearded, wreathed man in an himation which leaves his right shoulder free stands to right, resting his extended right hand on a knotted staff. From his open mouth proceed the first words of a metrical poem. (See Inscription). (b) Flute-player: perhaps the accompanist of the poet in a. He stands on a smaller plinth to right playing on the flutes, which are attached by a phorbeia which has a broad band over the cheeks, to which are fastened two smaller bands by small rings, passing at the back of and over the head. He is wreathed, and has light hair on his cheeks: he wears a long sleeved chiton decorated with a band of pattern above the ankles, which flies back in wavy folds as if he were moving forward, shoes, and a short, fringed tunic of some thick material, decorated with a large chequer pattern. The chequers on the left shoulder are not filled in. Purple inscriptions in field, and wreaths. Brown inscriptions on plinth, hair on cheek, moustache, upper folds of chiton and shading on lower part of chiton in b, and inner markings, including even the muscles on the back of the flute-player's hands. The edge of the hair against the flesh has a row of minute brown dots: in b it has two parallel rows of raised black dots over the forehead. Eye in transition type (inner angle open and pupil close against it). Below each side, a strip of alternate maeanders with red cross squares and black squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
365. Flute Player
- Description
- Pottery: red-figured neck-amphora (storage-jar), with twisted handles. (a) Victorious poet reciting. On a plinth or bema, on which is inscribed KAΛΟNEI, καλος εΐ, a bearded, wreathed man in an himation which leaves his right shoulder free stands to right, resting his extended right hand on a knotted staff. From his open mouth proceed the first words of a metrical poem. (See Inscription). (b) Flute-player: perhaps the accompanist of the poet in a. He stands on a smaller plinth to right playing on the flutes, which are attached by a phorbeia which has a broad band over the cheeks, to which are fastened two smaller bands by small rings, passing at the back of and over the head. He is wreathed, and has light hair on his cheeks: he wears a long sleeved chiton decorated with a band of pattern above the ankles, which flies back in wavy folds as if he were moving forward, shoes, and a short, fringed tunic of some thick material, decorated with a large chequer pattern. The chequers on the left shoulder are not filled in. Purple inscriptions in field, and wreaths. Brown inscriptions on plinth, hair on cheek, moustache, upper folds of chiton and shading on lower part of chiton in b, and inner markings, including even the muscles on the back of the flute-player's hands. The edge of the hair against the flesh has a row of minute brown dots: in b it has two parallel rows of raised black dots over the forehead. Eye in transition type (inner angle open and pupil close against it). Below each side, a strip of alternate maeanders with red cross squares and black squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
366. Rhapsode
- Description
- Pottery: red-figured neck-amphora (storage-jar), with twisted handles. (a) Victorious poet reciting. On a plinth or bema, on which is inscribed KAΛΟNEI, καλος εΐ, a bearded, wreathed man in an himation which leaves his right shoulder free stands to right, resting his extended right hand on a knotted staff. From his open mouth proceed the first words of a metrical poem. (See Inscription). (b) Flute-player: perhaps the accompanist of the poet in a. He stands on a smaller plinth to right playing on the flutes, which are attached by a phorbeia which has a broad band over the cheeks, to which are fastened two smaller bands by small rings, passing at the back of and over the head. He is wreathed, and has light hair on his cheeks: he wears a long sleeved chiton decorated with a band of pattern above the ankles, which flies back in wavy folds as if he were moving forward, shoes, and a short, fringed tunic of some thick material, decorated with a large chequer pattern. The chequers on the left shoulder are not filled in. Purple inscriptions in field, and wreaths. Brown inscriptions on plinth, hair on cheek, moustache, upper folds of chiton and shading on lower part of chiton in b, and inner markings, including even the muscles on the back of the flute-player's hands. The edge of the hair against the flesh has a row of minute brown dots: in b it has two parallel rows of raised black dots over the forehead. Eye in transition type (inner angle open and pupil close against it). Below each side, a strip of alternate maeanders with red cross squares and black squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. (a) Aeneas carrying off Anchises from Troy: In the centre is