An abstract collage of cutout horizontal, vertical and diagonal sets of unique colors ranging between purple, blue, orange, white, and black. There are two oval shapes and several rectangular shapes. This piece looks like it has many layers collaged on top of each other., Moonshadow; John Stahl; E.O.C.I.; 48 x 91.5 inches; acrylic painting, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
An abstract painting of a cup-shaped bordered in black with a dark red heart-shaped leaf above the cup. There is also a dark shape to the left of the leaf, round on one side with curves on the other side., Marlene Bauer; Red Leaf; acrylic on paper; 19x21 inches; 1993; BauM000005, http://www.laurarusso.com/artists/bauer.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A diptych of a waterscape acrylic painting. Two mural panels are set against each other, combining as a single piece. The line down the middle between the pieces may be there to indicate that they are separate. In the painting is a yellow, green and blue river containing multiple white rocks with blue shadows. To the side and in the background are vague plant forms, such as bushes and a shaded tree top.The water reflects the surrounding plant life., Cicadia #1; Jon Jay Cruson; E.O.C.I.; 64 x 48 inches; acrylic diptych, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A hand-colored, black-and-white photograph of a city scene from an elevated point of view., Mary Ann Johns; Cityscape #4; 7 x 13 inches; photography: infrared, colored pencils/acrylics, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2010, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2008, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A mixed media art piece of an abstract landscape, with tufts of grass in greens, blues, and oranges scattered around on a brown and yellow ground., John Early; Drywash; acrylic/paper; 23x28 1/2 inches; 1986, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
An oil pastel and acrylic painting of a landscape of rocks surrounded by tufts of green grass. Behind the rocks are dark green trees against a blue sky., John Early; Outcrop; acrylic, oil pastel, paper; 22x30 inches; 1990, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2005, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An abstract mixed media art piece in mostly cool color tones. Various shapes and colors are separated by thick lines of color., Frederick Heidel; Fantasy Garden of Ur; mixed media on paper; 37x47 inches; 1994; HeiF94092913, Former chairman of the art & architecture department and professor of art at Portland State University for over 25 years, Frederick Heidel is well known and respected for his work in glass and acrylic paintings. Throughout his career, Heidel has exhibited widely including major shows at the San Francisco Museum of Art, Portland Art Museum, University of Oregon Art Museum, Smith/Anderson Gallery, Palo Alto, CA and Glasgalene Kuhler, Amsterdam, Holland. The artist has also been awarded numerous commissions and is included in many public and private collections. A painter, Heidel began working in glass in 1967 after receiving a Chapelbrook Foundation Grant to work in the glass factories in Holland. Since that time, the artist has traveled to the studios of Glassobjekte Van Tetterode to execute glass sculpture from drawings he has prepared in his Portland studio. The exploration of this medium has lead Heidel to create sculpture of painted light and the nuances of the colorful laminated glass harkens to the painterly and fluid surfaces of his paintings. Heidel's works on paper reflect the translucent quality of his glass sculpture. (Unknown, 1991), http://www.laurarusso.com/artists/heidel.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture