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You searched for: Start Over Decade 1980-1989 Remove constraint Decade: 1980-1989 Topic Mountains Remove constraint Topic: Mountains

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1. After Rain
After Rain
Description
After Rain depicts a mountain landscape with a lake and forests. The sun is peaking through the thick clouds, and it glistens on the lake., Liza Jones; After Rain; 1987; 2/30 color etching; 23 1/2x32 inches; ohsc nurses unit remodel, http://www.beppugallery.com/showartists.php?ArtistID=37, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
2. Tutuilla #1 (Alfalfa Fields)
Tutuilla #1 (Alfalfa Fields)
Description
A colorful landscape rendering from what appears to be a viewpoint from atop a small hill over a gravel road, which overlooks an expanse of agricultural plots dotted with trees in front of undulating hills in the background. The sky overhead is bright blue., Peter S. Quaempts, Tutuilla #1(Alfalfa Fields); oil on canvas; 33 X 33 inches; Employment Pendelton, Peter S. Quaempts was enrolled Yakama Tribe, but born, raised and died in the same family home in Gibbon, Oregon on the Umatilla Reservation. Son of William (Yakama) and Annie (Hall) Quaempts (Cayuse, Walla Walla, Umatilla), his Indian name was Tiichum Nashat, which translates as "earth thunder," or "like a loud noise [as] from lightening hitting the earth." In February of 1994, at the age of 56, Quaempts died at the family home located in the mountains. His artistry reflects his environment: the landscape in his drawing "Evening Winds" is similar to the landscape behind the house. "My father was very private; [he] did not show his works. He created something every single day of his life, whether with his hands [by] writing, drawing, painting or sculpting...[he was] a True Artist. His philosophy was art was very individual. He would ask you 'what does it mean to you?' He knew what it meant to him. He also said, 'Culture is the knowledge of the implication of symbols,' and would depict many symbols in his art work that a person wouldn't understand unless you were a part of that Indian culture or had some identity to that." He lectured and taught art for many years. He graduated from the University of Oregon with a Bachelor of Arts, Seattle University with a Masters in Fine Arts, and taught at Eastern Oregon University in La Grande and Blue Mountain Community College in Pendleton, Oregon. "He was the father of four children and the greatest artist in the world." (biography provided with permission by Kathryn Quaempts Burke, 2007), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
3. Tutuilla #3 (Rimrock)
Tutuilla #3 (Rimrock)
Description
A colorful landscape rendering from what appears to be a viewpoint from atop a small hill overlooking a valley of agricultural land dotted with trees. The other side of the valley hills extend into the distance. A group of black birds fly across the bottom of the viewpoint hill., Peter S. Quaempts, Tutuilla #3 (Rimrock); oil on canvas; 33 X 33 inches; Employment Pendelton, Peter S. Quaempts was enrolled Yakama Tribe, but born, raised and died in the same family home in Gibbon, Oregon on the Umatilla Reservation. Son of William (Yakama) and Annie (Hall) Quaempts (Cayuse, Walla Walla, Umatilla), his Indian name was Tiichum Nashat, which translates as "earth thunder," or "like a loud noise [as] from lightening hitting the earth." In February of 1994, at the age of 56, Quaempts died at the family home located in the mountains. His artistry reflects his environment: the landscape in his drawing "Evening Winds" is similar to the landscape behind the house. "My father was very private; [he] did not show his works. He created something every single day of his life, whether with his hands [by] writing, drawing, painting or sculpting...[he was] a True Artist. His philosophy was art was very individual. He would ask you 'what does it mean to you?' He knew what it meant to him. He also said, 'Culture is the knowledge of the implication of symbols,' and would depict many symbols in his art work that a person wouldn't understand unless you were a part of that Indian culture or had some identity to that." He lectured and taught art for many years. He graduated from the University of Oregon with a Bachelor of Arts, Seattle University with a Masters in Fine Arts, and taught at Eastern Oregon University in La Grande and Blue Mountain Community College in Pendleton, Oregon. "He was the father of four children and the greatest artist in the world." (biography provided with permission by Kathryn Quaempts Burke, 2007), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
4. Near Wolf Creek
Near Wolf Creek
Description
An impressionistic landscape piece rendered mainly in a yellowish-tan, deep green, and deep blue shades. Agricultural land with a stream running through it creates the foreground for a mountain range in the background.Variations between duplicate images directly relate to original source materials., Oil on canvas; 1980, http://www.campbellsmiths.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
5. Tutuilla #2 (Dusk)
Tutuilla #2 (Dusk)
Description
