A black and white etching of a crow in a white circle. Inside the largest circle are three smaller circles; one of the circles has a white background and is filled with black sketches. Another circle is encloses the crow's foot, while the other is encircles what may be the crow's wing., Frank Boyden; Crow Foot; 22x30 inches; etching and dry point; 1991; correction print project, Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/bio/bio_boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white etching of two men moving down a sloped platform with a wheelbarrel. Inside the wheelbarrel appears to be a tree with the ball root wrapped, ready for planting. Behind the two male figures is a building with two trees in front of it. There is also one shadow of a tree and an archway to the left of the print., T. Prochaska; Easy; etching; 18x24 inches; 1991; Corrections Print Project, Artist Thomas Prochaska grew up drawing and sketching in Illinois, and then earned a degree in Art Education from the University of Wisconsin. A full scholarship to the Pratt Institute in Brooklyn found him studying printmaking and painting. After a couple of years of teaching at Pratt Graphics Center and at the University of Georgia, he followed his love for printmaking — and his Swiss girlfriend — to Europe. “That’s where I learned the most about printmaking, doing it every day and doing it in a real practical manner… in Switzerland, in a tiny town, St.Prix.” When visa problems sent him back to the U.S., he taught at Wesleyan College in Macon, Georgia, visiting family in Oregon during the summers. “And so I fell in love with Portland,” he sighs with a smile. “I went from being a Department Chairman to being in the Saturday Market.” His woodcuts of trout and salmon — “I also came here for the fishing,” he adds — were eventually licensed for use on T-shirts. Popular ones. “That made me feel real happy because it was people’s art, art away from institutions,” Tom says. “In some ways, that was the most satisfying work I’ve ever done, because people wore them.” (excerpt from biography at http://www.pnca.edu/exposure/stories/28/tom-prochaska), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=223, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This is a detail view of a segment from the artwork "Tools of the Trade." This is an artwork etched into a glass window. The portion of the piece features two houses in front of a cityscape. Between the houses and the cityscape is a stick (perhaps a paddle) with what looks like a calculator at the end of it. The piece is surrounded by a round border or dimensional circular platform at the bottom., Tools of the Trade; etched glass; 1990, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A black and white print featuring numerous totums or icons, such as a fish with legs (tadpole?), a monkey, a snake, another fish, lizards, birds, mermaids, and other creatures. The creatures are in all different shapes and sizes and are facing in different directions., Bizarre Connection; Baba Wague Diakite; Etching; 15 x 17 inches; '90; DiaB9012, Baba Wague Diakité is a West African artist; he was born in Bamako, Mali., ronnawague@juno.com, http://www.africancraft.com/artist.php?sid=42132141658580101321960056855383&id=wague&pg=portfolio, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A still life etching of three different vases with colorful flowers in them all set against a black background. The vases are situated on a table with a blue tablecloth, a floral printed tablecloth, and a red, white and gray striped tablecloth., S.Wolf; Still life with canterburg bells; etch; 23.5x35.5 inches image; 36x46 inches fr; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
The image shows an unidentified man contemplating the piece "Tools of the Trade." This is an artwork etched into a glass window. The top piece features two houses set in front of a cityscape. Between the houses and the cityscape is a stick (perhaps a paddle) with what looks like a calculator at the end of it. The other end may be the handle of a shovel. Both sections are surrounded by a round border or dimensional circular platform at the bottom. Below the cityscape is a howling coyote, flanked by a map of the state of Oregon, and a few plant-like etchings. To the far right are words, a phrase or a quote, which cannot be discerned from this rendering., Tools of the Trade; etched glass; 1990, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A still-life rendering of a square, glass vase containing at least eight red tulips, which rests on a table covered with two different cloths. A black cloth with a red and green floral pattern is gathered around the vase that sits on the table, and it gives way to reveal a gray-and-white striped cloth underneath. What appears to be a photography or a postcard of woman also rests on the table, slightly obscured between the two cloths., S. Wolf; Tulips in Vase; etch; 40x32 inches; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/