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1. Vetch & Poppies
Vetch & Poppies
Description
A monotype print of a field of vetch and poppy flowers under a blue sky. The field consists of colors such as green, orange, white, and purple., Cie Goulet; Vetch and Poppies (#583); monotype; 38x49 inches; 1994; GouC94082611, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
2. Butterfly Matrix
Butterfly Matrix
Description
This print depicts a butterfly vertically adjacent to a geometric delineation. The background gradates from light gray on top to a burnt orange in the middle to a dark brown on the bottom., David F. Haidle; Butterfly Matrix; litho; 20 x 26 inches; Ptld. State Office Bldg., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
3. Made in Chinatown USA
Made in Chinatown USA
Description
A mixed media art piece featuring two black and white photographs, both of children, set against a square grid background. The square grid background is in brown with koi fish colored in blue and beige. Below the two photographs are six fortune cookies., Horatio Hung-yan Law; Made in Chinatown U.S.A.; 1994; Collagraph with Photolitho Chine Colle and Fortune Cookies; 22x30 inches, Born in Hong Kong, at age 16 Law immigrated with his family to New York City, where he stayed through high school. He then moved to Baltimore to study pre-med. “Molecular biology was the rage at Johns Hopkins, and I was just so bored,” he says with a laugh. “I could not connect with that at all, but I was obligated to finish it.” He returned to New York and got a research job at Columbia University, where he could take classes for free. “When I took my first painting class, it was like a light bulb turned on. I wasn't sure what was happening, I just knew it was important, so I kept taking art classes, and soon I was doing like three art classes at night and doing a full-time job, helping out my family business in Chinatown.” He quit the day job and went on to earn his BFA from the School of Visual Arts in New York, a printmaking diploma from Il Bisonte International School of Graphic Arts in Italy, and his MFA from Washington University in St. Louis. A residency brought Law to Portland in 1994; he then taught briefly at the University of Oregon and considered a move to the Bay Area, but found it a difficult place for artists. “I love Portland. I think it’s the kind of city that is very open to young artists, and a city that really cares about its citizens,“ he says. “It’s easier to survive here. It has the amenities of a big city but also it doesn’t have the grittiness…it’s a nice combination of things.” (see biography at http://www.pnca.edu/exposure/stories/21/horatio-hung-yan-law), horatiolaw@gmail.com, http://www.horatiolaw.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts & Culture. You may view their website at http://www.racc.org/
4. Stream
Stream
Description
A monoprint of a stream surrounded by green plants, leaves, and orange, blue and white flowers., Cie Goulet; Stream (#574); monotype; 38x49 inches; 1994; GouC94082612, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
5. Stanza: Birches
Stanza: Birches
Description
Dark, rich colors compose what appears to be a living room scene with two people crouched on the floor atop a colorful rug. An overstuffed armchair sits in the background, and the people seem to sit amongst stacks of books. What appears to be a window on the right-hand side of the picture plane reveals a view of a stand of birch trees. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Lithograph; 22 x30 inches, http://www.redwingstanza.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
6. Beach Mystery
Beach Mystery
Description
A black-and-white rendering of sand dunes and beach grass. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 17 3/4 x 23 1/2 inches; Lithograph; BW; 1979, http://www.delavanartgallery.com/Baldwin.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
7. Stanza: Birches
Stanza: Birches
Description
Dark, rich colors compose what appears to be a living room scene with two people crouched on the floor atop a colorful rug. An overstuffed armchair sits in the background, and the people seem to sit amongst stacks of books. What appears to be a window on the right-hand side of the picture plane reveals a view of a stand of birch trees. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Lithograph; 22 x30 inches, http://www.redwingstanza.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
8. Beach Mystery
Beach Mystery
Description
A black-and-white rendering of sand dunes and beach grass. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 17 3/4 x 23 1/2 inches; BW; 1979, http://www.delavanartgallery.com/Baldwin.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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