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1. Desperate Doubles
Desperate Doubles
Description
This abstract piece consists of two separate paintings whose geometric subject matter converges when placed together. The painting on the left occupies a vertically oriented, rectangular canvas, while the one on the right occupies a horizontally oriented, rectangular canvas. They are presented flush together. The warm color palette on the left offsets the black and gray tones used on the right. Thin accent lines in bright colors connect the two., Desperate Doubles; S.T. Sonniksen; 79 x 55 inches; 1982; acrylic on canvas, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
2. Desperate Doubles
Desperate Doubles
Description
Detail view of the left canvas in the pairing of paintings by Scott Sonniksen, entitled Desperate Doubles., Desperate Doubles (left); S.T. Sonniksen; 79 x 55 inches; 1982; acrylic on canvas, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
3. Passim
Passim
Description
This abstract and thickly painted piece relies on a division of space created by the defintion of a square within a square to frame the view of two stretched oval forms, presented one above the other on the diagonal of the inner square. The one on the top is bright yellow, the other is white, and both are outlined with thick black strokes. The outer square forms a border around the inner one with various linear, geometric patterning., Passism; Lucinda Parker; acrylic on canvas; 24 x 24 inches; 1988; $650, Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.arcticrefugeart.org/parker/par_vita.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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