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Painting
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- Description
- This long, rectangular painting, horizontally oriented, presents a succession of rectangular color blocks, including black, blue, and red. Several color blocks also present what appear to be floral arrangements. The blue section farthest to the right contains an inset of alternating blue and green stripes., Cody Bustamante; F-89 Two Lips; 1989; oil on plywood; 15x92 3/4 inches; ohsu movable, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
- Description
- A watercolor painting of what may be a potato farm. There is a multi-windowed dwelling in the middle of geometrical shapes (planting patches) surrounded by a black picket fence. At the painting's top is a light brown hill with red and orange bushes lining the hill. Each geometrical shape is a different color., Ruza Erceg; Potato Farm #287; watercolor; 1986; unframed 8x10 1/2 inches; framed 17x21 inches; ohsu movable, Ruza Erceg In 1961, Ruza Erceg said to her daughter, Helen, "If I have paint brush, I start to make painting." Helen relayed this message to her brother Joseph, a graphic designer, who, that same day, bought her watercolors, brushes and paper. She immediately began to produce delightful, colorful images. Ruza was born in the fanning village of Imotski, Yugoslavia in 1898 and came to this country in 1922. She and her husband first settled in Pennsylvania then moved to Oregon. Ruza Erceg paints images of her past in Yugoslavia. They are soft and colorful images of rural scenes (farms, fields and farm houses), villages, white buildings with red tile roofs and an occasional painting of a sailboat or of a larger city. Her images are of no particular site but rather of a collective spirit of the land she left so long ago. Numerous paintings are surrounded with delightful painted borders which suggest a painted frame to contain the image., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
3. Four Games
- Description
- An abstract painting rendered mostly in dots of varying shades of green, blue, pink, and brown. Dominant shapes in the piece include a vertical horn form; linear, rectuangular forms intersected by decorative swatches of color; and circular shapes., Jack Portland; 1989; Four Games; oil on canvas; 27x21 inches; ohsu movable, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, For more images by this artist, please visit: http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
4. Reap
- Description
- A portrait of a woman with red hair and blue eyes holding what appears to be a clump of grass or other green foliage., Laura Ross-Paul; Reap; 1988; watercolor pastel; 24x18 inches; ohsu movable, For more images by this artist, please visit: http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
- Description
- A photorealistic acrylic painting on wood of an open white door with open green shutters set against a bright yellow wall. There are two steps that ascend to the doorway from a cobblestone walkway., Tom Fawkes; porta giardino dei simplici; acrylic on wood; 49x70x3 inches; ohsu movable, A well-known Portland artist, Tom Fawkes, renders beautifully detailed photorealist landscape paintings and constructions in acrylic., watercolor and pastel. Through the use of Trompe L'Oeil painted shadows and constructed elements, Fawkes is able to translate the light, space and atmosphere of an environment in a way that is immediate and involving. Fawkes shows his work regularly in Seattle and Portland as well as numerous invitational exhibitions nationally. Public collections include: Safeco Corp., Seattle, Kaiser Foundation, Portland, Western Bank Corporation, Los Angeles, Seattle Art Museum, Portland Art Museum and the Phillip Morris Collection at Oregon Freeze Dry, Albany, Oregon. Tom Fawke's most recent work will reflect his continuing fascination with the Italian landscape and gardens. This interest was fostered after receiving the Rockefeller Foundation Grant in 1987 in which Fawkes was artist-in-residence at the Foundation Center in Bellagio, Italy. (Unknown, 1991), For more images from this artist, please visit: http://www.laurarusso.com/artists/fawkes_t.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
- Description
- A still-life painting of two jars of pink and white blooms sitting on a table covered in a white cloth against a dark blue background., S. Gittelsohn; Peonies & Iris 1990; Jul 13 1990; 48x48 inches; oil on linen; ohsu movable, ShirlyGitt@aol.com, http://members.aol.com/shirlygitt/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
- Description
- A watercolor painting of a village in earthtones. In front of the village are green strokes representing grass as well as a black-and-white picket fence. Above the village is a blue sky with black dotted lines that perhaps symbolize birds on a migratory route., Ruza Erceg; Distant Village; watercolor; 16x20 inches; 1984; ohsu movable, Ruza Erceg In 1961, Ruza Erceg said to her daughter, Helen, "If I have paint brush, I start to make painting." Helen relayed this message to her brother Joseph, a graphic designer, who, that same day, bought her watercolors, brushes and paper. She immediately began to produce delightful, colorful images. Ruza was born in the fanning village of Imotski, Yugoslavia in 1898 and came to this country in 1922. She and her husband first settled in Pennsylvania then moved to Oregon. Ruza Erceg paints images of her past in Yugoslavia. They are soft and colorful images of rural scenes (farms, fields and farm houses), villages, white buildings with red tile roofs and an occasional painting of a sailboat or of a larger city. Her images are of no particular site but rather of a collective spirit of the land she left so long ago. Numerous paintings are surrounded with delightful painted borders which suggest a painted frame to contain the image., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
- Description
- An oil painting of a blue bird sitting on a brown branch with four red berries on it's left and two leaves on it's right. Below the bird is a very large orange/brown rose. The edges of the painting has orange/brown brushstrokes along each side., Suzanne Duryea; 1989; A Whiff of Spring; oil on paper 27x22 inches; ohsu movable, "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
9. Palm Land
- Description
- An abstract, mixed media painting rendered primarily in pastel blues, pinks, and yellows. Dark blue and red accent the piece., Frederick Heidel; Palm Land; 1990; mixed media; 30x30 inches; ohsu movable, Former chairman of the art & architecture department and professor of art at Portland State University for over 25 years, Frederick Heidel is well known and respected for his work in glass and acrylic paintings. Throughout his career, Heidel has exhibited widely including major shows at the San Francisco Museum of Art, Portland Art Museum, University of Oregon Art Museum, Smith/Anderson Gallery, Palo Alto, CA and Glasgalene Kuhler, Amsterdam, Holland. The artist has also been awarded numerous commissions and is included in many public and private collections. A painter, Heidel began working in glass in 1967 after receiving a Chapelbrook Foundation Grant to work in the glass factories in Holland. Since that time, the artist has traveled to the studios of Glassobjekte Van Tetterode to execute glass sculpture from drawings he has prepared in his Portland studio. The exploration of this medium has lead Heidel to create sculpture of painted light and the nuances of the colorful laminated glass harkens to the painterly and fluid surfaces of his paintings. Heidel's works on paper reflect the translucent quality of his glass sculpture. (Unknown, 1991), For more images by this artist, please visit: http://www.laurarusso.com/artists/heidel.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/