Wall Hanging with large Egyptian male figure dressed in clothing like that of Pharaohs; holding an ankh with his left hand and an ankh tipped staff; man wears a headdress; black donkey with saddle is bending down to eat a plant under a palm tree; two pyramids; scarab and eye motifs.
Small textile weaving (bookmark) of white cotton warp and striped wool with ombre stripes in yellow-reds, blues, and greens in between larger stripes of peach color; three small stripes at center of red, black, and blue.
Textile panel of sheer pink nylon with Korean writing and numbers in one corner printed in orange; textile square is wrapped around goods and used to carry packages.
Wall Hanging of natural white tapa cloth (bark cloth) with a hand-painted illustration depicting a story of battle showing various arms being used; guns, daggers, swords, bows and arrows with bullets, arrows and knives flying through the air; male figures, Deities with painted fans and colorful clothing in bright red, blue, yellow, green, bright brown, beige and black; may be Guardian Gods.
Textile Panel of turquoise green cotton with an over-sized print in brown of two vertical rows of a giant palm leaf with a fruit of some sort (maybe pineapple) in front; designs touch at the tips.
Textile band of ecru silk satin damask with burgundy Egyptian motifs and symbols; archers, birds, vessels, and lotus flowers; intricate designs; long edges are finished, short edges are not.
Towel (Tenugui) of white cotton with screen print design of architecture surrounded by trees; upper portion in black and grey, lower portion has some blue; top is grey.
Wall Hanging of black cotton lined with unbleached muslin and embroidered in bright magenta with accents of yellow-orange and green; Pulkahari stitch, mirror work and satin stitch; a center window with patterned squares and diamonds is surrounded by varying patterned bands.
Wall Hanging of natural linen with hand-blocked print in blue, earth-red, mustard gold and white in a paisley, ornate floral design; design is blocked by intricate patterned bands that follow the shape of the architectural frame (prayer niche); most of the negative space is filled with floral sprays or paisleys; long cone motifs and lamp motifs; fringe at one end.