Cushion Cover of a section of an old solid embroidered panel in a mosaic pattern in soft blues, browns, tans, earth reds and yellow silk on linen ground; backed on silk; original satin lining can be glimpsed on the inside of the present lining.
Cushion Cover of four diamond fragments of bright brown silk satin brocade in a floral design; hints of shades of blue, green, and rose are visible; includes flat metallic gold threads that are coating paper; the satin has a velvet texture; back cover is of hand-spun, hand-woven linen. From record: the addition of paper saves silk without losing the rich effect. The original brocade would have been suitable for Temple use. Maybe Kinran weave.
Cushion Cover of deep red velvet center bordered on both sides with metallic embroidered white silk faille in baskets of dainty floral vines; designs on each side are alike but face opposite vertically; metallic threads are different widths and shapes to create an intricate design with beading; all edges are trimmed in metallic gold with scalloped edges; backed with iridescent rose, green taffeta; cushion is flat with no fill.
Cushion Cover of natural silk embroidered in red, rust, blue and turquoise in aster flowers, leaves, vines and saz leaves; embroidered section is blocked by gold gimp; band of deep red velvet at one end; ball tassels on sides; red silk lining.
Cushion Cover of six strips of colored cotton and linen stitched together and backed on medium blue linen; each panel is heavily worked with intricate embroidery in spiny lines that create a diamond pattern; each diamond has a tiny floral wheel within and tiny dots; panels in black, red, yellow, blue, pink and brown, each with multi-colored embroidery; Cushions were placed on the floor and used for sitting or reclining.
Pillow case of tan home-grown, wild silk with chain stitch embroidery in light blue, golden yellow, taupe and ecru silk; three rows of three floral sprigs trimmed in a vine of golden beige silk with a single leaf at each corner; bridal pillow case.