Accordion fold format; The Class: Matthew Barclay, Debbie Barlay, Katrina Boldt, Dianna Lutz, Rick Miller, Kristen Myers, Peter Nies, Jennifer Pollock, Sherri Sellers, David Stairs, Laela Wilding --P. [26]; Binding was performed by all members of the class with invaluable help and instruction from Sandy Tillcock [i.e. Tilcock] --P. [26]; Printing was done on one of two Vandercook letterpress machines using handset metal and wood types --P. [26]
Designed by Terri Warpinski, Sandy Tilcock and Natalie Sudman. It was printed letterpress from polymer plates for the text and magnesium line engravings for the images on Rives BFK using a Vandercook 219 proofing press. Perpetua types were used for the text and Charlemagne for the title and initial. Sandy Tilcock of the lone goose press in Eugene, Oregon produced the edition which consists of fifty numbered and ten lettered copies --Colophon;Issued in folding case, to which text is bound;U of O Rare Books has copy A, signed by Sudman and Warpinski, Signed by Sudman and Warpinski
Edition limited to 25 copies; This book was created by Susan Lowdermilk and printed in the summer of 1993 at the lone goose press in Eugene, Oregon. The woodcuts are images of the artist's ancestors. The text was written by the artist, set in Perpetua type, and printed on Arches Text Wove paper using a Vandercook 219 proof press. Sandy Tilcock produced the boxes ... --Colophon;Pages on overlapping sheets attached to form a continuous strip, printed on one side and folded accordion style forming double leaves with ends of the first and last printed pages attached to separate boards;Issued in case;Rare Books has copy 9, signed by the artist, Signed by the artist
Includes excerpts from Carroll's story with interpretive text; Computer generated type--Lucida Casual printed letterpress from polymer plates Rising Stonehenge paper book design and annotation, Hope Tilton illustrations, Melody Porterfield box design, Sandy Tilcock box covered in red and black mohair bookcloth. The Twelve Hands Press grew out of an on-going bookbinding class [Nancy McCarthy, Melody Porterfield, Hope Tilton, Char Wessels, Candy Wooding, Ursula and Amy (Paws)] taught by Sandy Tilcock at lone goose press --Verso of box lid;Pages bound in free-standing carousel formation with cord attached and contained in box;U of O Rare Books has copy B of 26 lettered copies
Limited ed. of 125 numbered and 10 lettered artist's copies; Designed, printed and bound by Sandy Tilcock at Knight Library Press. Printed letterpress on Heine paper, using Bembo types monotype cast by Michael Bixler and then passed through the composing stick. The etchings are hand-colored by the artist. Calligraphic title, headings and ornaments by Marilyn Reaves. The cover was made by laminating two handmade papers: Moulin de Larroque's Brown and Twinrocker's Mica Rose --Colophon;Individual unsewn folios glued at the fore-edge and spine. Integral tab inserted into envelope-style cover wrapper. Leather strip closure;First published in the Fall 1997 issue of the Georgia review;U of O Rare Books has copy I, signed by the author and artist, Signed by the author and artist
This book was produced in an edition of 100 numbered copies with 10 additional lettered copies reserved for the participants. The types used are handset Bembo for the text and computer generated Charlemagne for the title. The pagination animals are by the artist. The animals and title were printed from polymer plates. Papers are Heinemule Heine for the text and Mulberry for the etchings. The reading on the compact disc that accompanies the book was recorded August 2001. The etchings were editioned in the Knight Library Press studio. The type and plates were printed on a Vandercook 219 proofing press. Sandy Tilcock, printer and binder, designed and editioned the paste papers for the covers ... --Colophon;Issued in case;UO Rare Books has copy I, signed by Rogers and Thompson, Signed by Rogers and Thompson
Poem; This edition, limited to twenty numbered copies, was printed at the University of Oregon, Eugene OR, in the spring of 1991 as an M.F.A. thesis project. This book was done in two editions, twelve copies are three color multiple block woodcuts and eight copies are single block woodcuts ... special thanks to Sandy Tilcock for her suggestions, time and generosity --Colophon;Pages on overlapping sheets attached to form a continuous strip, printed on one side and folded accordion style forming double leaves with ends of the first and last printed pages attached to separate boards;LC has copy no. 11, signed by the artist. DLC;Source: Purchase, Mar. 17, 1992 (DLC #0211520). DLC;Rare Books has copy no. 2, signed by the author/artist, Signed by the author/artist
Apologia has been made as a limited edition accordion book during the winter and spring of 1997. The text by Barry Lopez originally appeared in Witness magazine in 1989. The twenty-three woodblocks were carved on poplar by Robin Eschner, Forestville, California, over a period of six years. Charles Hobson, San Francisco, designed and organized the edition which has been printed letterpress on Stonehenge paper by Susan Acker at Feathered Serpent Press, Novato, California. The typefaces are Poppi-Laudatio Regular and Trajan. The woodblocks were editioned by Nora Pauwels at KALA Art Institute, Berkeley. John DeMerritt, Emeryville, California, hinged the text pages and bound the book in boards covered with Lami Li handmade paper and original USGS topographic maps of the State of Wyoming. Sandy Tilcock of lone goose press, Eugene, Oregon, made the boxes, and has published the book in an edition of fifty copies (numbered 1-50) with sixteen additional copies (lettered A-P) reserved for the participants. Enclosed in a folder on the back cover is a tire-tread print made on an original USGS topographic map of Wyoming by Barry Lopez with the assistance of Sandy Tilcock, using the inked tire of Barry's Toyota 4-Runner, the vehicle driven on the journey from Oregon to Indiana chronicled here --Colophon;Issued in case;Each page is accompanied by a transparent guard sheet;U of O Rare Books has copy no. 15 signed by the author and artist. The topographic map is also signed: Made with Barry's Toyota 4-Runner, Eugene, Oregon, January 16, 1997. Barry Lopez, Signed by the author and artist. The topographic map is also signed: Made with Barry's Toyota 4-Runner, Eugene, Oregon, January 16, 1997. Barry Lopez
Limited ed. of 100 numbered copies for sale and 10 lettered copies for the participants; The Centaur and Arrighi monotypes were cast by Michael Bixler, passed through the stick at the Press, and printed on Somerset Heavyweight Book using a Vandercook 219 proofing press. The backing pages are Zerkall Ingres earth, and the cover etching is printed on Kitikata green. The book has been printed and bound by Sandy Tilcock, with assistance from Alexandra Prentiss ... --Colophon;Accordion-folded pages glued into a case of illustrated paper-covered boards. Images and text run continuously over the folds;U of O Rare Books has copy I, signed by the author and artist, Signed by the author and artist
![A type of humor / [created by the students in the Typography 381 Letterpress class at the University of Oregon, winter term 1992, instructed by Mary Sillman]](/thumbnails/9/9/oregondigital-df70bx299.jpg "A type of humor / [created by the students in the Typography 381 Letterpress class at the University of Oregon, winter term 1992, instructed by Mary Sillman]")
![Caucus-race and a long tale. Selections;The caucus-race / [Lewis Carroll]](/thumbnails/h/7/oregondigital-df70bw67h.jpg "Caucus-race and a long tale. Selections;The caucus-race / [Lewis Carroll]")
