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1. Cascade
Cascade
Description
Cascade utilizes fluid swirling lines and patterns to provide a playful interpretation of mountain ranges. The piece is largely composed of earthy tones., R. Kasal; Cascade; exec office bldg; salem oregon; 1980, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
2. Broken Iris Grid
Broken Iris Grid
Description
Three circles, arranged tightly together from left to right, contain the image of an iris variously intersected by a series of lines. The irises' colors shift from left to right: the left one is a reddish-orange, the middle is a shade of mauve, and the right one is a purplish color. The intersecting lines are slightly different in each circle as well., November, 1980; Painted & dyed canvas trapunto quilt, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
3. Stair in the Blue Room
Stair in the Blue Room
Description
A woven piece that presents a geometric pattern of squares and rectangles over a subltely integrated plaid of blue, purple, and yellow. The squares and rectangles are presented in a gradation from yellow to red, and the sqaures form a diagonal from the bottom left to the top right. The rectangles vary in size to accomodate the space between each square and the top/bottom edge of the piece. The artist has also woven her initials, place, and date into the bottom of the piece., 1979; Weaving; 39""x57"", Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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