Color drawing exhibits the reflection of a stand of deciduous trees off of a body of water. There is a grouping of logs in the foreground with what appears to be clumps of grass growing in the water around them., Willow Creek; pastel, Allan Stephenson is an artist who draws his inspiration from the natural landscape particularly that of his native British Isles and also that of the Pacific Northwest where he now makes his home. *I am always looking for and attempting to communicate with the viewer that special sense of place that infuses some areas of the natural world with meaning, wonder and beauty. I hope my work can provide some escape from the sometimes frenetic world we all live in. I am a traditionalist. I don't see the art I produce as breaking any kind of new ground but rather I apply myself to existing forms and attempt to inject perhaps fresh content. I am currently enjoying the medium of pastel for it's direct hands-on quality that allows me to blend and sculpt the pigment using my fingers and hands rather than the intermediary of a brush.* (excerpt from artist's exhibition list), http://www.stephensonart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A mixed media art piece featuring a green and blue curvy river, reducing in size as it retreats to the background. Surrounding the green and blue river are planes of reds and a little bit of purple. There is a small black bird on the left side of the piece., Lee's Ferry; Ken Weeks; 1991; Mixed Media on Paper; 36 x 40 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A transformational image: color rendering of what appears to be a human with a buck's head., For Lillian/Frank; pastel and graphite on paper; 40 x 26, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
This artwork is composed of 20 framed drawings, each 20 x 16 inches, hung as a single piece. Inside each frame presents one different solid black, geometrical shape., Paul Sutinen; Constellation of Drawings--Memory; graphite acrylic; 1990; 80x80 inches; 20 fr drawings; ohsu movable, (1991) Born 1949 in Portland, Oregon. Attended Portland State University 1967-1971. Assistant Chair of the Art Department of Marylhurst College, Marylhurst, Oregon, since 1980. Art critic for Willamette Week newspaper 1974-1983. National Endowment for the Arts Art Critic's Fellowship 1979. Member of the Board of Directors of Portland Center for the Visual Arts 1983-1986., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A pastel rendering, featuring a fantastical drawing of a bald man with three arms in the colors of reds, purples, blues, oranges, blacks, and skin tones. The man's mouth is open, and the right portion of his face morphs into a crow's head, with a huge black and blue beak outlined with bold red., Crow Cosmos; Rick Bartow; #871; 40 x 26 inches; 1990; pastel/graphite, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html