Aeneas to right, fully armed, with Boeotian shield and two spears, carrying Anchises on his shoulders; the latter has white hair and beard, long embroidered chiton, and sceptre. In front of them is Creusa (?) advancing to right and looking back at them, veiled in an embroidered himation. On the right is an old man to left, partly bald, with white hair and beard, long chiton and himation, holding a staff. Behind Aeneas is Aphrodite (?) retreating to left and looking back, with long hair, fillet, long chiton, and embroidered himation. On the left is an archer to right, beardless, with high-peaked cap, cuirass, short purple chiton, and quiver. (b) Combat of three warriors (perhaps Achilles defending Antilochos against Memnon): On the left is a bearded warrior, fully armed, with short white chiton and embroidered chlamys, thrusting with spear at a retreating warrior also fully armed, who looks back at him; he has two white plumes on his helmet, short purple chiton, Boeotian shield with device of a thunderbolt and defends himself with spear. On the right is another warrior defending the latter, fully armed, with short purple chiton, and shield with device of a dolphin to left, thrusting with spear. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured neck-amphora. Rather coarse style. On the neck, (a) double honeysuckle, and (b) chain of palmettes. (a) Ajax carrying off Achilles' body: Ajax to left, fully armed, with Boeotian shield, on which are two snakes as device, with rosette between for the boss, is carrying the body of Achilles on his shoulder, bending down beneath its weight. Achilles is armed as Ajax; on his Boeotian shield is the device of a bull's head. Before them is Thetis (?) retreating to left, with long hair, fillet, long chiton and himation, both embroidered, looking back and beckoning to Ajax with left hand. (b) Dionysos seated on an okladias to right, looking back at a Maenad, who retreats to left, looking back. She has long hair with sphendonè, long chiton and himation, both embroidered, in left hand a crotalon (castanet). Dionysos has a long beard, ivy-wreath, long white chiton and embroidered himation, in left hand a keras, in right vine-branches with grapes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
369. Aging reveler
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Anacreon type. A bearded reveller walking to right, wreathed in ivy and playing on the chelys: his head hangs forward to left, with eyes upturned as if partly drunk. The nose is curiously squat and broad, like that of a bearded satyr. His mantle flies back with the motion; and he has a staff under his left shoulder. (b) Ephebos, wreathed, walking to right, holding in his right hand horizontally a crutch staff, and extending his left on a level with his shoulder, holding on the palm upright a kylix: a mantle, rolled up, flies back from both arms. Extremities carefully drawn. Purple wreaths, tuning pegs, and cord of plectrum. Elaborate brown inner markings: the beard and the edge of the hair in a are indicated throughout in carefully traced-brown lines, which are also used for the knuckles of the bent hand and nostril in b and the hair on the cheek. Eye in archaic type, with inner angle open. Edge of hair dotted: and a dotted rosette for the left breast. Below a, a strip, alternate maeander and dotted cross squares: below b, a strip of key pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
370. Reveller
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Anacreon type. A bearded reveller walking to right, wreathed in ivy and playing on the chelys: his head hangs forward to left, with eyes upturned as if partly drunk. The nose is curiously squat and broad, like that of a bearded satyr. His mantle flies back with the motion; and he has a staff under his left shoulder. (b) Ephebos, wreathed, walking to right, holding in his right hand horizontally a crutch staff, and extending his left on a level with his shoulder, holding on the palm upright a kylix: a mantle, rolled up, flies back from both arms. Extremities carefully drawn. Purple wreaths, tuning pegs, and cord of plectrum. Elaborate brown inner markings: the beard and the edge of the hair in a are indicated throughout in carefully traced-brown lines, which are also used for the knuckles of the bent hand and nostril in b and the hair on the cheek. Eye in archaic type, with inner angle open. Edge of hair dotted: and a dotted rosette for the left breast. Below a, a strip, alternate maeander and dotted cross squares: below b, a strip of key pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Bilingual' pottery amphora. Designs in two panels, with borders of double honeysuckle above: (a) Black on red ground, with purple accessories and finely-incised lines; (b) Red on black ground, with purple accessories, and