Designed and printed by Julie Chen using an assortment of letterpress techniques. Papers include Wyndstone Mica and Tuxedo bronze, found aeronautical charts, and embossed paper designed by Margaret Ahrens Sahlstrand at Icosa Studio. Produced in an edition of 75 copies --Box lining paper;In fabric covered box (28 x 10 x 6 cm.) with hinged glass lid;Signed by the artist
Listening was designed and printed by Julie Chen in an edition of 75 copies. Papers used include Fabriano Ingres Heavyweight and handmade sheets from the St.-Armand paper mill. Typefaces used include Copperplate Gothic and Adobe Garamond ... The boxes were made by Sandy Tilcock --Colophon;Signed and numbered by author;Each leaf consists of 2 layered paper boards attached to continuous heavy paper strip concertina binding 2 loops attached to front and back covers for use with accompanying ties paper label on front cover;In box (11 x 13 cm.), closed with 3-fold flap, 3rd flap is magnetic mounted pocket on inside spine with 2 ribbon and button ties mounted paper tuck wrapper contains 1 leaf (folded to form 6 leaves) of instructions for making headdresses with book paper labels on front cover and spine;Rare Books has copy 40/75 signed by the artist, Signed by the artist
Leavings was designed and produced by Julie Chen in an edition of 100 copies. Printed letterpress from polymer plates on a variety of papers, this book also includes a collage of found images, objects and printed matter. The edition was printed by Julie Chen and bound by Christine Rolik and Julie Chen at Flying Fish Press in Berkeley, California --Final baggage label;Illustrated card stock in accordian fold format, with mounted text, ill. within cutout mats, and artifacts attached to baggage labels that are inserted in pockets of some of the panels;U of O Rare Books' copy is 21/100, signed by the author/artist;Issued in cloth-covered box (18 x 13 x 5 cm.) with diapered lid and tie colophon appears inside box, Signed by the author/artist
Book of fold-out pages in glass-topped box fashioned like a compass on a braided string. Compass is inset on larger dial face which has small replica human hand holding a string with pointer. Dial face also contains a pair of dice and four rings in miniature;Edition of 100 copies, signed and numbered by the author;Rare Books has copy 43/100 signed by the artist, Signed by the artist
Edition of 100;Booklet wrapped in silver paper with an outer brown wrapper fashioned like a bar of chocolate; Printed using letterpress and hand-set type on Arches 140 lb. rag paper. Font is News Gothic. Ink color is 'Chocolate' --Colophon;U of O Special Collection's copy is 62/100, signed and dated by the author/artist, Signed and dated by the author/artist
Collection of excerpts from narratives written by women imprisoned for madness;"Cover title";" Printed in an edition of 100 using silkscreen and letterpress printing. The book was created ... at Women's Studio Workshop --Colophon";"Numbered and signed by the artist. Issued in a black cloth tri-fold portfolio, in patterned black cloth slipcase. The hinged pages unfold in four directions to reveal a myriad of shapes and patterns resembling a large crazy quilt";"U of O Rare Books' copy is number 29, signed by the artist, and is accompanied by the prospectus, which contains the Charlotte Perkins Gilman excerpt", Signed by the artist, and is accompanied by the prospectus, which contains the Charlotte Perkins Gilman excerpt
Artist's book created for the Poetry project of the Artists' Book Exchange; Written Feb. 9, 1992 in Leonia, N.J. It was set in Times typeface on a Macintosh Centris 610 computer using the 'Write Now' software program and photocopied onto Cranes 100% rag Bond paper ... The illustrations were printed by the author using a Japanese-made photo silkscreen device called the GOCCO printer which exposes an image with flashbulbs and push-prints many colors at one time --Colophon;Edition of 100 copies;U of O Rare Books' copy is number 56, signed by the author/artist, Signed by the author/artist
Title and statement of responsibility from cover of portfolio; Collaboratively created and produced ... for the Dieu Donn?? Papermill-sponsored 'Art of the Matter' paper collaboration symposium in October of 1996 --Colophon;Item consists of two folded sheets sewn together. One sheet titled: Spirit land : Arizona is of paper handmade by John Risseeuw with the poem entitled: Sonoran desert unfolding / Gary Paul Nabhan. The second sheet titled: Spirit land : Oregon is of paper handmade by Margaret Prentice, with her woodcuts, with the poem entitled: Oregon reunion of the rare / Kim Stafford;Limited ed. of 50 signed and numbered copies;U of O Rare Books' copy is number 3, signed by the artists, Signed by the artists
![Radio silence / [poem and artist's book by] Julie Chen](/thumbnails/7/7/oregondigital-df70bw977.jpg "Radio silence / [poem and artist's book by] Julie Chen")
![Leavings / [by Julie Chen]](/thumbnails/5/4/oregondigital-df70bw845.jpg "Leavings / [by Julie Chen]")
![Crazy quilt / [Maureen Cummins]](/thumbnails/6/5/oregondigital-df70bw756.jpg "Crazy quilt / [Maureen Cummins]")
