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1. Ejiri-Pines of Miho Bay
Ejiri-Pines of Miho Bay
Description
Ejiri lies across Shimizu Bay from Okitsu, home of the Japanese inn made famous by Oliver Statler's novel. The legendary pines of Miho now witness freighters entering and leaving the bay. Ejiri is the 19th station of the Tokaido., Tokaido Series: Ejiri-Miho; [no.] 6, During the summer of 1984, Walt Padgett bicycled and camped Japan's Tokaido, documenting the famous "53 Stations of the Tokaido" prints of Ando Hiroshige and Junichiro Sekino. Since that time Mr. Padgett has been producing his own series of woodblock prints from his travels on this historic highway. The Tokaido, literally the "eastern sea route" stretching 320 miles, has provided the main link between the cities of Kyoto and Edo (Tokyo) for a thousand years. Although many Japanese artists have produced work drawn from the Tokaido, its landscape, its people, its history, still provide a rich source of subject matter, especially to the foreign eye of an American. Mr. Padgett utilizes authentic Japanese handmade chisels, brushes, and paper, in the manufacture of his prints; the blocks are hand-carved, the prints hand-burnished by the artist, in the sosaku hanga tradition. (Oregon Arts Commission), http://www.padgettart.com/news.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
2. The Beekeeper
The Beekeeper
Description
Two distict, rectangular sections comprise this piece that presents white marks on a black background, which begin to suggest shapes and action, but render nothing definitively., The Beekeeper, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
3. Spring #6-10
Spring #6-10
Description
This piece is one of four seasonally-related collagraph prints. Green, blue, and yellow textured paper with white dotted lines are highlighted throughout the piece. One dark blue triangle is on the left side and one light blue triangle is located on the right side. In the middle on the left side is a black and white abstract image., Four Seasons Spring; #6-10; 1991; 30x40 inches; collagraph print with mixed media; James B. Thompson, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
4. Winter #16-20
Winter #16-20
Description
This piece is one of four seasonally-related collagraph prints. Blue and pink textured paper with white dotted lines are featured throughout the piece. One blue triangle is on the left side and one translucent triangle is situated on the right side. In the middle on the left side is a black and white abstract image., Four Seasons Winter; #16-20; 1991; 30x40 inches; collagraph print with mixed media; James B. Thompson, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
5. Prayer Wheel II
Prayer Wheel II
Description
A very lively abstract art piece utilizing primary colors. Blue commands the background with red shapes of triangles, loops, and lines, and yellow zig-zags and shadings. There is also some purple shading in this very abstract piece., Margot Thompson; © 1992; Prayer Wheel II; reduction woodcut; 30.25x43.5 inches; corrections print project, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html http://www.margotvoorhiesthompson.com/html/home.html http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
6. Mitsuke - Tenryu River
Mitsuke - Tenryu River
Description
For centuries many rivers were crossed on foot, by horseback, or by boat. The Tenryu River had to be crossed by ferryboat. Mitsuke (now Iwatacity) is exactly midway between Tokyo and Kyoto. Misuke is the 29th station of the Tokaido., Tokaido Series: Mitsake; [no.] 3, During the summer of 1984, Walt Padgett bicycled and camped Japan's Tokaido, documenting the famous "53 Stations of the Tokaido" prints of Ando Hiroshige and Junichiro Sekino. Since that time Mr. Padgett has been producing his own series of woodblock prints from his travels on this historic highway. The Tokaido, literally the "eastern sea route" stretching 320 miles, has provided the main link between the cities of Kyoto and Edo (Tokyo) for a thousand years. Although many Japanese artists have produced work drawn from the Tokaido, its landscape, its people, its history, still provide a rich source of subject matter, especially to the foreign eye of an American. Mr. Padgett utilizes authentic Japanese handmade chisels, brushes, and paper, in the manufacture of his prints; the blocks are hand-carved, the prints hand-burnished by the artist, in the sosaku hanga tradition. (Oregon Arts Commission), http://www.padgettart.com/news.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
7. Folkdancers
Folkdancers
Description
A black-and-white rendering of a young couple, dressed in what may be Renaissance garb, locked in an embrace and caught up in the motion of a dance., Folk Dancers; Kathy Lyon; woodcut; Pendelton State Office Building, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
8. Summer #1-5,
Summer #1-5,
Description
This piece is one of four seasonally-related collagraph prints. Yellow and Orange textured paper with black dotted lines permeate the piece. One red triangle is on the left side along with a piece of pink on the left. In the middle on the left side is a black and white abstract image., Four Seasons Summer; # 1-5; 1991; 30x40 inches; collagraph print with mixed media; James B. Thompson, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
9. Between Profiles
Between Profiles
Description
A black and white print of various animals, human figures, and human body parts. Some of the animals include a panda, a zebra, and a dog. There are three acrobats on the right side of the piece and a small portion of two human faces on each side., Between Profiles; woodcut; (20 x 28 inches); ' 76; IzqM9211307, Manuel Izquierdo was born in Madrid, Spain, and fled to the United States settling in Portland, Oregon in 1943. While he was in high school Manuel was encouraged to pursue wood-cuts by Lloyd Reynolds, the well-known calligrapher. In 1951 Manuel graduated from the Pacific Northwest College of Art and soon after became a professor there. Manuel Izquierdo received the Oregon Governor's Award in 1991 and has exhibited work both in the Northwest and nationally, including a ten-year retrospective at the Portland Art Museum in 1967. Having completed many commissions his sculpture can be seen in a variety of Portland public spaces such as Pettygrove Square. His work is in collections including the Metropolitan Museum of Art in New York, the Philadelphia Museum in Pennsylvania, the Seattle Art Museum, and the Portland Art Museum., http://www.laurarusso.com/artists/izquierdo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
10. Fall #11-15
Fall #11-15
Description
This piece is one of four seasonally-related collagraph prints. Red and pink textured paper with white dotted lines throughout the piece. One blue triangle is on the left side and one orange triangle is situated on the right side. In the middle on the left side is a black and white abstract image., Four Season Fall; #11-15; 1991; 30x40 inches; James B. Thompson; collagraph print with mixed media, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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