network borders down the sides in black on red. On the sides of the handles, ivy-wreaths; below the handles, palmettes with volutes; all black on red. (a) Achilles and Ajax (?) playing with pessi: On the right is Achilles seated, bearded, with hair rolled up under fillet, high-crested helmet short chiton richly diapered, cuirass, parameiridia, and greaves, all ornamented with volutes, and chlamys richly embroidered with stars and other patterns, in left hand two spears, behind him a Boeotian shield decorated with Satyric mask with short curls and protruding tongue. On the left is Ajax, seated, similarly attired and equipped; each stretches out right hand to a table between them, on which six pessi are visible; Achilles holds another between his fingers. (b) Heracles and the Nemean lion: He is nude and bearded, with curly hair and fillet, and kneels on both knees, holding the lion head downwards over his left shoulder, right hand grasping its forepaws, while its hind-claws are inserted in his right shoulder; he is about to fling it on the ground with his left arm. On the left is Athene to right, with long tresses, high-crested helmet with fillet, ornamented with volutes, and chevron-pattern round crest, aegis with scales, and fringe of snakes in front, long diapered chiton, in right hand a spear, left extended to Heracles. On the right is Iolaos to right, looking back, nude and bearded, with curly hair and fillet, sword at side, in right hand Heracles' club. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
372. Recovery of Helen
- Description
- Pottery: black-figured amphora. Designs black on red panels, with borders of lotus-buds along the top; accessories of white and purple. (a) Departure of Aeneas from Troy: In the centre is Aeneas to right, bearded, with visored helmet and short chiton, carrying two spears; on his shoulders is Anchises, whose legs he supports with his hands. The latter has white beard and tresses, and wears a himation; in left hand he holds a sceptre. In front of them is a female figure, either Creusa, or Aphrodite, hastening to right, and looking back as if encouraging them. She wears a long embroidered chiton and himation with purple stripes; her right hand holds up her dress, her left is raised. On the left is a Trojan archer running to left and looking back; he wears a pointed cap, close-fitting jerkin and shoulder-belt, his hair is looped up under a fillet, and a quiver, with a wing attached to it, hangs at his left side. (b) Acamas and Demophon conducting Aithra: In the centre is Aithra to right, in long chiton and himation over her head, both embroidered with white rosettes; with left hand she draws forward the edge of the himation. On the right is Demophon, moving to right, and looking back at her; he has a short embroidered chiton, chlamys, helmet, sword at side, spear, and shield with ΑΘΕ painted on it. On the left is Acamas, departing to left and looking back; he has a short embroidered chiton, cuirass, visored helmet, sword at left side, two spears in right hand, and shield with three crescents painted round the rim. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
373. Bilingual
- Description
- Pottery: 'bilingual' eye cup. Outline of hair incised throughout exterior scenes: purple wreaths and tails of Seileni; no traces of inner markings, except on forehead of figure in exterior (a). Interior, black-figure: exterior, red-figure. On each side of each handle a large palmette. Interior: Youth (wreathed, with short chiton, chlamys with white patterns) holding two spears, riding to right. Exterior: (a) Between eyes, Seilenos (wreathed with ivy, ithyphallic) holding in right hand keras, on left pelta attached to a cord over his right shoulder, striding in crouching attitude to right. (b) Between eyes, similar figure, holding in left a fluted trefoil oinochoe, blowing a trumpet which he holds in right, and which is attached to a phorbeia (chin strap) over his mouth: on left pelta as in (a). He runs to right, looking back. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
374. Bilingual
- Description
- Pottery: 'bilingual' eye cup. Outline of hair incised throughout exterior scenes: purple wreaths and tails of Seileni; no traces of inner markings, except on forehead of figure in exterior (a). Interior, black-figure: exterior, red-figure. On each side of each handle a large palmette. Interior: Youth (wreathed, with short chiton, chlamys with white patterns) holding two spears, riding to right. Exterior: (a) Between eyes, Seilenos (wreathed with ivy, ithyphallic) holding in right hand keras, on left pelta attached to a cord over his right shoulder, striding in crouching attitude to right. (b) Between eyes, similar figure, holding in left a fluted trefoil oinochoe, blowing a trumpet which he holds in right, and which is attached to a phorbeia (chin strap) over his mouth: on left pelta as in (a). He runs to right, looking back. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, patterns of palmettes and spirals; below, maeander and lotus-buds. (a) In the centre Memnon to right, bearded and fully armed; on his helmet the figure of a dog, the tail supporting the crest; he has long curls ending in spirals, a white cuirass, probably of linen, richly ornamented, short striped chiton, shield and spear. On either side facing him is an beardless African attendant; the one on the right has a short striped chiton and a pelta, on which is a pellet; the other has a cuirass and short diapered chiton; each has a club in right hand. Above Memnon behind is inscribed έπ]οίησ(ε)ν (?); in front: AMAΣIΣ, Αμασις. (b) Achilles slaying Penthesilea: Achilles to right, fully armed, bearded, with hair as Memnon's in (a), short striped chiton, sword, and Boeotian shield, is thrusting with spear at Penthesilea, who retreats to right. She has long tresses, high-crested helmet with cheek-pieces, and meander border on crest, cuirass, and short striped chiton, and defends herself with spear and shield with device of an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, patterns of palmettes and spirals; below, maeander and lotus-buds. (a) In the centre Memnon to right, bearded and fully armed; on his helmet the figure of a dog, the tail supporting the crest; he has long curls ending in spirals, a white cuirass, probably of linen, richly ornamented, short striped chiton, shield and spear. On either side facing him is an beardless African attendant; the one on the right has a short striped chiton and a pelta, on which is a pellet; the other has a cuirass and short diapered chiton; each has a club in right hand. Above Memnon behind is inscribed έπ]οίησ(ε)ν (?); in front: AMAΣIΣ, Αμασις. (b) Achilles slaying Penthesilea: Achilles to right, fully armed, bearded, with hair as Memnon's in (a), short striped chiton, sword, and Boeotian shield, is thrusting with spear at Penthesilea, who retreats to right. She has long tresses, high-crested helmet with cheek-pieces, and meander border on crest, cuirass, and short striped chiton, and defends herself with spear and shield with device of an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, patterns of palmettes and spirals; below, maeander and lotus-buds. (a) In the centre Memnon to right, bearded and fully armed; on his helmet the figure of a dog, the tail supporting the crest; he has long curls ending in spirals, a white cuirass, probably of linen, richly ornamented, short striped chiton, shield and spear. On either side facing him is an beardless African attendant; the one on the right has a short striped chiton and a pelta, on which is a pellet; the other has a cuirass and short diapered chiton; each has a club in right hand. Above Memnon behind is inscribed έπ]οίησ(ε)ν (?); in front: AMAΣIΣ, Αμασις. (b) Achilles slaying Penthesilea: Achilles to right, fully armed, bearded, with hair as Memnon's in (a), short striped chiton, sword, and Boeotian shield, is thrusting with spear at Penthesilea, who retreats to right. She has long tresses, high-crested helmet with cheek-pieces, and meander border on crest, cuirass, and short striped chiton, and defends herself with spear and shield with device of an ivy-wreath. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
383. Hermes and Hunters
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Pottery: black-figured kylix ('Siana' shape). Designs black on red ground; purple and white accessories. Underneath the foot, at the point of insertion of the stem, is a spike, an imitation of metal-work. Interior, in a medallion with borders of dots and tongue-pattern: Ajax seizing Cassandra at the Palladion: Ajax to right, bearded, with high-crested helmet, white cuirass with incised lines, short purple chiton with chevron border, purple greaves, sword-belt and sheath, drawn sword in right hand, is about to slay Cassandra, whom he has seized with left hand. She crouches to left at the feet of the Palladion, her head being hidden behind it; she is nude, with left hand extended in supplication to Ajax. The goddess is represented standing to left, with long tresses, high-crested helmet, long diapered chiton with chevron border, spear brandished in right hand, shield painted purple with Gorgoneion in white, the features incised, eyes and tongue purple. Behind is a Siren to right looking back, with wings outspread, long hair and fillet. In the field are two lotus-buds. In the exergue, a row of lotus-buds. Exterior: Two friezes with ivy-wreath above, and borders of tongue-pattern and dots below: (a) Apotheosis of Heracles: On the left is Zeus seated on a throne to right, bearded, with long tresses, fillet, long white chiton