A portrait of a Native American girl in regalia posing next to a horse. The girl is wearing a dress with abstract patterning on its surface, and fringes at its edges. Around her forehead she wears a beaded headband with an attached feather. She wears earrings and has beaded accessories in her braided hair. She holds a rope that is attached to a horse standing behind her. The horse is draped with decorative beaded bags, and material with long fringes. One bag displays a stag with leaves and the other designs appear to be abstract patterns. Tipis, horses, and a wooden fence are visible in the distance.
A Native American man identified as an indian chief stands next to an airplane identified as a B-17. The man is dressed in regalia consisting of a feather headdress, buckskin shirt and pants with fringes, beaded floral motif moccasins, and a breechcloth with an abstract pattern on its surface. Visible behind the man is a partial view of an airplane including its propellers, and wheel.
An outdoor portrait of a man, identified as John War Eagle, dressed in Native American regalia. Three large feathers extend out from his hair. He is wearing shell necklaces, bone breastplate, and long sleeve buckskin shirt with fringes and beadwork. His hair is contained in two braids with fur hair wraps. The strap of a bag or pouch hangs diagonally across his chest. Visible in the background are trees, ladder, vehicle, and photographic lighting equipment. John War Eagle was an actor. There are similar pictures that are in the envelope written "sioux uprising". This is most likely a picture taken on the set of a movie.
An autographed portrait of a man identified as Jerry Ambler. He stands in a dirt filled area, most likely rodeo grounds, holding a thick braided rope. He is dressed in a cowboy hat, button-up long sleeved shirt, jacket, leather chaps and cowboy boots. Partially visible on the side of his chaps is his first name. He stands in front of a wooden fence. Behind the fence are tipis, horses and a man on horseback. In the foreground of the image are partially visible saddles. The print is autographed in black ink on the right corner of the print. The handwriting reads, "To my friend Lee from Jerry Ambler". Jerry Ambler was the 1948 saddle bronc champion of the Pendleton Round Up. Source : Let'er Buck! a history of the Pendleton Round-Up by Virgil Rupp.
The image displays a partial view of a man on a horse whose rope is attached to the leg of a horse that is lying on its side in the middle of a rodeo arena. This rope has been drawn over in black and white. A man stands next to this horse with a black line drawn from his hands extending to the back of the horse. A white horse that is outlined in black and white also has a black line drawn connecting it to the horse lying on its side. In the background is a large covered grandstand filled with spectators. This image is a postcard that has roughly one inch cut off horizontally from its bottom edge. This image was chosen for its depiction of the process of image editing.
A man dressed in a feather headdress peers out of an entrance of a tipi at the RoundUp. The front section of the headdress contains beads that form an abstract pattern. He is dressed in a a long sleeve button-up shirt with collar and necktie. The tipi's exterior is striped. The flap of material covering the entryway of the tipi is rolled up and hangs above the entrance. A wooden stick is seen protruding from the coiled material. Hay is visible on the ground in front of the tipi's entrance. In the background are partially visible tipis.
Spectators seated in a grandstand watch a stage coach race at the RoundUp. Many people in the grandstand wear hats, and one man holds a camera. In front of the spectators are a pair of stagecoaches racing past in a dirt-filled rodeo arena. A team of four horses pulls each stage coach. Each stagecoach is driven by two individuals holding reins in their hands. In the center of the arena are people standing and on horseback. In the distance are spectators in grandstands. The race is identified as part of the the RoundUp festivities.
A toddler on horseback poses for the camera. He holds reins in his right hand and is dressed in a cowboy hat, handkerchief, long sleeved shirt, vest, and pants. The horse is fitted with saddle, horse blanket, bridle, and reins. In the background is a large pile of stacked hay bales. To the left of the boy is a man dressed in a short brimmed hat, long sleeved shirt, suspenders, and slacks. In the distance are two partially visible vechicles and tipis.
Two boys in soap box cars race down a street as a crowd of people watch from the sidewalk. Both boys wear helmets. Visible in the background are spectators, utility poles, dwellings, and trees. On the cracked pavement of the street one horizontal line, and two vertical lines merge in the foreground of the image. It is a sunny day and appears to be summertime.
An autographed portrait of a woman identified as Jean McCarty. She is dressed in a cowboy hat, long sleeved shirt with collar and pockets, tie, and bottoms that are either pants, or skirt. On her tie is a pin and a pattern that contains animal branding symbols. Her hat is secured to her head with two thin strips of material which are tied together under her chin. In her left hand she holds the ends of ties to her hat. A ring is visible on the middle finger of her left hand. In the background is an out of focus wooden fence. Handwritten in black ink on the lower right hand corner of the print is "Sincerely Jean McCarty". Jean McCarty was the 1938 queen of the Pendleton Round Up. Source : Let'er Buck! a history of the Pendleton Round-Up by Virgil Rupp.
