Subtle gradations in tonal value separate space in this geometrically composed print. The background shifts from light gray to dark gray and back to light gray. The central square shape is also divided by tonal variation in mauve, both horizontally and vertically., John Whitehill-Ward; obelus; state capital, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Linear separation of mauves, blues, browns, and whites create a segmented illusion of the letter "n.", John Whitehill-Ward; offset; state capital, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A three-dimensional composition of a floral form utilizing a mixture of materials, such as feathers, clay and glaze on a mirror surface. The piece is housed in what appears to be a plexiglas box., Ken Shores; fetish #13; capital building h-2; portland, See http://www.broderickgallery.com/KenShores.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A brick-colored background with black smudges is overlaid with a zigzag pattern., Orleonok Pitkint; MAR; state capital, http://www.laurarusso.com/artists/pitkin.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A gray square on white paper., Kathleen Rabel; calgary state capital vol III, http://www.davidsongalleries.com/artists/rabel/rabel.html; http://www.studioblu.org/frame.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A geometric composition where space is divided by blocks of pastel color., Orleonok Pitkint; arc series #6; state capital, http://www.laurarusso.com/artists/pitkin.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A three-dimensional composition of a floral form utilizing a mixture of materials, such as feathers, clay and glaze on a mirror surface. The piece is housed in what appears to be a plexiglas box., Ken Shores; fetish #13-4; state capital vol III, See http://www.broderickgallery.com/KenShores.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Glossy strips of blonde wood, joined side-by-side in varying directions create a large abstract form., Jan Zack; Oregon State Capital; drapery of memory; E. Entrance Lobby, Jan Zack (pronounced "Yon Zock") was born in Slany, Czechoslovakia in 1914 on the eve of the First World War. During the 1930's, he trained in Prague to become a painter and decorator. He came to New York in 1938 to work on the Czech Pavilion for the World's Fair and never returned to his native country, kept out by the invasion of the Nazis in 1939 and the Communist takeover in 1948. He lived in Rio de Janeiro, and the countryside of Brazil for the next eleven years. He married in 1951, and he and his wife, Judith, moved to Victoria, British Columbia, which was her home. Seven years later, Zack settled in Eugene Oregon when the University of Oregon (UO) hired him as a sculpture professor., http://www.askart.com/askart/z/jan_zach/jan_zach.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Glossy strips of blonde wood, joined side-by-side in varying directions create a large abstract form., Jan Zack; state capital vol III; drapery of memory; extra, Jan Zack (pronounced "Yon Zock") was born in Slany, Czechoslovakia in 1914 on the eve of the First World War. During the 1930's, he trained in Prague to become a painter and decorator. He came to New York in 1938 to work on the Czech Pavilion for the World's Fair and never returned to his native country, kept out by the invasion of the Nazis in 1939 and the Communist takeover in 1948. He lived in Rio de Janeiro, and the countryside of Brazil for the next eleven years. He married in 1951, and he and his wife, Judith, moved to Victoria, British Columbia, which was her home. Seven years later, Zack settled in Eugene Oregon when the University of Oregon (UO) hired him as a sculpture professor., http://www.askart.com/askart/z/jan_zach/jan_zach.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html