with incised lines forming a lozenge-pattern and border of the same, richly diapered himation with maeander border, in left hand thunderbolt, sandals on feet, which rest on a footstool. The throne is richly inlaid, with two horizontal rails each side, between which are volutes, the back ending in a snake with head turned back; at the end of the upper rail on the right side is a large lotus-bud. Behind Zeus is Hera similarly seated, with earrings, necklace, long purple chiton, with borders of wavy and chevron patterns, the middle part diapered, and purple himation, drawn over her head, which she raises with left hand, sandals on her feet, which rest on a footstool. Her throne is similar to that of Zeus; at the back is a spiral instead of the snake. Before her on a footstool stands Hebe to left, with long hair tied in a club, fillet, long diapered chiton tied at the waist, with lozenge border and purple diploidion, right hand extended as if supplicating Hera. Before Zeus advance Hermes and Athene leading up Heracles; Hermes is bearded, with long tresses, short white chiton with lozenge border, richly embroidered, purple chlamys with wavy border, petasos, endromides with the usual tags behind as well as before, caduceus in left hand, right extended. Athena has long hair, high-crested helmet, long diapered chiton with chevron border, aegis with snakes projecting on both sides, shield painted purple with Gorgoneion in white, as in the inside design. Heracles has a chiton as Hermes, over which is the lion's skin drawn over his head and tied on his breast, right hand extended; he is followed by Artemis, with long hair tied back, curls in front, fillet with zigzags, long diapered chiton with lozenge border, tied at the waist, and purple diploidion, in right hand two arrows, in left her bow; and Ares, with high-crested helmet, short purple chiton with lozenge border, over which is a skin, sword-belt and kibisis (sack) slung round shoulder, and endromides, right hand extended. (b) Combat of two warriors (perhaps Achilles and Memnon) thrusting with spears: The one on the left has a high-crested helmet, chiton and skin as Ares in (a), sword at side, purple greaves, and shield painted purple inside; the other has a high-crested helmet, richly diapered chiton, sheath at side with lozenge-pattern incised, white greaves, and shield with device of an eagle flying to left. Behind each is a female figure looking on, with long hair, fillet, and long purple chiton with diploidion; the one on the left has spear in left hand, the chiton of the other is richly diapered. Behind each is a youthful warrior on horseback; the one on the left has helmet, short purple chiton, white greaves, spear, and shield painted purple inside; his horse has white mane and tail, and he is leading a second horse, which is white. The other has a high-crested helmet, spear, and white shield with device of a six-leaved flower in purple; he also leads a second horse. The tails of the horses appear to be plaited. Behind each warrior is a lotus-bud; on the right, under the handle, is a warrior, as the last one, crouching on one knee to left, with white greaves, shield painted purple with device as last, in white. Under the other handle is a Sphinx seated to right looking back, with long hair, fillet, and wings outspread. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
385. Nessos and Deianeira
- Description
- Pottery: black-figured lekythos (oil or perfume flask). Designs black on red ground, with incised lines and accessories of white and purple. On the neck, a moulded ring. On the shoulder: Two hounds at full speed to right pursuing a hare which looks back at them. In the field, leaves. On the body, Nessos carrying off Deianeira: The Centaur gallops to right, looking back: he has long hair, and carries Deianeira in his arms; she has long hair with a fillet, long purple chiton, and arms extended; her flesh is painted white. Behind Nessos runs Heracles pursuing, bearded, with a fillet, short purple chiton with chevron border, sword and double cross-belt, left hand raised, in right his club; his face is painted purple. Confronting the Centaur is a panther rearing to left, with face turned to the front. In the field, rosettes and leaves. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
386. Escape from Cyclops
- Description
- Pottery lekythos decorated in the Six technique. Design black, indicated by incised lines, on a black ground, with red and white accessories; neck and shoulder red with black and white rays. Odysseus escaping from Polyphemos: Odysseus is tied under the belly of the ram to right, looking up; he is beardless, with short chiton and sword held up in left hand. He is painted red throughout, the ram's horns and breast white. In the field, imitation inscriptions. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
