A still life scene from a birthday dinner rendered entirely in colors from the warm range of the spectrum. Two chairs surround a table with a cake and candles, a plate of two fish, and wrapped presents. A polka-dot motif decorates the background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 17 x 22 inches, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A monotype print of a field of vetch and poppy flowers under a blue sky. The field consists of colors such as green, orange, white, and purple., Cie Goulet; Vetch and Poppies (#583); monotype; 38x49 inches; 1994; GouC94082611, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
This composition is an abstract layering of orange, black, and several different shades and inflections of gray. Loose, squiggley lines create visual interest across the picture plane., Lee Kelly; Untitled; silkscreen; 20 x 32 inches; 1958, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.pnca.edu/exposure/stories/19/lee-kelly-59; http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A Special Evening depicts an ocean view with trees in the foreground. The circular shape of the etching and the style of the trees suggest Asian influences., Jon Cruson; A Special Evening; 5/15 color lithograph; ohsc nurses unit remodel, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
After Rain depicts a mountain landscape with a lake and forests. The sun is peaking through the thick clouds, and it glistens on the lake., Liza Jones; After Rain; 1987; 2/30 color etching; 23 1/2x32 inches; ohsc nurses unit remodel, http://www.beppugallery.com/showartists.php?ArtistID=37, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This print depicts a red-breasted crow adorned with linear accents. A swatch of light blue near the crow's head creates visual interest and directs the viewer's attention to a mirror-image of the word "crow" near the top of the image., Rick Bartow; wounded crow; monoprint with mixed media; 44.25x30 inches; 1991; BARR91 (inv. 1029), The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This print depicts a red-and-white striped curtain with red and green tassels that is gathered into a knot toward the upper right of the piece. The black background slightly obscures the black text laid over the top of the curtain that reads "Dream.", Tad Savinar; transfer on wall paper; Dream; 1988; 12x12 inches; ohsu movable, For more images by this artist, please visit: http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This black-and-white print depicts a profile of a salmon's head against cityscape backdrop. Three insets around the perimeter of the image provide futher detail pertaining to the subject matter., Dennis Cunningham; River City Salmon; Linocut print; 42x40 inches; 1989; ohsu movable, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A print of an asian woman with a daisy in her hair and her hands in front of her red lips. Behind her is a yellow, red, green, and black pattern next to some trees against a brown, yellow and orange background., Yuji Hiratsuka; Daisy Sigh; 1994; OHSU; color intaglio chine colle; 24x18 inches, Yuji Hiratsuka was born in Osaka, Japan. In 1985 he moved to the United States. He started teaching printmaking at Oregon State University in 1992. His graphic work has been exhibited in the United States, Europe and Asia and has received numerous awards in national and international competitions. Some of his works are exhibited in The British Museum, Tokyo Central Museum, Museum of Modern Art in New York, and the New York Public Library., http://www.houstonscustomframing.com/gallery_yuji.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture