Application; Statement of affirmation; Handwritten family history narrative; Copies of photographs; Newspaper articles; Land patent record; Donation Land Claim records; Copy of original plat map; Photographs., Historic: Grain; Hay; Orchard; Pasture; Timber; Cattle; Chickens; Dairy cattle; Horses; Pigs; Sheep. At time of application: Grain; Hay; Orchard; Pasture; Timber; Cattle; Hogs; Horses; Llamas; Sheep.
Application; Statement of affirmation; Family history narrative; Newspaper article; Copies of photographs., Historic: Hay; Cattle. At time of application: Hay; Timber; Cattle; Goats; Sheep.
Application; Statements of affirmation; Family emblem; Typewritten letter; Gribskov Empire song; Family history; Deeds; Articles of Incorporation; Newspaper articles; Photocopies of photographs., Historic: Berries; Cherries; Crops for silage; Hay; Chickens; Sheep. At time of application: Mint; Ryegrass seed.
Fabrication, installation and conservation statement for the work Script of Vine, I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/
Fabrication, installation and conservation statement for the works Cadenza, Calypso and Fandango, Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/
Letter describing the conditions under which the work A House for Phineas Gage can be removed from exhibition, http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/
Correspondance relating to the safety of the temporary work A House for Phineas Gage, http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/