387. Escape from Cyclops
- Description
- Pottery lekythos decorated in the Six technique. Design black, indicated by incised lines, on a black ground, with red and white accessories; neck and shoulder red with black and white rays. Odysseus escaping from Polyphemos: Odysseus is tied under the belly of the ram to right, looking up; he is beardless, with short chiton and sword held up in left hand. He is painted red throughout, the ram's horns and breast white. In the field, imitation inscriptions. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
388. Girl picking flowers
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
- Description
- Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
394. Achilles and Aias
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, a pattern of spirals. Below the designs, maeander and lotus-buds. (a) Achilles and Ajax playing with pessi: On the right is Achilles seated on a block to left, bearded, with long tresses and short curls in front, high-crested helmet (raised), short embroidered chiton, striped himation, and greaves with volutes, right hand extended, in left two spears; behind him a Boeotian shield with device of a tripod; above is inscribed: ΑΧΙΛΕΥΣ. On the left is Ajax seated facing him, bearded, with short curly hair, high-crested helmet (raised), cuirass, short diapered chiton, striped chlamys, and greaves with volutes; in left hand two spears, with right he is about to move one of the pessi, of which seven are visible, on a table between them. Behind him is a Boeotian shield with two pellets; above: AIAΣ. Between them is inscribed: Λυσιππίδης καλός. (b) Heracles conducted to Olympos: A quadriga to right, in which are Athene, with long tresses, lofty helmet with cheek-pieces and fillet, aegis with scales and fringe of snakes, long chiton and diapered over-chiton spear in right hand, and reins in both, and Heracles, bearded, with hair curly in front and striped himation, carrying club. At the further side of the horses are Dionysos looking back, with long beard and hair, ivy-wreath, long chiton and himation with border of spirals, in right hand a vine-branch, in left a cantharos, and further to the right Apollo, beardless, with long hair arranged in spirals in front, laurel-wreath, long striped chiton and embroidered himation, playing on the chelys. At the horses' heads stands Hermes to left, bearded, with long tresses and curls in front, short chiton, striped himation, petasos, endromides, and caduceus. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London, BMP, 1984; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
395. Achilles and Aias
- Description
- Pottery: black-figured amphora. On the neck, double honeysuckle. Under the handles, a pattern of spirals. Below the designs, maeander and lotus-buds. (a) Achilles and Ajax playing with pessi: On the right is Achilles seated on a block to left, bearded, with long tresses and short curls in front, high-crested helmet (raised), short embroidered chiton, striped himation, and greaves with volutes, right hand extended, in left two spears; behind him a Boeotian shield with device of a tripod; above is inscribed: ΑΧΙΛΕΥΣ. On the left is Ajax seated facing him, bearded, with short curly hair, high-crested helmet (raised), cuirass, short diapered chiton, striped chlamys, and greaves with volutes; in left hand two spears, with right he is about to move one of the pessi, of which seven are visible, on a table between them. Behind him is a Boeotian shield with two pellets; above: AIAΣ. Between them is inscribed: Λυσιππίδης καλός. (b) Heracles conducted to Olympos: A quadriga to right, in which are Athene, with long tresses, lofty helmet with cheek-pieces and fillet, aegis with scales and fringe of snakes, long chiton and diapered over-chiton spear in right hand, and reins in both, and Heracles, bearded, with hair curly in front and striped himation, carrying club. At the further side of the horses are Dionysos looking back, with long beard and hair, ivy-wreath, long chiton and himation with border of spirals, in right hand a vine-branch, in left a cantharos, and further to the right Apollo, beardless, with long hair arranged in spirals in front, laurel-wreath, long striped chiton and embroidered himation, playing on the chelys. At the horses' heads stands Hermes to left, bearded, with long tresses and curls in front, short chiton, striped himation, petasos, endromides, and caduceus. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London, BMP, 1984; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
396. Theseus and Minataur
- Description
