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1. view 2; detail of work in progress
view 2; detail of work in progress
Description
This detailed view shows the construction of Bonnie Bronson's red square piece. The steel depicted are in its original color., Bonnie Bronson; 1984; SOSC Ashland OR; McNeil Pavilion; work in progress, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
2. Untitled (Simonis)
Untitled (Simonis)
Description
An outdoor sculpture comprised of curved, silver-colored metal forms attached to the top of two metal supports, offset in height., Obie B. Simonis; 1981; oregon arts comm; 15x6x6 feet; stainless steel; southern oregon state college, simonis@erols.com, For more information and images, please visit: http://www.newtonopenstudios.com/artists-page.asp?a=403, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
3. installation process, view 8
installation process, view 8
Description
SOSC Multi-Family; installation day, http://www.hkmeehan.com/; http://kathleenmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
4. view 4
view 4
Description
Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
5. view 1
view 1
Description
Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
6. installation process, view 9
installation process, view 9
Description
SOSC Multi-Family; installation day, http://www.hkmeehan.com/; http://kathleenmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
7. Untitled
Untitled
Description
An outdoor sculptrue comprised of curved, silver-colored metal forms attached to the top of two metal supports, offset in height., Obie S Simonis; outside theatre bldg; 15x6x6 feet; stainless steel; southern or state college, simonis@erols.com, For more information and images, please visit: http://www.newtonopenstudios.com/artists-page.asp?a=403, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
8. installation process, view 4
installation process, view 4
Description
Meehan's Play Environment; during installation; SOSC Multi-F. Housing, http://www.hkmeehan.com/; http://kathleenmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
9. installation process, view 6
installation process, view 6
Description
SOSC Multi-Family; installation day, http://www.hkmeehan.com/; http://kathleenmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
10. view 3; detail of work in progress
view 3; detail of work in progress
Description
This detailed view shows the construction of Bonnie Bronson's red square piece. The steel depiected are in its original color. The identity of the person depicted is unkown., Bonnie Bronson; 1984; SOSC Ashland OR; McNeil Pavilion; work in progess, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
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