An abstract mixed media art piece of different shapes and patterns in a collage set on a white background., Margot voorhies Thompson; Personal Letter; drawing, print collage; 35 1/2x46 inches; 1993; ThoM93110108, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A long rectangle art piece set in neutral colors. There is a dark brown triangle in the middle and two spirals on each side, along with two zig-zag lines. There is a dark border bordering all of the sides except for the right side, which is bordered with an orange/brown color., Margot Voorhies Thompson; Mountain Arabesque; drawing, print collage; 28x84 inches; 1993; ThoM93120701, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This piece depicts a series of fish, defined in red, white, and blue, that are vertically oriented on a black background. Four horizontal sections of patterned and torn paper intersects the fish and creates the illusion that the fish have wings., Aki Sogabe; The Fish; paper cutting; 30 x 24 inches, http://www.thelivinggallery.com/as01.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A print of three asian figures, which all seem to be female. Two of them are holding flowers in their hands while the other one is holding pictures or papers of some kind. They are all wearing long black robe-like clothing with white collars., Judgement; 1995; (36 x 48 inches); Color Intaglio, Relief & Chine Colle, Yuji Hiratsuka was born in Osaka, Japan. In 1985 he moved to the United States. He started teaching printmaking at Oregon State University in 1992. His graphic work has been exhibited in the United States, Europe and Asia and has received numerous awards in national and international competitions. Some of his works are exhibited in The British Museum, Tokyo Central Museum, Museum of Modern Art in New York, and the New York Public Library., http://www.houstonscustomframing.com/gallery_yuji.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
In this piece, orange human forms with white, linear body art and black halos occupy a red background. Additional red, white, and blue geomtric shapes as well as white hand prints are overlaid on top of the human figures., Angelita Surmon; Relex Action; 30 x 44 inches; acrylic on handmade paper, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts a stylized landscape scene that presents a view of blue rocks amongst white water against a background of silhouetted rocks and trees. Two silhouetted birds fly in the sky., Aki Sogabe; Ocean Mist; paper cutting; 30 x 24 inches, http://www.thelivinggallery.com/as01.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Red Passage depicts various life forms, human and non-human, in a grid of seventy-seven square images. The progression of color change from orange to red goes in a diagnal from the bottom left to the upper right corner., Jack McLarty; red passage; 1978; color linocut; 15x23 in, Jack McLarty has lived most of his life in Portland, Oregon. His family moved to Portland from Seattle in 1921. After attending the Museum Art School, he left Portland in 1940 to study at the American Artists School in New York. At the end of two years, McLarty decided New York did not suit him as a permanent home and returned to Portland. By 1945 he had reconnected with the Museum Art School accepting a teaching fellowship in lithography. He joined the regular faculty in 1947. McLarty and his wife, Barbara, opened the Image Gallery in 1961. (online biography obtained from Preservation of Oregon's Artistic Heritage–A Production of the Salem Art Association.) Other biography information available at http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, http://www.poahonline.org/bio_mclarty.html <br> http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
A watercolor painting featuring a human hand on a window, bordered with red rope-like strands with beads of orange and gray. The perspective of the painting is directed downwards, towards the landscape below., "The Wing: the moment of metaphor""; watercolor 22"*30"; Paul Alan Bennett; EOSC LOSO Hall, pbennett@outlawnet.com, http://www.paulbennett-art.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
Inspired by the artist's son who was involved in re-introducing bald eagles to the Ventana region of northern California, this book is a personal exploration of the natural history of the area using the artist's own medium of handmade papers. Paper made using local materials are included as specimen pages alongside text describing the plants and rocks that were used in the papermaking. Additional information about the eagles and the re-habitation project is also included. The cover of the book is made from a combination of philodendron and abaca fibers, resulting in a strong, heavily textured, brown and cream colored paper. Front and back flyleaves are made from marbled paper, and marbled paper is also inside the portfolio style wrapper. The book is bound with a five-hole Japanese stab binding. The inside of the portfolio wrapper has the following text, explaining the materials used: "Ventana Hide Covers: The cover paper takes advantage of the different shrinkage rates of fibers. To obtain this particular texture and color contrastk, I used high shrinkage Philodendron (P. selloum) fiber over low shrinkage Abaca (MUSA textilis) fiber. The sheets were formed independently and then pressed together. Book Construction: The cotton and linen thread used in the handsewing was dyed to compliment the color of the Philodendron fiber. The type of format is based on the oriental style of handsewn books. I adapted it to fit my design. The Folder: The paper in this folder is Stonehenge Cream. I made the markings in a freeform pattern to symbolize the free flight of the young Eagles. I used acrylic pigments to make the pattern. the paper is Rives Lightweight Buff.", Signed by the artist
A relief representation of a round face with closed eyes wearing an elaborate, woven headpiece that exists in three-dimensional space. What appears to be fiberous materials compose the headpiece and the suggestion of hair. White feathers are attached to the bottom of the strands that hang down the farthest., sousa; linen astrich man; 24.34 inches; $450; pendleton, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts (now known as Arts East). You may view their website at http://www.artseast.org/