- Pottery: black-figured psykter (wine-cooler) with double walls. Designs black on red panels, with palmette and lotus borders along the top; purple and white accessories, much faded. (a) Dionysiac group: On left a Maenad standing to right between two Satyrs, with long hair tied in a club, and long bordered chiton, over which is a nebris (fawn’s skin). Under the spout of the vase is a Satyr to left, on a smaller scale, stooping forward to caress a hare on the ground. Next to right is Dionysos, bearded, with long hair, ivy-wreath, long embroidered chiton and himation, keras (drinking horn) in left hand. In front of him is a Satyr advancing to right, in a dancing attitude, with left hand held above his head. All the Satyrs except the smaller one, the body of the hare, and the Maenad's nebris, are stippled all over, to indicate hair. (b) Theseus slaying the Minotaur: In the centre, Theseus to right (long hair, fillet, cuirass and short chiton, on which is a large rosette on his hip), holding the Minotaur's left arm with left hand, and plunging sword into his neck; blood falls from the wound. Beneath his legs is a conical stone (cf. Wien. Vorlegebl. 1889, pl. v., I b), on which he has laid his embroidered chlamys. The Minotaur has a bull's head with mane, and his body is stippled with hair; he has fallen on left knee, and his right arm grasps that of Theseus from behind, while in left he holds a stone. On each side of the centre group are two beardless male figures, representing Athenian victims; the one on the right and the one behind Theseus wear striped embroidered himatia; the one on the left is nude, the one behind the Minotaur has an embroidered chlamys over his shoulders, and hair tied in a club. All the figures have a lock of hair in front twisted over a fillet. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
397. Dionysus and satyrs
- Description
- Pottery: black-figured psykter (wine-cooler) with double walls. Designs black on red panels, with palmette and lotus borders along the top; purple and white accessories, much faded. (a) Dionysiac group: On left a Maenad standing to right between two Satyrs, with long hair tied in a club, and long bordered chiton, over which is a nebris (fawn’s skin). Under the spout of the vase is a Satyr to left, on a smaller scale, stooping forward to caress a hare on the ground. Next to right is Dionysos, bearded, with long hair, ivy-wreath, long embroidered chiton and himation, keras (drinking horn) in left hand. In front of him is a Satyr advancing to right, in a dancing attitude, with left hand held above his head. All the Satyrs except the smaller one, the body of the hare, and the Maenad's nebris, are stippled all over, to indicate hair. (b) Theseus slaying the Minotaur: In the centre, Theseus to right (long hair, fillet, cuirass and short chiton, on which is a large rosette on his hip), holding the Minotaur's left arm with left hand, and plunging sword into his neck; blood falls from the wound. Beneath his legs is a conical stone (cf. Wien. Vorlegebl. 1889, pl. v., I b), on which he has laid his embroidered chlamys. The Minotaur has a bull's head with mane, and his body is stippled with hair; he has fallen on left knee, and his right arm grasps that of Theseus from behind, while in left he holds a stone. On each side of the centre group are two beardless male figures, representing Athenian victims; the one on the right and the one behind Theseus wear striped embroidered himatia; the one on the left is nude, the one behind the Minotaur has an embroidered chlamys over his shoulders, and hair tied in a club. All the figures have a lock of hair in front twisted over a fillet. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: black-figured kylix ('Siana' shape). Designs black on red ground; purple and white accessories. Underneath the foot, at the point of insertion of the stem, is a spike, an imitation of metal-work. Interior, in a medallion with borders of dots and tongue-pattern: Ajax seizing Cassandra at the Palladion: Ajax to right, bearded, with high-crested helmet, white cuirass with incised lines, short purple chiton with chevron border, purple greaves, sword-belt and sheath, drawn sword in right hand, is about to slay Cassandra, whom he has seized with left hand. She crouches to left at the feet of the Palladion, her head being hidden behind it; she is nude, with left hand extended in supplication to Ajax. The goddess is represented standing to left, with long tresses, high-crested helmet, long diapered chiton with chevron border, spear brandished in right hand, shield painted purple with Gorgoneion in white, the features incised, eyes and tongue purple. Behind is a Siren to right looking back, with wings outspread, long hair and fillet. In the field are two lotus-buds. In the exergue, a row of lotus-buds. Exterior: Two friezes with ivy-wreath above, and borders of tongue-pattern and dots below: (a) Apotheosis of Heracles: On the left is Zeus seated on a throne to right, bearded, with