Artist's book; Title, author, and date of publication from accompanying sheet; Includes poem; Cyanotype, watercolor, Kozo graphic handmade Japanese paper, Teton text heavyweight paper --Accompanying sheet; 1 of 94 numbered copies; UO Rare Books' copy is no. 4/94, numbered on accompanying sheet, Numbered on accompanying sheet
Designed by Terri Warpinski, Sandy Tilcock and Natalie Sudman. It was printed letterpress from polymer plates for the text and magnesium line engravings for the images on Rives BFK using a Vandercook 219 proofing press. Perpetua types were used for the text and Charlemagne for the title and initial. Sandy Tilcock of the lone goose press in Eugene, Oregon produced the edition which consists of fifty numbered and ten lettered copies --Colophon;Issued in folding case, to which text is bound;U of O Rare Books has copy A, signed by Sudman and Warpinski, Signed by Sudman and Warpinski
Edition limited to 25 copies; This book was created by Susan Lowdermilk and printed in the summer of 1993 at the lone goose press in Eugene, Oregon. The woodcuts are images of the artist's ancestors. The text was written by the artist, set in Perpetua type, and printed on Arches Text Wove paper using a Vandercook 219 proof press. Sandy Tilcock produced the boxes ... --Colophon;Pages on overlapping sheets attached to form a continuous strip, printed on one side and folded accordion style forming double leaves with ends of the first and last printed pages attached to separate boards;Issued in case;Rare Books has copy 9, signed by the artist, Signed by the artist
Apologia has been made as a limited edition accordion book during the winter and spring of 1997. The text by Barry Lopez originally appeared in Witness magazine in 1989. The twenty-three woodblocks were carved on poplar by Robin Eschner, Forestville, California, over a period of six years. Charles Hobson, San Francisco, designed and organized the edition which has been printed letterpress on Stonehenge paper by Susan Acker at Feathered Serpent Press, Novato, California. The typefaces are Poppi-Laudatio Regular and Trajan. The woodblocks were editioned by Nora Pauwels at KALA Art Institute, Berkeley. John DeMerritt, Emeryville, California, hinged the text pages and bound the book in boards covered with Lami Li handmade paper and original USGS topographic maps of the State of Wyoming. Sandy Tilcock of lone goose press, Eugene, Oregon, made the boxes, and has published the book in an edition of fifty copies (numbered 1-50) with sixteen additional copies (lettered A-P) reserved for the participants. Enclosed in a folder on the back cover is a tire-tread print made on an original USGS topographic map of Wyoming by Barry Lopez with the assistance of Sandy Tilcock, using the inked tire of Barry's Toyota 4-Runner, the vehicle driven on the journey from Oregon to Indiana chronicled here --Colophon;Issued in case;Each page is accompanied by a transparent guard sheet;U of O Rare Books has copy no. 15 signed by the author and artist. The topographic map is also signed: Made with Barry's Toyota 4-Runner, Eugene, Oregon, January 16, 1997. Barry Lopez, Signed by the author and artist. The topographic map is also signed: Made with Barry's Toyota 4-Runner, Eugene, Oregon, January 16, 1997. Barry Lopez
Tunnel book, featuring pictorial work, in center of three panels. On the left and right panels is printed the text of William Stafford's poem, "A Ritual to Read to Each Other" on black paper in gold ink. The outer portfolio structure of the book is board, bound in book cloth. A small portion of the print from the tunnel book on the interior illustrates the exterior of the book in an inset in the cover.
