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photocollages (photographic compositions)
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- Description
- This piece is based on a wilderness study area in the areas of Steens Mountain southeastern Oregon. The particular site of this photograph depicts the remnants of a homestead from the heyday of dryland farming. All that remains is evidence of the root cellar and some trees that are not native to the geographic region of this site. Many of the named plants have disappeared from this location and others like where at one time they were abundant. (Warpinski), Home Creek Canyon . . . Detail'; mixed media collage; 1997; [no.] 2, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
- Description
- A detail view. Diamond Craters is among those places that call to me because the land forms openly reveal their origins - their history is clearly written upon the surfaces before me. 'Constant Movement' is a phrase drawn from old geology text and in this place is meant to speak not only about the geomorphology of the region, but also about the human experience of the moment in this place as the wind whips the mullein plants into motion. (Warpinski), Constant Movement…(detail); mixed media collage; (36 x 22 inches); 1997; [no.] 10, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
- Description
- Diamond Craters is among those places that call to me because the land forms openly reveal their origins - their history is clearly written upon the surfaces before me. 'Constant Movement' is a phrase drawn from old geology text and in this place is meant to speak not only about the geomorphology of the region, but also about the human experience of the moment in this place as the wind whips the mullein plants into motion. (Warpinski), Constant Movement…; mixed media collage; (36 x 22 inches); 1997; [no.] 9, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
4. Strategies
- Description
- Photographs abstract time and manipulate space. The monocular view through the camera lens collapses deep space onto a 2 dimensional picture plane. Often this collapse renders a powerful physical experience of place quite impotent when translated to the photographic surface. Maps are also an abstraction of space, as well as a code or language that describes the place to those that know the language. These two abstracted views are combined to give multiple readings of the same place - an edge overlooking Big Indian Gorge seen through a curtain of Mountain mahogany. (Warpinski), Strategies. (At the edge…); mixed media collage; (30 x 22 inches); 1994; [no.] 7, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
- Description
- This photographic collage presents a wine glass with a bit of liquid sitting in the bottom of it that refracts light and shadow., Ron Paul Finne; The Wine Glass for Sidney; copyright 1988; photo-print collage; 19 x 29 inches; for Science Complex, UO, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
- Description
- This photocollage consists of a layering of hand-colored and torn sections of landscape imagery that collectively depict a logical landscape view., Photo collage; 15 x 22 inches I, 22 x 30 inches f; 1991, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.terriwarpinski.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
- Description
- Most of the work in the Fragments Series pertains to the passage of time - time evidenced in one form or another. The photographs that comprise this piece (six in all) were made over the period of 20 minutes when the full moon was setting and the sun was rising. From the elevation provided by Zabriskie Point one is given the chance to experience the protraction of the brief series of moments when the moon is just ready to drop behind the western horizon while at the same time the sun is peaking above the eastern. The shadows created by one seem to intersect with those being created by the other. It is only an instant played out against geologic stage set that also reveals the passage of time., Moonset/Sunrise, Zabriske Pt.; mixed media photo collage; (28 x 30 inches); 1993, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
- Description
- A detailed version of the right side of the photo collage. The photo is of a landscape with trees amongst grass, and a hill behind the trees. On the left on top of one of the trees is a piece of paper with text making all the black behind it, brown., Home Creek Canyon . . . Detail'; mixed media collage; 1997; [no.] 3, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts
- Description
- Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
- Description
- Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
