A brightly colored, impressionistic landscape that exposes city dwellings in the middle ground., View of Roseburg; oil on c (sic), janette.hopper@uncp.edu, http://www.uncp.edu/art/hopper/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An acrylic painting of a yellow wicker basket accompanied by three yellow lemons on a tan background., The paintings of Sally Haley are much loved in the Northwest, partly at least because she often (but not always) has painted familiar domestic objects-bread, eggs, bottles, fruit, dishes, the simple, reassuring, eternal things. And she paints them with mastery so admirable that our response is a combination of delight and awe. They appear in a variety of settings and con-formations: a loaf of bread may almost fill its small canvas; a stemmed glass containing, quite surprisingly, five eggs, and standing alone, with mysterious iconic overtones, in a vast dark space; or a group assembled on a table in Haley's own subtle version of the still life. But there is a great deal more to her art than the masterly rendition of familiar objects. Many of her canvases, entirely bare of objects, are seen from, as one might say, a much wider angle; they are interiors divided into austere geometric shapes which suggest corridors, walls, windows, doors. This artist is certainly drawn by the basic architectural features of interiors, and to their meanings: the universal vertical and horizontal planes of wall and floor, the advance of corridors, the promise of doorways, the rectangles of sky disclosed by windows. She makes her own perspective, often puzzling, sometimes disquieting. In most of her painting there is…a sense of something, withheld or barely suggested, of questions unanswered, though: everything in the painting exists under the most unequivocally revealing light. Yet the surreal hovers near, is waiting in the wings, so to speak, and is sometimes evoked. At any rate, on feels , http://www.laurarusso.com/artists/haley.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An abstract color composition that utilizes red, yellow, blue, aqua, and brown., Green Stern; 30 x 40 inches, http://sitkacenter.org/invitational/artists2006_detail.php?ArtistID=76, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A color photograph depiciting a view of a waterfront between two houses. The house on the left has a screen door standing open as well as a short clothes line in front of it with a piece of clothing blowing in the wind., Neighbors in the Season, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A handcolored black-and-white photograph depicting a section of water surrounded by rocks. There are several lenghts of white driftwood floating on the water surface., Bones; hand tinted photo, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A black square's edges are defined by a collection of teapots and other vessels, except the left-hand edge, which is occupied by a seashell. A silver baton rests atop a vessel on the bottom right., Big Square; Watercolor; 1989; 17 x 17 inches, http://pnca.edu/programs/bfa/faculty.php, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A landscape rendered in a blusih-gray scale that is flanked by blocks of gold-leafing., Burch's Field; 23x40 inches, Kay French grew up in the Midwest which perhaps explains her fascination with storms and flat land. She moved to Portland in 1977. Kay has a degree in art history from Kent State University and a degree in painting from the Pacific Northwest College of Art. Her work has been exhibited in various shows in regional galleries and museums. She was awarded a WESTAF/NEA Regional Fellowship for Visual Artists in Painting in 1994. She has also been represented by the Pulliam Deffenbaugh Gallery in Portland, OR. (Oregon Arts Commission), http://pulliamdeffenbaugh.com/Artist-Detail.cfm?ArtistsID=162, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A black-and-white photograph depicting what may be a waterfall. A black tree stands in front of a section of indiscernable white substance, possibly snow., Elowah Falls, Stu Levy photographs the surreal in nature. He not only photographs what his subject is, but he photographs "what else" his subject is (Unknown, 1991)., http://www.seeinglight.com/stulevy.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Two distict, rectangular sections comprise this piece that presents white marks on a black background, which begin to suggest shapes and action, but render nothing definitively., The Beekeeper, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Two sections of mirrored, woven tapestry joined with sections of mirrored, geometic sections of wood. The sections of wood are joined together in angular, geometric patterns. The wood sections are interrupted by sections of tapestry comprised of purple, blue, orange, and red in a mirrored, geometric pattern., Untitled; 36 by 26 3/4 inches; 1990, http://www.freedgallery.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/