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You searched for: Start Over Decade 1990-1999 Remove constraint Decade: 1990-1999 Format image/tiff Remove constraint Format: image/tiff Topic Flowers in art Remove constraint Topic: Flowers in art

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Description: A still life etching of three different vases with colorful flowers in them all set against a black background. The vases are situated on a table with a blue tablecloth, a floral printed tablecloth, and a red, white and gray striped tablecloth., S.Wolf; Still life with canterburg bells; etch; 23.5x35.5 inches image; 36x46 inches fr; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: A still-life rendering of a square, glass vase containing at least eight red tulips, which rests on a table covered with two different cloths. A black cloth with a red and green floral pattern is gathered around the vase that sits on the table, and it gives way to reveal a gray-and-white striped cloth underneath. What appears to be a photography or a postcard of woman also rests on the table, slightly obscured between the two cloths., S. Wolf; Tulips in Vase; etch; 40x32 inches; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: A still-life painting of two jars of pink and white blooms sitting on a table covered in a white cloth against a dark blue background., S. Gittelsohn; Peonies & Iris 1990; Jul 13 1990; 48x48 inches; oil on linen; ohsu movable, ShirlyGitt@aol.com, http://members.aol.com/shirlygitt/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: The boards of this book are notched at the hinge above the exposed wrapped long stitch binding. The notches allow the book's over all shape to match that of the individual pages which are made up of flower petal specimins encased in plastic and tabed with paper for the binding. The flyleaf is followed by two blanck pages before the pages change from paper to the plastic encased flower petals. The book contaiins no text. The title is stenciled on the front cover, and the author's initials, "SSS" are stenciled on the back endpaper along with the artists' signiture, the initals of the press, "BBP", the date and the edition. The book is housed in a black and beige clamshell box., Signed by the artist; A gift in memory of Peter Ward Britton