Two illuminated glass and metal sculptures, mounted on a wall. The two sculptures have a green illumination, with horizontal lines going across each plane of the tetrahedral shape on the left and the conical shape on the bottom right., Conical & Tetra Sconces, RayKingStudio@RayKing.nu, http://www.rayking.nu/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This is a detail view of a segment from the artwork "Tools of the Trade." This is an artwork etched into a glass window. The portion of the piece features two houses in front of a cityscape. Between the houses and the cityscape is a stick (perhaps a paddle) with what looks like a calculator at the end of it. The piece is surrounded by a round border or dimensional circular platform at the bottom., Tools of the Trade; etched glass; 1990, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A glass piece composed of geometrical objects in various colors. There is a pink moon-shaped object in the middle, with zigzag lines of red/pink on top, which turns into two curved lines with a red/pink ball in the middle. Below the moon shape is a blue triangle with the tip of the triangle facing downwards, and with a red, black and blue square border vertically underneath it. This is the one of several images of the same piece. Irregularities between the pieces may reflect a difference in the source material., Northwest Interchange; 1990; 50 inches x 100 inches; Fused and enamled glass, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
The line from a poem by Vern Rutsala, an Oregon poet, was selected by Sandra Stone to appear in the glass panel: "To think that we came all this way, risked everything, used our bodies for plows, and arrived here with these lives." The image is taken from an early photograph taken at the turn of the century showing pioneers walking across a train trestle. (information from OAC documentation) This particular image of the stained glass/wall artwork appears to be taken during the installation process. There is evidence of tape and floor coverings. A circle of wire or twine is on the floor., Liz Mapelli; To Think We Came All This Way; Fused and enameled glass; 5x16 feet; 1990; archives, http://www.palmdesertartistregistry.com/liz_mapelli.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view details the installation, Preserved, which consists of hand-blown glass vessels containing piles of dried cherries and ornate stoppers staggered against a series of three shelves that showcase gnarled branches., Janet Lofquist; 1999; Preserved; Photo: Janet Lofquist, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Working closely with John Rogers and the architect was Portland glass artist Howard Meehan who is the corporate design manager for Tektronix. The two 10 foot by 15 foot glass areas in the auditorium reference Rogers' wall relief and reflect the artist's interest in aerial views of the earth. As a Vietnam Veteran, Meehan felt strongly about the new building. His imagery echoes the topography of the Asian European theaters, and the translucent sandblasted areas also make the movement of traffic on Summer Street. Color was introduced by glass rods fused to the inside of each of the interior panels before they were sealed for thermal insulation. Meehan was assisted in this work by glass fabricator Tim O'Neil. (author unknown, 1983), Howard Meehan; 10x15 feet; auditorium glass areas; veteran's affairs, hmmeehan@earthlink.net, http://www.hkmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A tall sculpture with two layers of black steel platform holding up two steel rods that twist as they go upwards. In the middle is a blue glass rod with a glass shape with flat planes at the very top., Braced Spine; 1992; (90 x 20 x 14 inches), Nancy Mee was born in Oakland, California, eventually moving to Seattle where she received a B.F.A. from the University of Washington. In 1984 she was a resident at Pilchuck School and in 1988 won the Betty Bowen Memorial Award. Mee's unique sculpture is fabricated out of fused and slumped glass and incorporates forged and cut metals. Exhibitions include the Seattle Art Museum, Bellevue Art Museum, Brooklyn Museum, San Jose Museum of Art, and the Centre International d'Art Contemporain in Chateau Beychevelle, France. Collections include Safeco, Microsoft, the Seattle Art Museum, the Tacoma Art Museum, and the Musee des Arts Decoratives in Lausanne, Switzerland., http://dennisevans.net/index2.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., 2004 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/