A colorful landscape rendering from what appears to be a viewpoint from atop a small hill overlooking a valley of agricultural land dotted with trees. The other side of the valley hills extend into the distance. A group of black birds fly across the bottom of the viewpoint hill., Peter S. Quaempts, Tutuilla #2 (Dusk); oil on canvas; 33 X 33 inches; Employment Pendelton, Peter S. Quaempts was enrolled Yakama Tribe, but born, raised and died in the same family home in Gibbon, Oregon on the Umatilla Reservation. Son of William (Yakama) and Annie (Hall) Quaempts (Cayuse, Walla Walla, Umatilla), his Indian name was Tiichum Nashat, which translates as "earth thunder," or "like a loud noise [as] from lightening hitting the earth." In February of 1994, at the age of 56, Quaempts died at the family home located in the mountains. His artistry reflects his environment: the landscape in his drawing "Evening Winds" is similar to the landscape behind the house. "My father was very private; [he] did not show his works. He created something every single day of his life, whether with his hands [by] writing, drawing, painting or sculpting...[he was] a True Artist. His philosophy was art was very individual. He would ask you 'what does it mean to you?' He knew what it meant to him. He also said, 'Culture is the knowledge of the implication of symbols,' and would depict many symbols in his art work that a person wouldn't understand unless you were a part of that Indian culture or had some identity to that." He lectured and taught art for many years. He graduated from the University of Oregon with a Bachelor of Arts, Seattle University with a Masters in Fine Arts, and taught at Eastern Oregon University in La Grande and Blue Mountain Community College in Pendleton, Oregon. "He was the father of four children and the greatest artist in the world." (biography provided with permission by Kathryn Quaempts Burke, 2007), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
6. Thornhollow Summer
Thornhollow Summer
Description
A brighly colored landscape rendering with a large buck standing in the middle of a yellow meadow with undulating hills in the background., Peter S. Quaempts; Thornhollow Summer; oil on canvas; 26.25 X 20.25 inches; Employment Pendelton, Peter S. Quaempts was enrolled Yakama Tribe, but born, raised and died in the same family home in Gibbon, Oregon on the Umatilla Reservation. Son of William (Yakama) and Annie (Hall) Quaempts (Cayuse, Walla Walla, Umatilla), his Indian name was Tiichum Nashat, which translates as "earth thunder," or "like a loud noise [as] from lightening hitting the earth." In February of 1994, at the age of 56, Quaempts died at the family home located in the mountains. His artistry reflects his environment: the landscape in his drawing "Evening Winds" is similar to the landscape behind the house. "My father was very private; [he] did not show his works. He created something every single day of his life, whether with his hands [by] writing, drawing, painting or sculpting...[he was] a True Artist. His philosophy was art was very individual. He would ask you 'what does it mean to you?' He knew what it meant to him. He also said, 'Culture is the knowledge of the implication of symbols,' and would depict many symbols in his art work that a person wouldn't understand unless you were a part of that Indian culture or had some identity to that." He lectured and taught art for many years. He graduated from the University of Oregon with a Bachelor of Arts, Seattle University with a Masters in Fine Arts, and taught at Eastern Oregon University in La Grande and Blue Mountain Community College in Pendleton, Oregon. "He was the father of four children and the greatest artist in the world." (biography provided with permission by Kathryn Quaempts Burke, 2007), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
7. Cottonwood
Cottonwood
Description
A landscape abstraction rendered in bright blues, yellow, and green., Douglas Cambell Smith; Cotton Wood; Revenue Building, http://www.campbellsmiths.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
8. Mount Thielson
Mount Thielson
Description
Landscape depiction of Mt. Thielsen. The body of water in the foreground, grassy plain in the center, and the distant mountain tops positioned against blue sky provided immense depth to the piece., Ken Paul; Mt. Thielsen; 5/10 silkscreen; 15x22 inches papersize; ohsc nurses unit remodel; slide not overexposed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
9. Near Wolf Creek
Near Wolf Creek
Description
An impressionistic landscape piece rendered mainly in a yellowish-tan, deep green, and deep blue shades. Agricultural land with a stream running through it creates the foreground for a mountain range in the background.Variations between duplicate images directly relate to original source materials., Oil on canvas; 1980, http://www.campbellsmiths.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
10. Union Hill #4
Union Hill #4
Description
A view of a road that extends back into the horizon line of an agricultural landscape., Shull 1981; acrylic on linen; union hill 4; 50x50 inches; $700; revenue bldg., http://ghc.ctc.edu/library/archives/2007Winter/shullstatement.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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