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Decade
1990-1999
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Topic
Wood
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Collection
Oregon Percent for Art
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- Description
- A carved wooden mask with large darker wooden eyes. There is a large white circle on the mask's forehead, with a matching shade of white circles around the eyes. Rope-like braids line the perimeter of the face, with a beaded, beard-like appearance under the chin. Deer skin tassels with red beads hang from each side of the mask., One Night I Dreamed of a Dog…; Rick Bartow; Carved Wood and Mixed Media; 9 x 6 x 3.5 inches; '93; BarR93020814; (inv. 1404), The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
2. Crossroads I
- Description
- Detailed view of a centerpiece of an artwork made from burl. A prickly texture surrounds four concave rectangles with gridmarks on them. Six cork-like objects protrude; they are arranged in a curving segment. 3 horizontal black bars extend from the right side., Christian Burchard; crossroads I; detail, Born in Hamburg, Germany in 1955, Christian has been living in the United States since 1978. Building on a foundation laid by a furniture makers apprenticeship in Germany in the middle seventies, he studied sculpture and drawing first at the Museum School in Boston and then at the Emily Carr College of Art and Design in Vancouver BC. In 1982 he and his wife, Micheline, opened Cold Mountain Studio in Southern Oregon. His early focus was on furniture and interiors, but gradually shifted to woodturning and sculpture, moving between vessel oriented forms and sculptural turning. His work has been included in most of the major turning related exhibits of the last ten years and is exhibited widely throughout the US. His pieces are part of many public and private collections. He is also sought after as a teacher and demonstrator at craft schools and conferences and related turning events. (information obtained from http://www.burchardstudio.com/bio.html -- viewed 2007-02-22), burchard@hughes.net, http://www.burchardstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
3. Crossroads I
- Description
- A curved gold piece is set in the middle of 3 long horizontal black bars, one thick vertical bar, and six curved bars, all set against a blue wall. Featured in the gold piece are curved etchings exhibiting a prickly texture, and four cork-like objects protruding from the piece., Christian Burchard; crossroads I, Born in Hamburg, Germany in 1955, Christian has been living in the United States since 1978. Building on a foundation laid by a furniture makers apprenticeship in Germany in the middle seventies, he studied sculpture and drawing first at the Museum School in Boston and then at the Emily Carr College of Art and Design in Vancouver BC. In 1982 he and his wife, Micheline, opened Cold Mountain Studio in Southern Oregon. His early focus was on furniture and interiors, but gradually shifted to woodturning and sculpture, moving between vessel oriented forms and sculptural turning. His work has been included in most of the major turning related exhibits of the last ten years and is exhibited widely throughout the US. His pieces are part of many public and private collections. He is also sought after as a teacher and demonstrator at craft schools and conferences and related turning events. (information obtained from http://www.burchardstudio.com/bio.html -- viewed 2007-02-22), burchard@hughes.net, http://www.burchardstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