long tresses, fillet, long white chiton with incised lines forming a lozenge-pattern and border of the same, richly diapered himation with maeander border, in left hand thunderbolt, sandals on feet, which rest on a footstool. The throne is richly inlaid, with two horizontal rails each side, between which are volutes, the back ending in a snake with head turned back; at the end of the upper rail on the right side is a large lotus-bud. Behind Zeus is Hera similarly seated, with earrings, necklace, long purple chiton, with borders of wavy and chevron patterns, the middle part diapered, and purple himation, drawn over her head, which she raises with left hand, sandals on her feet, which rest on a footstool. Her throne is similar to that of Zeus; at the back is a spiral instead of the snake. Before her on a footstool stands Hebe to left, with long hair tied in a club, fillet, long diapered chiton tied at the waist, with lozenge border and purple diploidion, right hand extended as if supplicating Hera. Before Zeus advance Hermes and Athene leading up Heracles; Hermes is bearded, with long tresses, short white chiton with lozenge border, richly embroidered, purple chlamys with wavy border, petasos, endromides with the usual tags behind as well as before, caduceus in left hand, right extended. Athena has long hair, high-crested helmet, long diapered chiton with chevron border, aegis with snakes projecting on both sides, shield painted purple with Gorgoneion in white, as in the inside design. Heracles has a chiton as Hermes, over which is the lion's skin drawn over his head and tied on his breast, right hand extended; he is followed by Artemis, with long hair tied back, curls in front, fillet with zigzags, long diapered chiton with lozenge border, tied at the waist, and purple diploidion, in right hand two arrows, in left her bow; and Ares, with high-crested helmet, short purple chiton with lozenge border, over which is a skin, sword-belt and kibisis (sack) slung round shoulder, and endromides, right hand extended. (b) Combat of two warriors (perhaps Achilles and Memnon) thrusting with spears: The one on the left has a high-crested helmet, chiton and skin as Ares in (a), sword at side, purple greaves, and shield painted purple inside; the other has a high-crested helmet, richly diapered chiton, sheath at side with lozenge-pattern incised, white greaves, and shield with device of an eagle flying to left. Behind each is a female figure looking on, with long hair, fillet, and long purple chiton with diploidion; the one on the left has spear in left hand, the chiton of the other is richly diapered. Behind each is a youthful warrior on horseback; the one on the left has helmet, short purple chiton, white greaves, spear, and shield painted purple inside; his horse has white mane and tail, and he is leading a second horse, which is white. The other has a high-crested helmet, spear, and white shield with device of a six-leaved flower in purple; he also leads a second horse. The tails of the horses appear to be plaited. Behind each warrior is a lotus-bud; on the right, under the handle, is a warrior, as the last one, crouching on one knee to left, with white greaves, shield painted purple with device as last, in white. Under the other handle is a Sphinx seated to right looking back, with long hair, fillet, and wings outspread. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
- Description
- Pottery: black-figured neck-amphora. (a) Hermes leading goddesses to Paris: Hermes advances to right, bearded, with long hair, himation with purple spots, petasos, endromides, and caduceus, by his side a goat to right, followed by the three goddesses, Aphrodite, Athene, and Hera. They have long hair, with fillets, long chitons and himatia, both embroidered, and left hands extended. Aphrodite holds branches of an apple-tree with fruit in right hand, Athene has a high-crested helmet and spear in right hand, and looks back at Hera, who has a sceptre in right hand, ending in a pomegranate. By Athene's side is a hind walking to right. (b) On the left Apollo Citharoedos to right, beardless, with long hair, fillet, long chiton and himation, both embroidered, playing with a plectrum on the chelys, from which hangs drapery. Before him, looking back at him, is Athene, with long hair, fillet, high-crested helmet, aegis, long chiton and himation, both embroidered, in left hand a spear; by her side a bull walks to right. In advance of her is Hermes moving to right and looking back, bearded, with hair looped up, short chiton and chlamys, both embroidered, petasos, endromides, and caduceus, left hand extended. In the field, branches of an apple tree with fruit. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
400. Mourning
- Description
- Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.
