A orange, woven tapestry accented with black to create a subtle pattern. A length of black fringe extends from the bottom of the piece., Betty Jo Simmons (Swanson); hootvilla; capital, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A close-up view of a female figure with short dark hair working on what looks to be a sewing machine. The piece is in all neutral colors., Crease (detail); tapestry; 1997, http://www.americantapestryalliance.org/AP/ArtistBio/SocolofskyS.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A woven tapestry that presents red blossoms with dark green stems on a dark blue background. The red blossoms appear to undulate due to the squiggly pattern they are woven in, and they also appear to diminish in size and developmental stage as the they move across the piece from left to right. Variations between duplicate images directly relate to original source materials., Marg Johanson; bright garden; tapestry 4x8 feet; eugene state office buildings, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A woven tapestry that presents red blossoms with dark green stems on a dark blue background. The red blossoms appear to undulate due to the squiggly pattern they are woven in, and they also appear to diminish in size and developmental stage as the they move across the piece from left to right. Variations between duplicate images directly relate to original source materials., Marg Johanson; bright garden; tapestry 4x8 feet; eugene state office buildings, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This tapestry piece is organized in a tight grid pattern rendered in light neutral tones that are interrupted by randomly placed gray and white rectangles. The neutral tones are subltely inflected with light aqua tones near the top right of the piece., Tapestry; linen& cotton; 17.5 x 20 inches; 1980, bpickett@uoregon.edu, http://www.wlotus.com/BookArts/WLG/Pickett.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This surrealistic tapestry depicts a young woman's bust in black and white, whose head gives way to a tangle of black branches that lead to what appears to be a baby bird against a clouded, blue sky. An ornate combination of yellows, reds, and black constitute the background below the sky. Illegible text also appears to be present in this area., Shelley Socolofsky; Soliloquy; Tapestry; 13.5 x 15 feet; WOU Library, http://www.americantapestryalliance.org/AP/ArtistBio/SocolofskyS.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A large, textile wall hanging that seems to evoke a sense of city street schematics., portland state university; 1989; Judith Poxson Fawkes; linen tapestry; smith center; psu, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/