A blue, black and white print of a multi-windowed hotel as viewed from the dock. The roofline of the building exhibits two very angular peaks, with a white chimney shown on the right-side roof. The dock on the lower right corner is colored brown, along with three benches on the side of the hotel. There is an American flag to the right of the hotel and two boats floating in the water., Dyann Alkire; River Place; justice, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white photograph featuring what appears to be a foggy waterscape or beachscape. There are black rocks in the photograph, the largest one to the right of the center, which seems to be the focal point., Goodwin Harding; Evening Serf; justice, http://www.okartinst.org/gallery/quartzmountain/index.cfm?a_id=17&im_id=40&imx=1, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A photograph showing the interior of a concrete building. The concrete walls appear old, rough and chipped. The paint on the window is peeling. There is light coming in from the window on the upper right corner of the photograph. There is also a wooden door on the left side., Debra De Wit; Shadows in Byre; justice building, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white photograph of a vast landscape. The print mostly emphasizes the sky and the clouds. Below the clouds are what appear to be either snowy mountains or sand dunes with dark vegetation. There is also a river or lake., Goodwin Harding; Clouds; justice, http://www.okartinst.org/gallery/quartzmountain/index.cfm?a_id=17&im_id=40&imx=1, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An acrylic painting of a autumn landscape. The deciduous trees vary in colors of red, orange, and green against a light blue sky. The grass in the foreground is light brown with orange and yellow tints., Mark Clarke; Landscape; justice, http://zeekgallery.com/exhibits/clarke.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A very realistic drawing of two rock forms, one showing a round rock, and the other a slim wedge which leans on the rounder rock. Both of the rocks have shadows pointing to the lower right corner of the piece on which they are sitting, which is a round flat platform. The rock shadows indicate that the left corner of the piece is the location of the light source., Ebony pencil; o/rag paper; 30x22 inches; 1985-86; Light Wedge; justice bldg Salem; K. Caprario, caprariok@lanecc.edu, http://caprarioart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white photograph of a sandy landscape, hence the name "Eroded Dunes." In the background is a cluster of trees, in dark contrast to the white, billowy clouds in the sky. The trees and shadows diagonal from the lower left portion of the photograph to the middle right also provide contrast with the rest of the piece., Goodwin Harding; Eroded Dunes; justice, http://www.okartinst.org/gallery/quartzmountain/index.cfm?a_id=17&im_id=40&imx=1, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A color photograph of a snowy landscape. The snow shadows and what may be tuffs of grass amidst the mounds of snow look like sea waves. In the background are the silhouettes of trees, along with dark ominous clouds., Deborah De Wit; Sea of Snow; photograph; justice, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An watercolor print primarily utilizing blue/green coloring with some white, red, and brown. The two large birds, which may be cranes, are the only images colored brown. There are also fish, a praying mantis, and various plants, in tones of white, some of which are painted in red., Dyann Alkire; Venezia; justice, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
