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1. PH021_cowboy_with_saddles Lee D. Drake Photographs
PH021_cowboy_with_saddles Lee D. Drake Photographs
Description
A man in cowboy attire poses for the camera at a Roundup. The man is dressed in a cowboy hat, a dark, long-sleeved button-up shirt with collar and pockets, denim jeans, and cowboy boots. His right pinky finger is wrapped in white bandages. A cigarette dangles between his lips, as he holds a book of matches. He stands in a dirt-filled coral with multiple saddles at his feet. In the background are wooden fences, a wooden building, an automobile, a horse, and several men dressed in cowboy hats, jeans, and leather chaps.
2. PH021_jerry_ambler Lee D. Drake Photographs
PH021_jerry_ambler Lee D. Drake Photographs
Description
An autographed portrait of a man identified as Jerry Ambler. He stands in a dirt filled area, most likely rodeo grounds, holding a thick braided rope. He is dressed in a cowboy hat, button-up long sleeved shirt, jacket, leather chaps and cowboy boots. Partially visible on the side of his chaps is his first name. He stands in front of a wooden fence. Behind the fence are tipis, horses and a man on horseback. In the foreground of the image are partially visible saddles. The print is autographed in black ink on the right corner of the print. The handwriting reads, "To my friend Lee from Jerry Ambler". Jerry Ambler was the 1948 saddle bronc champion of the Pendleton Round Up. Source : Let'er Buck! a history of the Pendleton Round-Up by Virgil Rupp.
3. PH021_roping_editing Lee D. Drake Photographs
PH021_roping_editing Lee D. Drake Photographs
Description
The image displays a partial view of a man on a horse whose rope is attached to the leg of a horse that is lying on its side in the middle of a rodeo arena. This rope has been drawn over in black and white. A man stands next to this horse with a black line drawn from his hands extending to the back of the horse. A white horse that is outlined in black and white also has a black line drawn connecting it to the horse lying on its side. In the background is a large covered grandstand filled with spectators. This image is a postcard that has roughly one inch cut off horizontally from its bottom edge. This image was chosen for its depiction of the process of image editing.
4. PH021_indian_portrait Lee D. Drake Photographs
PH021_indian_portrait Lee D. Drake Photographs
Description
A man identified as Alex Shippentower poses for the camera at the RoundUp. He is dressed in a cowboy hat that is secured to his head with two strip of material tied under his chin, handkerchief, and long sleeved button-up shirt. His hair is secured in braids. In his left hand he holds an unidentified object. He stands in the middle of a dirt road with out of focus automobiles in the background.
5. Grand Rodeo
Grand Rodeo
Description
Two men in hats flank the frame of this woodcut piece that presents a scene from a rodeo. A bullrider occupies the central focal point while other performers and revelers pepper the background. The audience is kept at bay by a band of black, and a rooster and a dog prowl the foreground. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Woodcut; 1978, Manuel Izquierdo was born in Madrid, Spain, and fled to the United States settling in Portland, Oregon in 1943. While he was in high school Manuel was encouraged to pursue wood-cuts by Lloyd Reynolds, the well-known calligrapher. In 1951 Manuel graduated from the Pacific Northwest College of Art and soon after became a professor there. Manuel Izquierdo received the Oregon Governor's Award in 1991 and has exhibited work both in the Northwest and nationally, including a ten-year retrospective at the Portland Art Museum in 1967. Having completed many commissions his sculpture can be seen in a variety of Portland public spaces such as Pettygrove Square. His work is in collections including the Metropolitan Museum of Art in New York, the Philadelphia Museum in Pennsylvania, the Seattle Art Museum, and the Portland Art Museum., http://www.laurarusso.com/artists/izquierdo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
6. Grand Rodeo
Grand Rodeo
Description
Two men in hats flank the frame of this woodcut piece that presents a scene from a rodeo. A bullrider occupies the central focal point while other performers and revelers pepper the background. The audience is kept at bay by a band of black, and a rooster and a dog prowl the foreground. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Woodcut; 1978, Manuel Izquierdo was born in Madrid, Spain, and fled to the United States settling in Portland, Oregon in 1943. While he was in high school Manuel was encouraged to pursue wood-cuts by Lloyd Reynolds, the well-known calligrapher. In 1951 Manuel graduated from the Pacific Northwest College of Art and soon after became a professor there. Manuel Izquierdo received the Oregon Governor's Award in 1991 and has exhibited work both in the Northwest and nationally, including a ten-year retrospective at the Portland Art Museum in 1967. Having completed many commissions his sculpture can be seen in a variety of Portland public spaces such as Pettygrove Square. His work is in collections including the Metropolitan Museum of Art in New York, the Philadelphia Museum in Pennsylvania, the Seattle Art Museum, and the Portland Art Museum., http://www.laurarusso.com/artists/izquierdo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
7. Buckaroo
Buckaroo
Description
A black-and-white portrait of a man wearing a cowboy hat; a long-sleeved, collared shirt; neatly pressed denim; and cowboy boots sitting on a stump next to two racks of horseshoes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
8. Bullriders, Redmond, Ore.
Bullriders, Redmond, Ore.
Description
A black-and-white photograph depicting a man riding a bull while a group of other men stand and lean against a fence watching the action., Bull Riders; Redmond OR, http://www.bkpix.com/writing/bauguess.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
9. Horseman
Horseman
Description
A cowboy dressed in pink with a tan hat rides a brown horse with a black tail and mane across a watercolor wash of gray and brown., (1970) Phil Tyler was born in Alabama. Eventually he moved west and settled on a small ranch at the base of Mt. Hood. A painter of the cowboy life, his subjects come from personal experience with that life. HORSEMAN focuses on a lone horsemen cantering across a pale green, light-washed space. The background is simply a wash of color which modulates from soft green to soft brown. The horse and rider are carefully and lovingly delineated from curb bit, to girth, to chaps. The acquisition of this work was made possible by Oregon's Percent for Art in Public Places program which is administered by the Oregon Arts Commission., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
10. PH033_0003 The Electric Studio/O.G. Allen photographs
PH033_0003 The Electric Studio/O.G. Allen photographs
Description
A man identified as Homer Wilson wrestles a steer in a rodeo arena at the Pendlton Roundup. He lies on the ground with both hands raised in the air as he bites the lip of the steer. He is dressed in a striped long-sleeved shirt, pants, and cowboy boots. Attached to the back of his shirt is a piece of paper with the an unidentifiable number next to the number "9". Spectators watch the cowboy behind a wooden fence on the right side of the image. Visible in the arena with Wilson is a man on horseback wearing a cowboy hat. In the background are out of focus grandstands and spectators.
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