Edition of 25 copies, signed by the artist; Text pages: Neenah Paper ... with Xerox, Susan Lowdermilk, 1989 - -Colophon;Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1989;UO has copy no. 8, By Susan Lowdermilk
Edition of 25 copies, signed by the artist; Text pages: Neenah Paper ... with Xerox, Susan Lowdermilk, 1989 - -Colophon;Submitted to fulfill requirement of University of Oregon, Fine and Applied Arts Dept., Artists' Books course, 1989;UO has copy no. 8, By Susan Lowdermilk
Artist's book; Title, author, and date of publication from accompanying sheet; Includes poem; Cyanotype, watercolor, Kozo graphic handmade Japanese paper, Teton text heavyweight paper --Accompanying sheet; 1 of 94 numbered copies; UO Rare Books' copy is no. 4/94, numbered on accompanying sheet, Numbered on accompanying sheet
Edition limited to 25 copies; This book was created by Susan Lowdermilk and printed in the summer of 1993 at the lone goose press in Eugene, Oregon. The woodcuts are images of the artist's ancestors. The text was written by the artist, set in Perpetua type, and printed on Arches Text Wove paper using a Vandercook 219 proof press. Sandy Tilcock produced the boxes ... --Colophon;Pages on overlapping sheets attached to form a continuous strip, printed on one side and folded accordion style forming double leaves with ends of the first and last printed pages attached to separate boards;Issued in case;Rare Books has copy 9, signed by the artist, Signed by the artist
A poem written for this project by Jeanine Hathaway is printed on transparent organdy cloth overlaying accordion fold pages illustrated with woodcutprints of 'x's and 'o's. Bound in red cloth boards with a yellow paper slipcase with ribbon, Signed by the artist
Poem; This edition, limited to twenty numbered copies, was printed at the University of Oregon, Eugene OR, in the spring of 1991 as an M.F.A. thesis project. This book was done in two editions, twelve copies are three color multiple block woodcuts and eight copies are single block woodcuts ... special thanks to Sandy Tilcock for her suggestions, time and generosity --Colophon;Pages on overlapping sheets attached to form a continuous strip, printed on one side and folded accordion style forming double leaves with ends of the first and last printed pages attached to separate boards;LC has copy no. 11, signed by the artist. DLC;Source: Purchase, Mar. 17, 1992 (DLC #0211520). DLC;Rare Books has copy no. 2, signed by the author/artist, Signed by the author/artist
Images of the rock, paper, and scissors from the popular tie breaking game are featured on each of the double board pages of this Jacob's ladder book. No matter how many times the book is flipped, the top image in any pair is always the winning object (provided the title page stays at the top of the book). Images are woodcut prints wrapped over book board and linked with black ribbon. Woodcuts are printed in black and gray on white paper. Each image of paper, rock or scissors is different from the other images of the same object. Issued in a paper sleave with woodgrain design from woodcut in black and gray. Artist's signiture, title and date are inside the sleave., Slipcover signed and editioned by artist
Title identified from exhibition website; Illustrated/created by Lowdermilk, text from Wuthering Heights by Emily Bronte; Multiple block woodcut on Masa paper with PVC pipe scroll ends printed on a Takach etching press; In scroll form, rolled and tied with black ribbon; Issued in case of Stonehenge black paper, Signed by the artist
Tunnel book, featuring pictorial work, in center of three panels. On the left and right panels is printed the text of William Stafford's poem, "A Ritual to Read to Each Other" on black paper in gold ink. The outer portfolio structure of the book is board, bound in book cloth. A small portion of the print from the tunnel book on the interior illustrates the exterior of the book in an inset in the cover.
